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Maggie Alderson Biography

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“My smells of a son are gummy sweeties, Play-Doh, Pritt Stick, poster paint and wax crayons. Earthy mud on polyester football kit. The sweet antiseptic of sticking plasters. Fruity bubble gum and the minty tang of chong- as he and his friends called chewing gum. Bicycle chain oil and rubber inner tubes. The chemical overload of Lynx sprayed profusely over sweat, hair gel and toxic trainers. Fried onions and meat on the breath. Tomato ketchup. My scents for a son are: I am Juicy Couture by Juicy Couture Black by Bvlgari L'Air de Rien by Miller Harris Serge Noire by Serge Lutens Rocker Femme by Britney Spears Dirty by Lush Africa by Lynx”

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Book:The Scent of You
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“It's posh, but there is a kind of freshness to it... not lemony, but..." "Pennyroyal," said Polly, looking at Guy, who pointed his left forefinger at her as he swung back onto his stool. "Mint. I normally hate mint in anything, but it works here." "Bang on it. Just a tinge of toothpaste among all the earthy stuff to freshen it up, that was my thought." "And a very soft rose," said Polly. "I think there's a lot more to come, this is a very quiet beginning for you. What are you calling this one?" "First Light," said Guy. "I went for rose because they are one of the flowers that smell best in the morning- but not too much, because it's really all about what comes next. Do you like the name? I was going to call it Dawn's Crack, but thought better of it. But what is going to come through next is lots of lovely orris root, which has that musky morning bed smell to me- and it all just said 'waking up in the morning after serious hanky panky', so I went with that. And then there's the idea that you can experience first light after a long night without sleep, which I also like.”

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“So the smells I associate with the Elders are freshly cut garden flower arrangements- roses, lilac and endless sweet peas and the fougère hints of random greenery lavishly added to the vases, in the Constance Spry style. Also, modest shop-bought flowers, particularly daffodils, tulips and freesias, which are such an economical way to brighten a room for that thrifty generation. My scents for the elders are: Lavender by Yardley Blue Grass by Elizabeth Arden Rose in Wonderland by Atkinsons Femme by Rochas Ostara by Penhaligon's Tweed by Lenthéric (A mention of this elicited a big response at the event; it seemed all the women had worn it at some time and had happy associations with it. I do wish they would re-release it in the original tweed-fabric effect box.) The men in this age group are the last of the true British gentlemen, so especially for them: Old Spice St Johns Bay Rum by St Johns Fragrance Company Royal Mayfair by Creed”

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“As for the smells I associate with her, I was a bit of a swot too, so I love all the stationery aromas: the woody/metallic aroma of pencil shavings, the flat winey smell of ink, the sticky sweetness of a leaking biro and- my favorite- the almost talcum-powder softness of a new exercise book. For her veggie diet there is the powerful grassiness of leafy vegetables, the caramel of sweet potatoes, carrots and beetroots roasting, and the sulfurous note of brassicas. The nutty starchiness of brown rice and other whole grains. The green tang of fresh herbs, warm ginger. The bite of garlic and the spiciness of coriander seeds, cardamom, turmeric and chili. White flowers for her youthful freshness and lemon for her mental sharpness. So my scents for a daughter are: Gold Heart v. 4 by Map of the Heart Botanical Essence No. 20 Rose by Liz Earle (it has a carrot seed note in it) Wild Green by Bronley White Musk by The Body Shop Neroli by Annick Goutal Cristalle by Chanel”

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“So, putting aside the yucky ones, the positive smells of a dog for me are the next-day cold-stew smell of his meaty food, and the aroma of a roasted chicken right out of the oven, which will have him running to the kitchen like a rocket. The dry seed and hay hum of a pet shop, and the sickly rotting meat of his treats. Grassy fresh air and mud on long winter walks. The rubbery tang of the toys he likes to brutalize. The worn-in leather of his collar and lead. The sweet, musty smell of his velvety ears, which I love to stroke, and yes, I admit it, I kiss them. My scents for a dog are (a bit of a challenge in all honesty, but it's fun to stretch yourself sometimes!): Barbour For Him by Barbour Grass by The Library of Fragrance Dirt by The Library of Fragrance Cuir de Russie by Chanel Piper Leather by Illuminum Mûre et Musc by L'Artisan Parfumeur”

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“My Easter smells are the cinnamon and mixed spices in the hot cross buns, and the rosemary and mint sauce with the roast lamb. The grassy tang of rhubarb and real muddy wet grass from the egg rolling. And of course, lots and lots of milk chocolate. My scents for Easter are: Angel by Thierry Mugler Anima Dulcis by Arquiste Musc Maori by Parfumerie Générale Blue North by Agonist Opium by Yves Saint Laurent English Pear & Freesia by Jo Malone London La Tulipe by Byredo”

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“I just love being around the animals. I enjoy their company, which probably sounds crazy, but I do. I particularly love their smell." "So do I," she said. "It's one of the great smells, actually, and traces of it are used in perfumes. It's called an animalic note." "Gosh," said Chum, "I wouldn't mind some of that. What's it called- Eau de Nag?" "Well, it's more of a hint deep inside a very complex blend of different smells, although one niche company does make a perfume called Stable.”

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“Then there is my current reality, the smells that are constants in my life: lemon slices and fresh ginger, the sharp tannin and milky contrast of builder's tea, and the slightly sickly green scent of freshly cut flower stems. And not forgetting the classic ingredients of the chypre base of so many of my favorite perfumes- bergamot, oakmoss, patchouli and labdanum (rock rose)- which I'm finding so reassuring in this time of transition.”

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“Again Polly remembered all the notes in this perfume from the event earlier, and enjoyed waiting for each one to register in the olfactory bulb in the front of her brain, while her imagination did its own thing. The neroli, jasmine and sandalwood transported her to a summer night in the south of France, wearing a crisp white shirt- this was a much fresher chypre than the first one. Then she remembered she'd sprayed this one on her wrist during the event earlier and lifted it to her nose to see how it developed since then. Suddenly, out of nowhere: David. Her eyes snapped open. Coal tar? "Has this got guaiac wood in it?" she asked Lucien, not caring if it interfered with his testing of Guy. Lucien smiled broadly. "Yes," he said, "but very, very deep inside, it's a base note, as you would know. Your nose is very good, Polly." Guy grasped her wrist and brought it to his nose. "It's just under the bergamot and before the honeysuckle," he said, opening his eyes.”

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“The overpowering oriental out that had first led her there was tempered now by a much more varied and subtle fragrance palette. She could pick up strong threads of the most classic florals, rose, lily of the valley, magnolia, which Guy would have turned his nose up at before, alongside the more Mediterranean jasmine and neroli, with the warm notes of sandalwood and tonka, balanced by the bite of citrus.”

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“For 'The scent of yoga' she chose Black Lapsang because its smoky opening always made her think of incense and sacred spaces- which is what she tried to create in her former dining room, but without using joss sticks because she didn't think they went well with deep breathing. She closed her eyes as the perfume developed to reveal its Assam-tea middle note, which made her think immediately of that first yoga breakfast with Shirlee and Maxine and the yogi bears.”

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