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Smells Quotes

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Smells Quotes

“She could tell when a woman was pregnant — even before the woman herself might know — just from the way she smelled: a combination of brown sugar and Stargazer lilies. Happiness had a pungent scent, like the sourest lime or lemon. Broken hearts smelled surprisingly sweet. Sadness filled the air with a salty, sea-like redolence; death smelled like sadness.”

“I can almost see it now, in red and yellow lettering; as if the events of the past eight years have been neatly and prettily folded away, leaving no rough edges, no blanks, just the gloss of recovered time. And it smells of the Americas; the court of Montezuma; spiced, in golden goblets and mixed with wine and pomegranate juice. And it smells of cream and cardamom; of sacrificial bonfires; of temples and of palaces; of vanilla and tonka and mocha and rose. The scent is overwhelming; it rushes through me like the wind; it sweeps me off my feet like love- Will you stay, Vianne? Will you stay?”

“Mail call. Someone throws a box on his bed. Curling, feminine handwriting addressed to Bobby. Cinnamon and chocolate wafts from the paper. Bobby’s fingers trace the letters of his own name, trace the grease spots starting to shine through the brown wrapping paper. You’ll see, Adam had said. Someday. Bobby’s hands shred the paper and reach for a fistful of cookies, shoving them against his lips. Someday, Adam said. Someday.”

“She opened the kitchen door and the smells came to greet her. The sensual, come-hither scent of chocolate cake. Mint, for the customer who always liked hers fresh-picked for her late-night tea. Red pepper seeds and onion skins, waiting in the compost pail that Finnegan had not, she could tell, emptied last night. Cooked boar meat from a ragout sauce that was a winter tradition, the smell striding toward her like a strong, sweaty hunter.”

“Then his tears came once more, and feeling cold he went into his dressing-room to look for something to throw around his shoulders. But he had lost control of his hand so that it moved like a brainless creature and completely failed to carry out the small mathematical operation which consisted, because the inside of the wardrobe was dark, in fumbling a way through the different velvets, silks and satins of his mother's outmoded dresses which, since she had given up wearing them, for many years, she had put away in this piece of furniture, until it could feel the wooden jamb, far back, which separated these garments from his own, and, on reaching the second rough-surfaced coat, to take it from the hanger from which it depended. Instead, it tore down the first piece of fabric it encountered. This happened to be a black velvet coat, trimmed with braid, and lined with cherry-coloured satin and ermine, which, mauled by the violence of his attack, he pulled into the room like a young maiden whom a conqueror has seized and dragged behind him by the hair. In just such a way did Jean now brandish it, but even before his eyes had sent their message to his brain, he was aware of an indefinable fragrance in the velvet, a fragrance that had greeted him when, at ten years old, he had run to kiss his mother—in those days still young, still brilliant and still happy—when she was all dressed up and ready to go out, and flung his arms about her waist, the velvet crushed within his hand, the braid tickling his cheeks, while his lips, pressed to her forehead, breathed in the glittering sense of all the happiness she seemed to hold in keeping for him.”

“What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.”

“My mother, who would always buy her books new, hated it the vintage hardcovers with their cracked spines and threadbare cloth covers. True you couldn't go in there and buy the latest best seller, but when you held one of those volumes in your hands, you were leafing through another person'a life. Someone else had once loved that story, too. Someone else had carried that book in a backpack, devoured it over breakfast, mopped up that coffee stain at a Paris café, cried herself to sleep after that last chapter. The scent was distinctive: a slight damp mildew, a punch of dust. To me, it was the smell of history.”

“My smells of a son are gummy sweeties, Play-Doh, Pritt Stick, poster paint and wax crayons. Earthy mud on polyester football kit. The sweet antiseptic of sticking plasters. Fruity bubble gum and the minty tang of chong- as he and his friends called chewing gum. Bicycle chain oil and rubber inner tubes. The chemical overload of Lynx sprayed profusely over sweat, hair gel and toxic trainers. Fried onions and meat on the breath. Tomato ketchup. My scents for a son are: I am Juicy Couture by Juicy Couture Black by Bvlgari L'Air de Rien by Miller Harris Serge Noire by Serge Lutens Rocker Femme by Britney Spears Dirty by Lush Africa by Lynx”

“It rained in Hampshire yesterday, a soft autumn storm that brought down hardly any leaves. The dahlias are no longer in stem, and frost has withered the chrysanthemums, but the air smells divine, like old leaves and wet bark, and ripe apples. Have you ever noticed that each month has its own smell? May and October are the nicest-smelling months, in my opinion.”

“I still dream in pictures and color, always the world of my childhood. I see the purple Judas trees at Easter lighting up the roadsides and terraces of the town. Ochre cliffs made of cinnamon powder. Autumn clouds rolling along the ground of the hills, and the patchwork of wet oak leaves on the grass. The shape of a rose petal. And my parents' faces, which will never grow any older. "But it is strange how scent brings it all back too. I only have to smell certain aromas, and I am back in a certain place with a certain feeling." The comforting past smelled of heliotrope and cherry and sweet almond biscuits: close-up smells, flowers you had to put your nose to as the sight faded from your eyes. The scents of that childhood past had already begun to slip away: Maman's apron with blotches of game stew; linen pressed with faded lavender; the sheep in the barn. The present, or what had so very recently been the present, was orange blossom infused with hope.”

“As if the whimsy of chugging through a gargantuan slice of watermelon wasn't enough, you can actually smell the mouthwatering scent of watermelon as you breeze through it. The box of animal crackers that you travel through smells of vanilla cookies-- always a soothing scent--and a giant gnawed apple exudes an apple fragrance as you pass.”

“But why is it that if you imagine a baby who smells of milk, for example, you can't help smiling? Why is there such an agreement around the world about what is or isn't a foul smell? Who decided what smells bad? Is it impossible that somewhere in this world there are people who, if they sat next to a homeless fellow they'd get the urge to snuggle up to him, but if they sat next to a baby they'd get an urge to kill it?”

“The great chestnut-wood tables groaned under the weight of platters, trays, plates, dishes and bowls. The whole Feast was here, John saw. Every word in the book, every fruit in the gardens, every green thing that grew, every creature that ran or swim or flew. John felt his demon creep forward as a great wave of flavors and tastes washed through him, those his mother had shown him on the slopes joined with others he had never sensed before. He could smell the rich tang of the meats. His head swirled from the steaming fumes of the wine. His jaw ached from the sweets which rose in heaps on silver platters while honeyed syllabubs shivered in their cups. He felt the pastry crunch, shiny with beaten butter. He heard the sugar-pane crackle. The sweetmeats flooded his senses, banishing his hunger and cold. A great procession of dishes floated up out of the pages, all theirs.”

“So the smells I associate with the Elders are freshly cut garden flower arrangements- roses, lilac and endless sweet peas and the fougère hints of random greenery lavishly added to the vases, in the Constance Spry style. Also, modest shop-bought flowers, particularly daffodils, tulips and freesias, which are such an economical way to brighten a room for that thrifty generation. My scents for the elders are: Lavender by Yardley Blue Grass by Elizabeth Arden Rose in Wonderland by Atkinsons Femme by Rochas Ostara by Penhaligon's Tweed by Lenthéric (A mention of this elicited a big response at the event; it seemed all the women had worn it at some time and had happy associations with it. I do wish they would re-release it in the original tweed-fabric effect box.) The men in this age group are the last of the true British gentlemen, so especially for them: Old Spice St Johns Bay Rum by St Johns Fragrance Company Royal Mayfair by Creed”

“The fragrance of white tea is the feeling of existing in the mists that float over waters; the scent of peony is the scent of the absence of negativity: a lack of confusion, doubt, and darkness; to smell a rose is to teach your soul to skip; a nut and a wood together is a walk over fallen Autumn leaves; the touch of jasmine is a night's dream under the nomad's moon.”

“So, putting aside the yucky ones, the positive smells of a dog for me are the next-day cold-stew smell of his meaty food, and the aroma of a roasted chicken right out of the oven, which will have him running to the kitchen like a rocket. The dry seed and hay hum of a pet shop, and the sickly rotting meat of his treats. Grassy fresh air and mud on long winter walks. The rubbery tang of the toys he likes to brutalize. The worn-in leather of his collar and lead. The sweet, musty smell of his velvety ears, which I love to stroke, and yes, I admit it, I kiss them. My scents for a dog are (a bit of a challenge in all honesty, but it's fun to stretch yourself sometimes!): Barbour For Him by Barbour Grass by The Library of Fragrance Dirt by The Library of Fragrance Cuir de Russie by Chanel Piper Leather by Illuminum Mûre et Musc by L'Artisan Parfumeur”

“My Easter smells are the cinnamon and mixed spices in the hot cross buns, and the rosemary and mint sauce with the roast lamb. The grassy tang of rhubarb and real muddy wet grass from the egg rolling. And of course, lots and lots of milk chocolate. My scents for Easter are: Angel by Thierry Mugler Anima Dulcis by Arquiste Musc Maori by Parfumerie Générale Blue North by Agonist Opium by Yves Saint Laurent English Pear & Freesia by Jo Malone London La Tulipe by Byredo”

“There must have been a billion leaves on the land; he waded in them, a dry river smelling of hot cloves and warm dust. And the other smells! There was a smell like a cut potato from all the land, raw and cold and white from having the moon on it most of the night. There was a smell like pickles from a bottle and a smell like parsley on the table at home. There was a faint yellow odour like mustard from a jar. There was a smell like carnations from the yard next door. He put down his hand and felt a weed rise up like a child brushing him. His fingers smelled of liquorice. He stood breathing, and the more he breathed the land in the more he was filled up with all the details of the land. He was not empty. There was more than enough here to fill him. There would always be more than enough.”

“I just love being around the animals. I enjoy their company, which probably sounds crazy, but I do. I particularly love their smell." "So do I," she said. "It's one of the great smells, actually, and traces of it are used in perfumes. It's called an animalic note." "Gosh," said Chum, "I wouldn't mind some of that. What's it called- Eau de Nag?" "Well, it's more of a hint deep inside a very complex blend of different smells, although one niche company does make a perfume called Stable.”

“The store smells of roasted chicken and freshly ground coffee, raw meat and ripening stone fruit, the lemon detergent they use to scrub the old sheet-linoleum floors. I inhale and feel the smile form on my face. It's been so long since I've been inside any market other than Fred Meyer, which smells of plastic and the thousands of people who pass through every day. By instinct, I head for the produce section. There, the close quarters of slim Ichiban eggplant, baby bok choy, brilliant red chard, chartreuse-and-purple asparagus, sends me into paroxysms of delight. I'm glad the store is nearly empty; I'm oohing and aahing with produce lust at the colors, the smooth, shiny textures set against frilly leaves. I fondle the palm-size plums, the soft fuzz of the peaches. And the berries! It's berry season, and seven varieties spill from green cardboard containers: the ubiquitous Oregon marionberry, red raspberry, and blackberry, of course, but next to them are blueberries, loganberries, and gorgeous golden raspberries. I pluck one from a container, fat and slightly past firm, and pop it into my mouth. The sweet explosion of flavor so familiar, but like something too long forgotten. I load two pints into my basket. The asparagus has me intrigued. Maybe I could roast it with olive oil and fresh herbs, like the sprigs of rosemary and oregano poking out of the salad display, and some good sea salt. And salad. Baby greens tossed with lemon-infused olive oil and a sprinkle of vinegar. Why haven't I eaten a salad in so long? I'll choose a soft, mild French cheese from the deli case, have it for an hors d'oeuvre with a beautiful glass of sparkling Prosecco, say, then roast a tiny chunk of spring lamb that I'm sure the nice sister will cut for me, and complement it with a crusty baguette and roasted asparagus, followed by the salad. Followed by more cheese and berries for dessert. And a fruity Willamette Valley Pinot Noir to wash it all down. My idea of eating heaven, a French-influenced feast that reminds me of the way I always thought my life would be.”

“Then there is my current reality, the smells that are constants in my life: lemon slices and fresh ginger, the sharp tannin and milky contrast of builder's tea, and the slightly sickly green scent of freshly cut flower stems. And not forgetting the classic ingredients of the chypre base of so many of my favorite perfumes- bergamot, oakmoss, patchouli and labdanum (rock rose)- which I'm finding so reassuring in this time of transition.”

“Rognons de Veau à la Bordelaise is simplicity itself to make; no different, essentially, from Poulet Sauté, and no different, especially, from Bifteck Sauté Bercy. In fact, making it that night felt like falling into a time warp- I stood before the stove, melting butter and browning meat and smelling the smells of wine deglazing and shallots softening- but the dishes changed before my eyes, and I heard Julia warbling, "Boeuf Bourguignon is the same as Coq au Vin. You can use lamb, you can use veal, you can use pork....”

“The sight of my mother's handwriting on the slips of paper and in the margins of the book causes me to inhale sharply, and for a moment I smell licorice, as if the mere sight of her heavily styled penmanship has produced an olfactory hallucination. It's a delicate smell, more like anise or fresh tarragon than the sugary smell of a licorice pastille. Smell, I remember my mother once telling me, is the most powerful of the senses. Without it, there is no taste. Long ago I lost the memory of her face, the sound of her voice, the touch of her fingers. But I can still remember her smell, in the aroma of a sherry reduction, the perfume, delicate and faint, that lingers on your hands after you've run them through a hedge of rosemary, the pungent assault of a Gauloises cigarette. Any of a thousand smells are enough to conjure her memory.”

“The pan dulce was perfect, and it gave Anna an idea. Talking to Lila about her favorite memories of her mother had shaken loose parts of the past she had either forgotten or overlooked. Like the songs her mother would sing as she cooked the one and only thing she ever cooked; like that time they visited the family coffee estate and Mum shot a rampaging wild boar and then they cooked and ate it later that night; like the smell of rain in the forest; like the fat, sour gooseberries they would pick off the trees; like fresh peppercorns straight off the vine; like countless other jumbled memories and smells and tastes and sounds that had been tucked away in some corner of her mind gathering dust for so long. Mum's favorite dish, the one and only thing she ever cooked. I'm going to make it. Anna had never learned how to make it, because she had always arrogantly assumed her mother would be around forever, but she had eaten it so many times that she was sure she could recreate it by memory and taste alone. This is it. Her favorite food. She would have to thank Lila for the inspiration later. This was the connection she had been afraid she would never find. It was a way to hold on to everything she had lost. "Can I borrow your wallet, Dad?" Excited for the first time in what felt like months, Anna rushed out to the neighborhood grocery store and picked out the ingredients she hoped would work. Curry leaves, bay leaves, whole black peppercorns, turmeric, ginger, garlic, green chilies, red chilies, limes, honey, and, finally, a fresh shoulder of pork.”

“It had withstood the years. His knife sliced it open and the cork was still intact beneath. For a moment the scent was so immediately pungent that all he could do was endure it, teeth clenched, as it worked its will on him. It smelled earthy and a little sour, like the canal in midsummer, with a sharpness which reminded him of the vegetable cutter and the gleeful tang of freshly dug potatoes. For a second the illusion was so strong that he was actually there in that vanished place with Joe leaning on his spade and the radio wedged in a fork in a tree. A sudden overwhelming excitement took hold of him and he poured a small quantity of the wine into a glass, trying not to spill the liquid in his eagerness. It was dusky pink, like papaya juice, and it seemed to climb the sides of the glass in a frenzy of anticipation, as if something inside it were alive and anxious to work its magic on his flesh.”

“Back inside, I’m shown an antique cabinet in which members of the community, famous for their homegrown produce, dried herbs. The Oneida Community was an upstate tourist attraction right from the start, second, Valesky says, to Niagara Falls. I’m taking the same guided tour offered a hundred and fifty years ago to prim rubbernecks who came here to peep at sex fiends. I wonder how many of my vacationing forebears went home disappointed? They thought they were taking the train to Gomorrah but instead they got to watch herbs dry. Valesky opens a drawer in the herb cabinet so I can get a whiff. He mentions that back in the day, when one tourist was shown the cabinet she rudely asked her community-member guide, “What’s that odor?” To which the guide replied, “Perhaps it’s the odor of crushed selfishness.” Valesky grins. “How about that for a utopian answer?” To my not particularly utopian nose, crushed selfishness smells a lot like cilantro.”

“As soon as we open the apartment door, we can smell the turkey roasting. I've cooked it in a paper bag (a neat trick that ensures an incredibly moist bird without basting). The smell is a heady combination of roasting turkey, and apple brandy, butter, and wild mushrooms that I've combined and rubbed on the inside of the bird and under the skin of the breast and legs. It will be delicious.”

“Spaghetti del mare," she said, coming through the door, "from the sea." In the large, wide blue bowl, swirls of thin noodles wove their way between dark black shells and bits of red tomato. "Breathe first," Charlie told him, "eyes closed." The steam rose off the pasta like ocean turned into air. "Clams, mussels," Tom said, "garlic, of course, and tomatoes. Red pepper flakes. Butter, wine, oil." "One more," she coaxed. He leaned in- smelled hillsides in the sun, hot ground, stone walls. "Oregano," he said, opening his eyes. Charlie smiled and handed him a forkful of pasta. After the sweetness of the melon, the flavor was full of red bursts and spikes of hot pepper shooting across his tongue, underneath, like a steadying hand, a salty cushion of clam, the soft velvet of oregano, and pasta warm as beach sand.”

“Now, what about that chocolate?" It is my recipe, and yet it is not quite familiar. A little less sugar, a little more vanilla, or cardamom, or maybe turmeric. In any case, it is sweet and good, and it smells of other places, of wonderful things to discover. But it also smells of home; of the scent of fig leaves in the sun, and Armande's peaches cooking. It smells of moonlight on the Tannes, and the scent of Roux's tattooed skin against mine. It smells of the past and the future, and suddenly I realize that I am no longer afraid of anything that future may bring. The hole in the world has somehow been filled. I am whole again, and free.”

“The studio was filled with candles. Some Escoffier had brought earlier for their luncheon- they were made from beeswax and filled the air with a sweet caramel scent. The rest were Sarah's. There were exotics such as blood orange oil, frankincense and myrrh. The flowers he had picked- roses, peonies and a spray of lilies- opened into full blossom under the heat of so many flames and joined the heady mix. Like dozens of tiny flickering stars, the candles and their scents made the dark night seem even darker, made the cream of her skin seem incandescent.”

“It’s like I’ve always had a painted musical sound track playing background to my life. I can almost hear colors and smell images when music is played. Mom loves classical. Big, booming Beethoven symphonies blast from her CD player all day long. Those pieces always seem to be bright blue as I listen, and they smell like fresh paint. Dad is partial to jazz, and every chance he gets, he winks at me, takes out Mom’s Mozart disc, then pops in a CD of Miles Davis or Woody Herman. Jazz to me sounds brown and tan, and it smells like wet dirt.”