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Nigel Slater

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“Petals the color of butter, primroses and farmhouse Caerphilly. Deep egg yolk and elephant's tusk. Others of piercing marigold, honey and Dutch orange. Trumpets of turmeric, saffron and Sienese alleyways. The narcissi I am planting have petals, coronas and stamens in all the colors of spring. The colors of a child's hand-made Easter card. The single narcissi are those I cherish most, as much for their scent as their simple, uncluttered form. Many are placed singly in small, chipped terracotta pots. They will sit snugly between larger terracotta pans of Thalia, miniature scented daffodils the color of buttermilk, and Jetfire with its orange trumpet. There will be a deep pot of Paperwhites and the scrunched creamy-orange Erlicheer. I'm digging in Avalanche with its tangerine fairy cups and Chinese Sacred Lily, which I fear I have acquired for its name alone. My plan is for a zinc table of spring yellows in all the colors of milk on its journey to cheese. Narcissi, their petals and their scent, carry the spirit of Easter. Planting them on a warm afternoon in November is something of an act of hope. The belief that spring will come once again, and that I will be around to enjoy it. If not, then perhaps someone else will.”

“Once established, jasmine grows well in this garden, and there are three, no, four varieties now. A soft yellow, like clotted cream, that hangs loosely from the window boxes, shifting in the breeze. A pink variety, Jasminum stephanense, clambers up the brittle, naked stems of a much older plant, using its relative as a trellis. White stars of Jasminum grandiflorum cover the tendrils that have woven a canopy over the courtyard, a fragrant white parasol whose petals fall like snowflakes each autumn.”

“Their petals are as delicate as antique lace but I grow them for their leaves, which are scented-- lemon, camphor and rose. There is Edna Popperwell's Ashby, whose leaves smell not of the advertised rose but (to this nose at least) of frankincense. Attar of Roses has furry leaves which remind me of Turkish delight, Orsett smells of balsam whilst Prince of Orange and Queen of the Lemons speak for themselves, the latter of sherbet lemons rather than the fruit. At the top of the garden is a wayward, rambling Copthorne, whose clusters of marshmallow-pink flowers are entangled amongst the bars of the old iron gate. Others are here not for their scent but for the delicate flowers. The diminutive Shannon sends her frilly parsley leaves and straggle of wandering stems over the table. She has no scent at all, but flowers that resemble salmon-pink stars, which twinkle against the watery-grey zinc of the garden table. The leaves are nothing to look at but show their magic once you rub them between finger and thumb. I use them for a spritz of inspiration as I write, but I occasionally take them into the kitchen too. If you layer their leaves amongst caster sugar in a jam jar they will infuse the crystals with the essence of lemon, orange or rose. Pick the right leaves and you have delicate, scented sugar with which to crown a summer sponge cake or to infuse in a jug of cream for raspberries.”

“There is a smell, rich and sickly sweet, so pungent I feel as if I am being choked. A smell that is both new and curiously familiar. Notes of the most intense jasmine with a back note of vanilla and overripe mango. The sea is too warm, and I cut short my night swim. As I pass through the garden, lanterns now glowing, the perfume has faded a little, it is less hypnotic, softer and more floral than before. Trumpets of deep-crimson hibiscus have closed for the night, chains of bougainvillea and a plant I do not know are the only ones in flower. It is this last from which the scent is emanating. Each blossom has thick white petals, crisp, like icing on a wedding cake. Almost too perfect to be real, the petals darken in the centre to a pale-yellow with a deep-saffron eye. Strangely, the scent is stronger from a distance than close up. My mystery flower is frangipani, or if we are talking in botanical terminology, Plumeria, the name given to honor the seventeenth-century French monk and botanist Charles Plumier. I note that the almond filling known as frangipane was once perfumed with the extract, though we are a long, long way from Bakewell. There are few perfumes I would call hypnotic-- tuberose, Casablanca lily, jasmine perhaps-- but frangipani is up there with them. I go back to my room, head throbbing, drunk on flowers.”