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Richard Serra

Richard Serra Books

Sculptor

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“Promenade was totally driven by the context. The internal relationships of measurement and placement related to the central axis of the site. The placement of the rectangular plates followed a strict logic in that the plates tilted away and towards the center line in an asymmetrical counterpoint. However, the perception of the sculpture contradicts the logic of its relation to the site. As you walk inbetween the plates you see fragments, you see the work in part, you cannot grasp the whole.”

WholeLinesWalksPerceptionLogicRelationDrivenRelatedInternalsPlatesSiteStrictSculptureFragmentsMeasurementAxesPlacementPromenade
Author:Richard Serra
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“If you reduce sculpture to the flat plane of the photograph, you're passing on only a residue of your concerns... You're not only reducing the sculpture to a different scale for the purposes of consumption, but you're denying the real content of the work.”

IfsDifferentRealPurposeConcernPhotographScalesPassingPassingsPlanesFlatsConsumptionSculptureReducingPassing On
Book:Richard Serra, Interviews, Etc., 1970-1980
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“The viewer becomes aware of himself and of his movement through the plaza. As he moves, the sculpture changes. Contraction and expansion of the sculpture result from the viewer's movement. Step by step the perception not only of the sculpture but of the entire environment changes.”

MovingResultsStepsEnvironmentMovementPerceptionExpansionViewersSculptureContractions
Book:In the matter of a public hearing on the
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