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Sarah Bernhardt

Sarah Bernhardt Books

Film actress

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“Alas, we are the victims of advertisement. Those who taste the joys and sorrows of fame when they have passed forty, know how to look after themselves. They know what is concealed beneath the flowers, and what the gossip, the calumnies, and the praise are worth. But as for those who win fame when they are twenty, they know nothing, and are caught up in the whirlpool.”

KnowsLooksJoyWinningKnow HowYouthFlowerSorrowTasteFameTwentiesPraiseVictimCaughtFortyGossipCaught UpAlasConcealedAdvertisementsCalumnyJoys And SorrowsWhirlpools
Author:Sarah Bernhardt
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“The artist's personality must be left in his dressing-room; his soul must be denuded of its own sensations and clothed with the base or noble qualities he is called upon to exhibit.... [he] must leave behind him the cares and vexations of life, throw aside his personality for several hours, and move in the dream of another life, forgetting everything.”

SoulDreamCareMovingArtistActorsLeftHoursForgetRoomsActingBehindsQualityPersonalityTheaterIndividualityNobleSensationsDressingsExhibitsAnother LifeDressing RoomsVexation
Author:Sarah Bernhardt
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“I have, thanks to my travels, added to my stock all the superstitions of other countries. I know them all now, and in any critical moment of my life, they all rise up in armed legions for or against me.”

KnowsCountryMomentsBusinessCriticalFinanceThanksSuperstitionsOther CountriesLegionCritical Moments
Book:Memories of my life, being my personal, professional, and social recollections as woman and artist
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“We must live for the few who know and appreciate us, who judge and absolve us, and for whom we have the same affection and indulgence. The rest I look upon as a mere crowd, lively or sad, loyal or corrupt, from whom there is nothing to be expected but fleeting emotions, either pleasant or unpleasant, which leave no trace behind them.”

KnowsLooksEmotionBehindsJudgingAppreciateMereAffectionCrowdsExpectedPleasantLook UpLoyalFleetingIndulgenceLively
Book:Memories of my life, being my personal, professional, and social recollections as woman and artist
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