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Steve Toltz

Steve Toltz Books

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“It's always something here - if there isn't a riot, then someone's usually trying to escape. The wasted effort helps me see the positives of imprisonment. Unlike those pulling their hair out in good society, here we don't have to feel ashamed of our day-to-day unhappiness. Here we have someone visible to blame - someone wearing shiny boots. That's why, on consideration, freedom leaves me cold. Because out there in the real world, freedom means you have to admit authorship, even when your story turns out to be a real stinker.”

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Book:A Fraction of the Whole
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“I believe that a person's thoughts often manifest into actual events - that we think things into existence. Right? Well, think about this: one of the illnesses that has become an epidemic in the Western world is an addiction to news. Newspapers, Internet news, 24-hour news channels. And what is news? News is history in the making. So the addiction to news is the addiction to the outcome of history. Are you with me so far?' 'I get it. Go on.' 'In the past couple of decades, news has been produced as entertainment. So people's addiction to news is the addiction to its function as entertainment. If you combine the power of thought with this addiction to entertaining news, then the part of the hundreds of millions of people, the viewing public, that wishes peace on earth is overshadowed by the part of them that wants the next chapter in the story. Every person who turns on the news and finds there's no developments is disappointed. They're checking the news two or three times a day - they want drama, and drama means not only death but death by the thousands, so in the secrets parts of themselves, every news-addicted person is hoping for greater calamity, more bodies, more spectacular wars, more hideous enemy attacks, and these wishes are going out every day into the world. Don't you see? Right now, more than at any other time in history, the universal wish is a black one.”

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“There’s nothing wonderful or interesting about unrequited love. I think it’s shitty, just plain shitty. To love someone who doesn’t return your affections might be exciting in books, but in life it’s unbearably boring. I’ll tell you what’s exciting: sweaty, passionate nights. But sitting on the veranda outside the home of a sleeping woman who isn’t dreaming about you is slow moving and just plain sad.”

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“I was in the hospital and I was paralyzed and I went through all of these things. I've had all of these crazy experiences and jobs in my life, but I never really write about them because I've already told them as stories to friends. For me, the process of writing is the process of invention. But the hospital story felt told already. There was nothing to discover in the telling of it. The discovery had to be in the form. It wasn't really the unfamiliarity of the form, it was more about a way incorporate invention and how to realize it imaginatively.”

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“I believe everything is autobiographical. If it's not strictly about you, it's your peers, your obsessions, things that make you angry, or things that you've been watching or obsessing about. Preoccupying you for reasons you don't necessarily know, but it's about you. It says a lot about you. It's like when someone tells you their dream and you sit there going, "Do you realize how much you're revealing about yourself right now?" It's kind of embarrassing.”

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“There's this quote by a writer, Emil Cioran, he's a Romanian writer. He says that you should only put things in books that you would never dare to say to people in real life. So there is that feeling of acute embarrassment, or that you've been too revealing. I think it's some kind of survival mechanism where I never think of the reader, ever. Because then I would start censoring myself.”

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“There are authors like David Foster Wallace or Raymond Chandler - with voice-based authors I might end up a completist, because what I love about them isn't just the particular construction of one novel or another but their flavor. There is an Austrian writer, Thomas Bernhard, as well. One book is not necessarily greater than another book, but they just have this incredible, unique voice, so it doesn't really matter which one you read.”

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“I've never had a mentor personally of any kind. It feels like, generally, in the writing world or the art world, it's more of a thing in America, because you have writing programs, which we don't have. You have these amazing writers who are teachers. I never did a writing program so I never met a writer until I was published. I guess I can't really explain my compulsion for writing these kind of mentor characters.”

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“I never thought that it would take me so long to do something. I thought everything was temporary and sometimes the best thing you have working in your favor is a bad sense of time. In order to sit down and write a book that takes six years you have to have a screwed up sense of time because that's too daunting. No one is going to pick up a pen and a piece of paper and say, "Okay, six years, here we go."”

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“I feel that there are two kinds of writers. I feel that there are writers who are storytellers and then there are those just working out their obsessions. I think I'm a combination. I think, at least for these books, I'm going with fear. I've always been interested in fear. Fear is something I've dealt with in life, and I think it's the main motivating factor of everything, almost. From sex to politics.”

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“That's how we slide, and while we slide we blame the world's problems on colonialism, imperialism, capitalism, corporatism, stupid white men, and America, but there's no need to make a brand name of blame. Individual self-interest: that's the source of our descent, and it doesn't start in the boardrooms or the war rooms either. It starts in the home.”

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Book:A Fraction of the Whole
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