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Whit Stillman

Whit Stillman Books

Writer

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“Downward social mobility. We hear a lot about the great social mobility in America with the focus usually on the comparative ease of moving upwards. What's less discussed is how easy it is to go down. I think that's the direction that we're all heading in. And I think that the downward fall is gonna be very fast. Not just for us as individuals, but the whole preppy class. Just look around. Take those of our fathers who grew up very well off. Maybe their careers started out well enough but just as their contemporaries really began to accomplish things, they started to quit, or rising above office politics, or refusing to compete and risk open failure. Or not doing the humdrum part of the job. Or only doing the humdrum part. Or gradually spending more and more time on something more interesting — conservation, or the arts — where even if they were total failures no one would know it.”

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Book:Metropolitan: A Novella and Three Stories
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“Charlie Black: Fourierism was tried in the late nineteenth century… and it failed. Wasn’t Brook Farm Fourierist? It failed. Tom Townsend: That’s debatable. Charlie Black: Whether Brook Farm failed? Tom Townsend: That it ceased to exist, I’ll grant you, but whether or not it failed cannot be definitively said. Charlie Black: Well, for me, ceasing to exist is — is failure. I mean, that’s pretty definitive. Tom Townsend: Well, everyone ceases to exist. Doesn’t mean everyone’s a failure.”

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Book:Barcelona and Metropolitan: Tales of Two Cities
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“So something I've felt I've learned with The Cosmopolitans shoot is using some agility and changing things quickly. That's something I found really useful on this shoot too. The gestation of The Cosmopolitans and this are slightly different from my other films. The script would be done and I'd be cutting it, but I wasn't always writing new material.”

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Author:Whit Stillman
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“I explained to Amazon that I don't like outlining or projecting what something's going to be. I like to allow a story to arise as I'm writing scripts. I find it horrible when I try to think of something for the plot without really being on the ground and seeing where it goes. I was really resistant to do the mini-bible. So I gave them something, but I really didn't want to do it that way.”

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Author:Whit Stillman
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“The creation of a film starts with an idea, a notion of a time period or characters, and you get really excited about the idea, and sell it to others if you need their support to write the script. You can't wait to get started, and then you try to start, and you struggle with the blank page, and you get some ideas, and they're bad ideas, and you write bad stuff. It's really bad.”

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Author:Whit Stillman
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“For me, there's a bad year of getting started on something. You write bad stuff and it's awkward to throw it out, and you wait around to get some good ideas that maybe do come or don't come. Until eventually you get the voice and autonomy of the characters, the characters have personality, and they sort of pick up the weight and put it on their shoulders. That's when it becomes a little more fun.”

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Author:Whit Stillman
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