Quotessence
Home / Quotes / Quote by Leslea Tash

Quote by Leslea Tash

Work

Bird After Bird

Browse quotes and source details for this work. more

Author

Leslea Tash

Browse famous quotes and profile details for Leslea Tash. more

You May Also Like

“Ryker, you ride with Orlando,” Ryker mocked in a snarky voice as he turned to the other man. He gestured toward the Pinto with a look of revulsion on his rugged face. “How the hell does he expect both of us to fit into that tiny metal trap? Even if we could squeeze in, the tires will probably pop. In fact, let's just carry it over. It'll be faster that way.”

“Orlando had a Pinto, a car that hadn't been in existence for thirty-plus years. He still hadn't figured out why a strong, strapping werewolf would want one. Orlando said it was because he'd customized it. Painted pink with purple stripes, the younger male could often be found cruising up and down the streets of Wolf Town, with his terrible music blaring out of the windows. The car was a ticking time bomb. Already, more than one werewolf had offered to blow it up. Orlando better enjoy it, Connor doubted he would have it for very much longer.”

“...the presence of others has become even more intolerable to me, their conversation most of all. Oh, how it all annoys and exasperates me: their attitudes, their manners, their whole way of being! The people of my world, all my unhappy peers, have come to irritate, oppress and sadden me with their noisy and empty chatter, their monstrous and boundless vanity, their even more monstrous egotism, their club gossip... the endless repetition of opinions already formed and judgments already made; the automatic vomiting forth of articles read in those morning papers which are the recognised outlet of the hopeless wilderness of their ideas; the eternal daily meal of overfamiliar cliches concerning racing stables and the stalls of fillies of the human variety... the hutches of the 'petites femmes' - another worn out phrase in the dirty usury of shapeless expression! Oh my contemporaries, my dear contemporaries... Their idiotic self-satisfaction; their fat and full-blown self-sufficiency: the stupid display of their good fortune; the clink of fifty- and a hundred-franc coins forever sounding out their financial prowess, according their own reckoning; their hen-like clucking and their pig-like grunting, as they pronounce the names of certain women; the obesity of their minds, the obscenity of their eyes, and the toneless-ness of their laughter! They are, in truth, handsome puppets of amour, with all the exhausted despondency of their gestures and the slackness of their chic... Chic! A hideous word, which fits their manner like a new glove: as dejected as undertakers' mutes, as full-blown as Falstaff... Oh my contemporaries: the ceusses of my circle, to put it in their own ignoble argot. They have all welcomed the moneylenders into their homes, and have been recruited as their clients, and they have likewise played host to the fat journalists who milk their conversations for the society columns. How I hate them; how I execrate them; how I would love to devour them liver and lights - and how well I understand the Anarchists and their bombs!”