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Ronen Dancziger

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“گداخانه، به راستی یکی از آن مؤسساتی است که بر پایه ی خرافات مقدس و ریاکاری وقیحانه پا گرفته است. به این ترتیب ثروتمندها وجدان شان را مفت و مجانی آرام می کنند، و گداها مسکن فوری آرامش این وجدانند.”

“Malamuth, Sockloskie, Koss, and Tanaka (1991) proposed a model of the characteristics of aggressors that suggests that coercive sex may be conceptualized as resulting from the convergence of (1) relatively high levels of ‘impersonal’ sex and (2) hostile, dominating characteristics… According to this model, the determinants of coercive sex can often be traced to early home experiences and parent–child interactions… Individuals experiencing this type of home environment may develop negative views of male–female relationships, which may foster a relatively impersonal orientation to sexuality, a hostile ‘schema’ about social relationships, or both.” (pp. 281–282)”

“Chapter 4: Like I've Been There Before (page 94) In fact, it was a truly creative atmosphere. We could pitch jokes, and the best joke won, no matter where it came from. The craft services lady said something funny? Put it in, it didn't matter. So, not only was I there as an actor, but my creative juices were flowing, too.”

“[Girls] may feel safer and more at home under a tree or currying horses in a stable than in a home where they may be neglected or abused. When these girls find mother bear in themselves and find the support to be themselves in the archetype symbolized by the protective mother bear, they become competitors in the world. It is the archetype of Artemis that comes to the aid of these girls who, in some significant way, were abandoned and then found in nature or with animals the parents that they did not have at home. It may also be their nature as an Artemis to prefer to be in the woods, uninterested in staying at home or in doing womanly or girlish things.”