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Quote by Paullina Simons

Work

The Bronze Horseman

The Bronze Horseman is a historical novel that delves into the tumultuous times of St. Petersburg, Russia, during the early 19th century. The story is centered around a love triangle and the broader social and political upheaval of the era, offering a rich tapestry of personal and historical drama. more

Author

Paullina Simons
Paullina Simons

Paullina Simons (born 1963) is a Russian-American author best known for her bestselling novel 'The Bronze Horseman' and its sequels. Born in Leningrad (now St. Petersburg), she emigrated to the United States with her family in 1978. She graduated from the University of Kansas and later pursued a writing career. Her works, often set against the backdrop of World War II, blend historical events with romance and drama. Simons' writing is characterized by emotional depth and vivid storytelling. Her books have been translated into over 30 languages and sold millions of copies worldwide. She continues to write and resides in the United States. more

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“In old days men had the rack. Now they have the Press. That is an improvement certainly. But still it is very bad, and wrong, and demoralizing. Somebody — was it Burke? — called journalism the fourth estate. That was true at the time no doubt. But at the present moment it is the only estate. It has eaten up the other three. The Lords Temporal say nothing, the Lords Spiritual have nothing to say, and the House of Commons has nothing to say and says it. We are dominated by Journalism.”

“Music escapes ideological characterization. Just as there are some social scientists who believe that what cannot be measured does not truly exist, and some psychologists used to believe that consciousness does not exist because it cannot be observed by instruments, so ideologists find anything that escapes their conceptual framework threatening - because ideologists want a simple principle, or a few simple principles, by which all things may be judged. When I was a student, I lived with a hard-line dialectical materialist who said that Schubert was a typical petit bourgeois pessimist, whose music would die out once objective causes for pessimism ceased to exist. But I suspect that even he was not entirely happy with this formulation.”