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Stupeur et tremblements

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Amélie Nothomb

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“What we are suggesting is that indigenous doctrines of individual liberty, mutual aid and political equality, which made such an impression on French Enlightenment thinkers, were neither (as many of them supposed) the way all humans can be expected to behave in a State of Nature. Nor were they (as many anthropologists now assume) simply the way the cultural cookie happened to crumble in that particular part of the world. This is not to say there is no truth whatsoever in either of these positions. As we’ve said before, there are certain freedoms – to move, to disobey, to rearrange social ties – that tend to be taken for granted by anyone who has not been specifically trained into obedience (as anyone reading this book, for instance, is likely to have been).Still, the societies that European settlers encountered, and the ideals expressed by thinkers like Kandiaronk, only really make sense as the product of a specific political history: a history in which questions of hereditary power, revealed religion, personal freedom and the independence of women were still very much matters of self-conscious debate, and in which the overall direction, for the last three centuries at least, had been explicitly anti-authoritarian.”

“Olivia had to pretend. Life moved very fast to her. She was so often approached by men, who saw a full body that looked even better trying to hide. Boys in school said one thing to her, then another, and soon the wolves swayed the girl toward their dens. She had to pretend she was in control, that she had a choice, rather than reveal that ever since her body volumized, she had no idea what was going on or who she was. It was the curse of a body that grows faster than the girl inside it.”

“Throughout the years, the ugly boy had lost belief in the practicality of love. He argued there would always be a better version of a man somewhere in the world and thus, no sound reason for a woman to commit to one. Plus, he believed, there was nothing to a woman—they did not love. They chose men for certain seasons and focused to enjoy life above all, in all its grandeur, intentionally saving sincerity for the end—once they were finished. How can men with eyes not sink into depression? And if a woman ever welcomed a man as a companion, she always smelled his feelings, which were gratifying and advantageous to her, and rosily sipped a man’s glad spring of generosity until she was satiated. Andrei saw a woman’s timeline and in response, froze his heart dry and hammered it to pieces. Steel or emptiness—these were the only two available armors available and adequate to withstand the ephemeral nature of women, who he regarded not as individual people, but as a collective entity of superficial vampires. So he promised himself he’d never woo the dead.”

“Consequently, her need for a boy who could treat her well, understand her, and hold her true, was exceedingly high. This need became so important to her and because of this citadel, she grew fearful whenever someone came close. Chelsea failed herself once more and felt as if her towers were so high in the air, she could never jump down. And it was growing taller and taller—and her life was getting shorter and shorter— and she still had no one and no one.”

“He hit her again. “I’m sorry,” she said. The young woman was scared, but this strange, obedient part of her at that moment wanted to get nearer to him. She’d tested him, but now it was time to go home. He terrified her. She wanted to get under the monster’s large arms and look to it for help. While he often hit her, he was capable of sweet nights and being lovely sometimes. She wanted that part of him to return, and maybe she could bring that soft part back if she surrendered. The deep voice always commanded her. It told her what to think and what to do so that even when he caused her pain, she would look to him for pleasure.”

“I’m riding motorcycles for a job, Mother! They’re calling us the Flying Wrens, and in case you’ve forgotten, there’s a war going on! People are losing their families.’ She shook her head. ‘It’s not about me wanting to do something forbidden; I’m actually doing an important job, work that truly means something.’ She thought of Florence losing her family, and of the people all over Great Britain who had someone who wasn’t coming home. When she’d applied for the job, all she’d been able to think about was the freedom it would afford her, but now it already seemed like so much more than that.”

“Joan Joyce is the real deal, a fierce competitor and one of the greatest athletes and coaches in sports history. Tony Renzoni’s moving tribute to Joan shows us why she is a champion in sports and in life. —Billie Jean King, sports icon and equality pioneer The story is all true. Joan Joyce was a tremendous pitcher, as talented as anyone who ever played. [responding to a newspaper account of his early 1960s match-ups against Joan Joyce] —Ted Williams, Hall of Famer and Boston Red Sox great, December 30, 1999 Joan Joyce is truly the greatest female athlete in sports history. And a great coach as well. Tony Renzoni’s well-researched book is a touching tribute to this phenomenal athlete. I highly recommend this book! —Bobby Valentine, former MLB player and manager Quotes for Historic Connecticut Music Venues: From the Coliseum to the Shaboo: I would like to thank Tony Renzoni for giving me the opportunity to write the foreword to his wonderful book. I highly recommend Connecticut Music Venues: From the Coliseum to Shaboo to music lovers everywhere! —Felix Cavaliere, Legendary Hall of Famer (Young Rascals/Rascals, Solo) As the promoter of the concerts in many of the music venues in this book, I hope you enjoy living the special memories this book will give you. —Jim Koplik, Live Nation president, Connecticut and Upstate New York Tony Renzoni has captured the soul and spirit of decades of the Connecticut live music scene, from the wild and wooly perspective of the music venues that housed it. A great read! —Christine Ohlman, the “Beehive Queen,” recording artist/songwriter Tony Renzoni has written a very thoughtful and well-researched tribute to the artists of Connecticut, and we are proud to have Gene included among them. —Lynne Pitney, wife of Gene Pitney Our Alice Cooper band recorded the Billion Dollars Babies album in a mansion in Greenwich. Over the years, there have been many great musicians from Connecticut, and the local scene is rich with good music. Tony Renzoni’s book captures all of that and more. Sit back and enjoy the ride. —Dennis Dunaway, hall of famer and co-founder of the Alice Cooper band. Rock ’n’ Roll music fans from coast to coast will connect to events in this book. Strongly recommended! —Judith Fisher Freed, estate of Alan Freed”