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Quote by Jarod Kintz

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Jarod Kintz

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“Rubens came upon an old collection of photographs of President John Kennedy: the photos were in colour, there were at least fifty of them, and on all of them (all, without exception!) the president was laughing. Not smiling, laughing! His mouth was open, his teeth bared. There was nothing remarkable about it, that's what contemporary photos are like, but the fact that Kennedy laughed in all of them, that not a single one showed him with his lips closed, gave Rubens pause. A few days later he found himself in Florence. He stood in front of Michelangelo's David and tried to imagine that marble face laughing like Kennedy. David, that paradigm of male beauty, suddenly looked like an imbecile! Since then, he had often tried in his imagination to retouch figures in famous paintings to give them a laughing mouth; it was an interesting experiment: the grimace of laughter could ruin every painting! Imagine Mona Lisa as her barely perceptible smile turns into a laugh that reveals her teeth and gums!”

“Here is what they don’t tell you: Icarus laughed as he fell. Threw his head back and yelled into the winds, arms spread wide, teeth bared to the world. (There is a bitter triumph in crashing when you should be soaring.) The wax scorched his skin, ran blazing trails down his back, his thighs, his ankles, his feet. Feathers floated like prayers past his fingers, close enough to snatch back. Death breathed burning kisses against his shoulders, where the wings joined the harness. The sun painted everything in shades of gold. (There is a certain beauty in setting the world on fire and watching from the centre of the flames.)”