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A Quotes

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All A Quotes

“And the system pretends to go along, to become more supple and resourceful, less dependent on rigid categories. But even as desire tends to specialize, going silky and intimate, the force of converging markets produces an instantaneous capital that shoots across horizons at the speed of light, making for a certain furtive sameness, a planing away of particulars that affects everything from architecture to leisure time to the way people eat and sleep and dream.”

“And the terrible thing, the terrible thing is, but the good thing too, the saving grace, is that if something happened to one of us--excuse me for saying this--but if something happened to one of us tomorrow, I think the other one, the other person, would grieve for a while, you know, but then the surviving party would go out and love again, have someone else soon enough. All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory.”

“And the time sundials tell May be minutes and hours. But it may just as well Be seconds and sparkles, or seasons and flowers. No, I don't think of time as just minutes and hours. Time can be heartbeats, or bird songs, or miles, Or waves on a beach, or ants in their files (They do move like seconds—just watch their feet go: Tick-tick-tick, like a clock). You'll learn as you grow That whatever there is in a garden, the sun Counts up on its dial. By the time it is done Our sundial—or someone's— will certainly add All the good things there are. Yes, and all of the bad. And if anyone's here for the finish, the sun Will have told him—by sundial—how well we have done. How well we have done, or how badly. Alas, That is a long thought. Let me hope we all pass.”

“And the trouble is, if you don't risk anything, you risk even more.”

“And the trouble with me is that my ego just can't accept a loss. I suppose that if I were more perfectly adjusted, I would toss off defeat, but my name is on this ball club. Thirty-six men publicly reflect me and reflect on me, and it's a matter of my pride.”

“And the true inspiration, the sparkling grace note of genius that brings his masterpiece to life, is the soprano counterpoint: a syncopated sequence of exterior hatches in the outer hull sliding open and closed and open again, subtly altering the aerodynamics of the ship to give it just exactly the amount of sideslip or lift or yaw to bring the huge half cruiser into the approach cone of a pinpoint target an eighth of the planet away.”

“And the true order of going, or being led by another, to the things of love, is to begin from the beauties of earth and mount upwards for the sake of that other beauty, using these steps only, and from one going on to two, and from two to all fair forms to fair practices, and from fair practices to fair notions, until from fair notions he arrives at the notion of absolute beauty, and at last knows what the essence of beauty is.”

“And the true realism, always and everywhere, is that of the poets: to find out where joy resides, and give it a voice far beyond singing. For to miss the joy is to miss all.”