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“And this morning while she'd harvested her beans for seed she'd glanced up from the garden and to her complete astonishment Mr. de Sabran had been smiling. Not at her- he had been saying something to French Peter, his attention focused mainly on the cider press. But still, he had been smiling. And that simple act had made his face a thing she barely recognized. His teeth were even. Very white and very straight although the smile itself was lopsided, so wide it carved deep lines in both his cheeks and made his eyes crease at their edges. He looked younger. He looked- Then, as if he'd known that she was staring, he had turned his head and for the briefest, stomach-dropping instant, he had turned that smile on her. Her hand had itched to hold a pencil that would let her somehow capture it, but with one polite, quick nod he had looked away, returning to his conversation and his work. Since that moment, she had found herself innumerable times now glancing up from her own work to see if she might catch him smiling in that way again. She hadn't, but she noticed he looked more relaxed today than she had seen him; more at ease with both their company and his surroundings, as though he were there by choice and not by force of circumstance.”

“And this notion of the meaninglessness of our lives here began to enflame us. I took up the theme again that music and acting were good because they drove back chaos. Chaos was the meaninglessness of day-to-day life, and if we were to die now, our lives would have been nothing but meaninglessness.”

“And this peace sacrifice, it is actually eaten by those who sacrifice it, almost like a shared meal, almost like a feast between man and God [...]’ ‘Wait—’ I interrupt the guide, touch his shoulder before he moves on. ‘Sacrifice—doesn’t mean give up or lay down or go without or let go of?’ ‘No, no, no….Sacrifice doesn’t mean that at all. Sacrifice in Hebrew is korban.’ Aerie flips the pages of his worn bible to show me. ‘See. Sacrifice, korban, comes from the Hebrew root, K-R-V, which literally means to come near, an approach, a moving closer, to move into a closer relationship.’ Sacrifice is not losing something but moving closer to Someone. Sacrifice isn’t about loss—sacrifice is about love. Surrender to love. Sacrifice is about detaching from one thing—to attach to a greater thing.”

“And this presence of the Spirit will enlighten not only yellow skin people or white skin people but even black skin people. I believe in the last days the Spirit of God will be poured out in the nations of Islam, Hinduism and Buddhism. Because Jesus Christ is the Lord. Jesus Christ is the Lord of the Universe. Amen.”

“And this reality extends beyond this life. Heaven is full of forgiven people. Hell is full of forgiven people. Heaven is full of people God loves, whom Jesus died for. Hell is full of forgiven people God loves, whom Jesus died for. The difference is how we choose to live, which story we choose to live in, which version of reality we trust.”

“And this shall be for music when no one else is near, The fine song for singing, the rare song to hear! That only I remember, that only you admire, Of the broad road that stretches and the roadside fire.”

“And this shows that people want to be stupid and they do not want to know the truth. And it shows that something called Occam's razor is true. And Occam's razor is not a razor that men shave with but a Law, and it says: Entia non sunt multiplicanda praeter necessitatem. Which is Latin and it means: No more things should be presumed to exist than are absolutely necessary. Which means that a murder victim is usually killed by someone known to them and fairies are made out of paper and you can't talk to someone who is dead.”

“And this tattooing, had been the work of a departed prophet and seer of his island, who, by those hieroglyphic marks, had written out on his body a complete theory of the heavens and the earth, and a mystical treatise on the art of attaining truth; so that Queequeg in his own proper person was a riddle to unfold; a wondrous work in one volume; but whose mysteries not even himself could read, though his own live heart beat against them; and these mysteries were therefore destined in the end to moulder away with the living parchment whereon they were inscribed, and so be unsolved to the last.”

“And this"- the duke stroked the mound beneath her thumb- "do you know what this is called?" Bridget cleared her throat, but her voice emerged a bit rusty nonetheless. "I could not say, Your Grace." "The Mount of Venus." He arched his eyebrows at her. Devastatingly beautiful. Lethally charming. "My Greek girl told me that this foretells how passionate a woman may be. You, Mrs. Crumb, must have untold depths of sensual need within you." She narrowed her eyes at him. He bent and bit the base of her thumb. She gasped and snatched her hand away. The duke laughed and sat back, smoothing his bottom lip with his beringed thumb slowly.”

“And this time as the lashes come, try to think about the pain, instead of against it, because there is not one single aspect of life, past, present, or future, that does not tear your reason from you, to think on it. So think about the pain. This pain after all has its limits. You can chart its passage through your body. It has a beginning, middle, end. Imagine if it had a color. The first cut of the lash is what, red? Red, spreading into a brilliant yellow. And this one again, red, red, no yellow, and then white, white, white, white. . .Why have you incarcerated yourself in this palazzo of torture chambers, why do you not leave this place? Because you are a monster and this is a school for monsters, and if you leave here, then you will be completely, completely alone! Alone with this! Don't weep in front of these strangers. Swallow it down. Don't weep in front of these strangers! Cry to heaven, cry to heaven, cry to heaven.”

“And this, too, affords no small occasion for anxieties - if you are bent on assuming a pose and never reveal yourself to anyone frankly, in the fashion of many who live a false life that is all made up for show; for it is torturous to be constantly watching oneself and be fearful of being caught out of our usual role. And we are never free from concern if we think that every time anyone looks at us he is always taking-our measure; for many things happen that strip off our pretence against our will, and, though all this attention to self is successful, yet the life of those who live under a mask cannot be happy and without anxiety. But how much pleasure there is in simplicity that is pure, in itself unadorned, and veils no part of its character!{PlainDealer+} Yet even such a life as this does run some risk of scorn, if everything lies open to everybody; for there are those who disdain whatever has become too familiar. But neither does virtue run any risk of being despised when she is brought close to the eyes, and it is better to be scorned by reason of simplicity than tortured by perpetual pretence.”

Author:Seneca

“And this was what we felt: vertigo, an icicle through our strong hearts, our long-lost childhoods. Sunshine in a field and crickets and the sweet tealeaf stink of a new ball mitt and a rock glinting with mica and a chaw of bubblegum wrapping its sweet tendrils down our throats and the warm breeze up our shorts and the low vibrato of lake loons and the sun and the sun and the warm sun and this is what we felt; the sun.”