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A Quotes

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All A Quotes

“Artist I don't mind being the non-essential. Even a child takes its mother for granted. It does not run back to its mother until it's hurt. Nobody first thinks of water when they arrive at an exquisite dinner party, until they are choking. I don't mind being the non-essential knowing you will come looking when things are broken and nothing else works. Art is non-essential Until it is not. ― Madhu Raghavendra”

“Artisti Italiani, spesso Big, che su canali nazionali s'inventano storie di carriere immaginarie in America, solo perché ci sono stati 7/10 giorni e per lo piu' per vacanza, perché il Mercato Italiano non ha piu niente da offrire se non Sanremo. Ed io che nel frattempo, in America ci torno almeno 15 volte l'anno, da 10 anni, e mentre loro parlano "dicendo cose", io ho completato un altro progetto. Chissà cosa mangiano I sogni che restano dentro, per diventare poi così giganti.”

“Artistic creation, after all, is not subject to absolute laws, valid from age to age; since it is related to the more general aim of mastery of the world, it has an infinite number of facets, the vincula that connect man with his vital activity; and even if the path towards knowledge is unending, no step that takes man nearer to a full understanding of the meaning of his existence can be too small to count.”

“Artistic license, also known poetic license, narrative license, and licentiate poetical, is a colloquial term (employed occasionally as a euphemism), which denotes a license to distort the facts, alter the conventions of grammar or language, or reword pre-existing text by an artist in the name of art. Liberal usage of an artistic license to restructure basic facts can result because of conscious or unconscious acts. Artistic embellishment or misrepresentation of the facts and distortion or alteration of the compositional text frequently is the by-product of both intentional and unintentional additions and omissions. An artistic license, employed at an artist’s discretion to fill in details or gloss over factual and historical gaps, raises some ethical issues. Many stories retold verbatim would bore an audience or require inordinate time and resources to reenact, describe, and view. A dramatic license eliminates mundane details and tedious facts, spruces up the picturesque background, and glamorizes the characters’ temperament and action scenes. Is it wrong to be inventive with the facts? What degree of embroidery of a series of events and the characters’ mannerisms and attributes is acceptable? How can anyone paste together a set of facts into an interesting or compelling narrative that has literary value without engaging in some creative organization to enhance the theatrical retelling and to create juxtaposition of ideas and values?”

“Artistic "style" that does not evolve as a result of a natural process is the embodiment of "fake it till you make it," referring to the way something APPEARS, not the way that it IS. It's a veneer, a hollow afterthought technique hung on the artwork to dress it up... I prefer to think in terms of the artist's VOICE. Voice is deeper, manifested from the very core of your being. You earn it through research, experimentation, and discovery. It is a synthesis of the experiences, intellectual concepts, and aesthetic interests you possess, executed in your distinctive way, in the formal, emotional and intellectual language of your chosen medium. When successful, the realization of your voice follows the gestalt principle. The combination of your ideas and the work's physical embodiment is greater than the sum of its parts and distinguishes your outcome from everyone else's.”