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H Quotes

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All H Quotes

“He would never be any different and now Scarlett realize the truth and accepted it without emotion—that until he died Gerald would always be waiting for Ellen, always listening for her. Her was in some dim borderline country where time was standing still and Ellen was always in the next room. The mainspring of his existence was taken away when she died and with it has gone his bounding assurance, his impudence and his restless vitality. Ellen was the audience before which the blustering drama of Gerald O'Hara had been played Now the curtain had been rung down forever, the footlights dimmed and the audience suddenly vanished, while the stunned old actor remained on his empty stage, waiting for his cues.”

“He would never marry again. Marriage was for idiots. It was a bygone solution to a property problem he didn’t have. It was a social construct invented by religious people (whose other values he mostly rejected) whose participants lived not past age thirty at the time it was implemented. So, no. He was not going to be falling into that particular trap again. He would have relationships and excitement and he would never put his emotional health into somebody’s hands like that ever again.”

“He would not let her go. Even though, staring into her open eyes in the swirling salt-filled water, with sun flashing though each wave, he thought he would like this moment to be forever: the dark-haired woman on shore calling for their safety, the girl who had once jumped rope like a queen, now holding him with a fierceness that matched the power of the ocean—oh, insane, ludicrous, unknowable world! Look how she wanted to live, look how she wanted to hold on.”

“He would not let himself be overawed by her consequence! He was also the son of noble parents, if not of a king. "Then-then they'll need more Dagons," he blurted out. "Let me go, please. Let me serve the king." "It is not my decision to make." "How can you stop me if I refuse to take vows as a monk when my novitiate is ended?" he demanded. She raised an eyebrow. "You have already pledged yourself to enter the church, an oath spoken outside these gates." "I had no choice!" "You spoke the words. I did not speak them for you." "Is a vow sworn under compulsion valid?" "Did I or any other hold a sword to your throat? You swore the vow." "But-" "And," she said, lifting a hand for silence-a hand that bore two handsome rings, one plain burnished gold braid, the other a fine opal in a gold setting, "your father has pledged a handsome dowry to accompany you. We do not betroth ourselves lightly, neither to a partner in marriage-" He winced as she paused. Her gaze was keen and unrelenting. "-nor to the church. If a vow can be as easily broken as a feather can be snapped in two-" She lifted a quill made from an owl feather from her table, displaying it to him. "-then how can we any of us trust the other?" She set down her feather. "Our oaths are what makes us honorable people. What man or woman who has forsworn his noble lord or lady can ever be trusted again? You swore your promise to Our Lady and Lord. Do you mean to swear that oath and live outside the church for the rest of your days?" Said thus, it all sounded so much more serious. No man or woman who made a vow and then broke it was worthy of honor.”

“He would not mind hearing Petrus's story one day. But preferably not reduced to English. More and more he is convinced that English is an unfit medium for the truth of South Africa. Stretches of English code whole sentences long have thickened, lost their articulations, their articulateness, their articulatedness. Like a dinosaur expiring and settling in the mud, the language has stiffened. Pressed into the mold of English, Petrus's story would come out arthritic, bygone"(117).”

“he would now have comprehended that work consists of whatever a body is obliged to do, and that play consists of whaterver a body is not obliged to do. And this would help him to understand why construcing artificial flowers or performing on a tread-mill, is work, whilst rolling nine-pins or climbing Mont Blanc is only amusement. There are wealthy gentlemen in England who drive four-horse passenger-coaches twenty or thirty miles on a daily line, in the summer, because the privilege costs them considerable money; but if they were offered wages for the service that would turn it into work, then they would resign.”

“He would often spend a whole day settling and resettling in their cases the various stones that he had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wirelike line of silver, the pistachio-coloured peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars, flame-red cinnamon-stones, orange and violet spinels, and amethysts with their alternate layers of ruby and sapphire. He loved the red gold of the sunstone, and the moonstone’s pearly whiteness, and the broken rainbow of the milky opal.”

“He would open the door of the drawing-room or the nursery, I thought, and find her among her children perhaps, or with a piece of embroidery on her knee at any rate, the center of some different order in the system of life, and the contrast between this world and his own, which might be the law courts or the House of Commons, would at once refresh and invigorate; and there would follow, even in the simplest talk, such a natural difference of opinion that the dried ideas in him would be fertilized anew; and the sight of her creating in a different medium from his own would so quicken his creative power that insensibly his sterile mind would begin to plot again, and he would find the phrase or the scene which was lacking when he put on his hat to visit her.”

“He would place his mouth, still full of sleep, on hers, and perhaps pull her back into the bedroom and down into the bed with him, into that liquid pool of flesh, his mouth sliding over her, furry pleasure, the covers closing over them as they sank into weightlessness. But he hadn't done that for some time. He had been waking earlier and earlier; she, on the other hand, had been having trouble getting out of bed. She was losing that compulsion, that joy, whatever had nagged her out into the cold morning air, driven her to fill all those notebooks, all those printed pages. Instead, she would roll herself up in the blankets after Bernie got up, tucking in all the corners, muffling herself in wool. She had begun to have the feeling that nothing was waiting for her outside the bed's edge. No emptiness but nothing, the zero with legs in the arithmetic book. 'I'm off,' he'd say to her groggy bundled back. She'd be awake enough to hear this; then she would lapse back into a humid sleep. His absence was one more reason for not getting up.”

“He would say, "How funny it will all seem, all you've gone through, when I'm not here anymore, when you no longer feel my arms around your shoulders, nor my heart beneath you, nor this mouth on your eyes, because I will have to go away some day, far away..." And in that instant I could feel myself with him gone, dizzy with fear, sinking down into the most horrible blackness: into death.”

“He would talk, and I would talk, and he would talk, and each of our words sounded out the deepest secret depths inside us. There are some forms of love that words can do no justice to. There are some scars that can't be seen. Perfection is in itself an imperfection. He had flaws. He was sick. He needed help. Is not everyone sick, at one time or another? That was part of his beauty, his sickness. If he had not been sick, he would not have been beautiful, in the way that consumptives are, burning themselves up in brilliant flashes of light . . . I don't expect you to be able to understand. Love is strong enough to resurrect the dead. I don't like the word scar, because it implies intent and blame. A soul as powerful as his had to burn. I have never known a love like this. You don't know. I would have done anything at all for him. You don't know. It feels so goddamn good to be needed, to have someone tell you that he has a gaping hole in him whose shape is made to fit you . . . I saw that he was burning a piece of art on me, a signature on my psyche because it filled the hole in his own, and he wanted to make me his.”

“He would talk to them of stories and books, and explain to them how stories wanted to be told and books wanted to be read, and how everything that they ever needed to know about life and the land of which he wrote, or about any land or realm that they could imagine, was contained in books. And some of the children understood, and some did not.”

“He would tell me—as often as possible—that he’d named me Ember because when I was born, I had lit up his world for a second before he saw my mark. That’s when the light in his life snuffed out forever. ‘Like an ember leftover from a fire: Weak and insignificant.’ That’s what he’d say to me as he kicked the shit out of me.” Liam cupped my face in his hands, using his thumbs to brush away my tears. “You know, one tiny ember can smolder undetected before growing into a powerful, raging inferno destroying everything in its path. They are not insignificant or weak. They should never be ignored,” he said before touching his lips to mine.”

“He would tell you that music is truly a universal language, and that we the listeners will always impose our own fears and biases, our own hopes and hungers on whatever we hear. He would tell you that the rhythm that spurred on Tchaikovsky is the same rhythm that a kid in a redneck North Carolina town would beat with a stick against a fallen tree. It is a rhythm in all of us. Music is about communication, a way of touching your fellow man, beyond and above and below language. It is a language all its own.”

“He would tell you to think, next time, before you blindly chase your ideology. He would ask you to think, not just to feel. To ask, always, if you could be wrong. To listen, always listen, to the other points of view. Because the moment we stop granting someone the right to disagree, Kraus, this is what happens. Do you understand me? This is what turns men into tyrants. This is what leads to fear and death (p. 265)”