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I Quotes

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All I Quotes

“I'm going to need chocolate. Lots and lots of chocolate. Since tomorrow is my free night, I figure I will swing by Teresa's and visit, and as I recall, she always loved chocolate too. So tonight? I'm going to do a final test of my triple-chocolate chewies, dark chocolate cookies with white and milk chocolate chips, one of the recipes I'm thinking of including in the proposal, and I just want to make them one more time to be sure they are perfect.”

“I’m going to say this once here, and then—because it is obvious—I will not repeat it in the course of this book: not all boys engage in such behavior, not by a long shot, and many young men are girls’ staunchest allies. However, every girl I spoke with, every single girl—regardless of her class, ethnicity, or sexual orientation; regardless of what she wore, regardless of her appearance—had been harassed in middle school, high school, college, or, often, all three. Who, then, is truly at risk of being “distracted” at school? At best, blaming girls’ clothing for the thoughts and actions of boys is counterproductive. At worst, it’s a short step from there to “she was asking for it.” Yet, I also can’t help but feel that girls such as Camila, who favors what she called “more so-called provocative” clothing, are missing something. Taking up the right to bare arms (and legs and cleavage and midriffs) as a feminist rallying cry strikes me as suspiciously Orwellian. I recall the simple litmus test for sexism proposed by British feminist Caitlin Moran, one that Camila unconsciously referenced: Are the guys doing it, too? “If they aren’t,” Moran wrote, “chances are you’re dealing with what we strident feminists refer to as ‘some total fucking bullshit.’” So while only girls get catcalled, it’s also true that only girls’ fashions urge body consciousness at the very youngest ages. Target offers bikinis for infants. The Gap hawks “skinny jeans” for toddlers. Preschoolers worship Disney princesses, characters whose eyes are larger than their waists. No one is trying to convince eleven-year-old boys to wear itty-bitty booty shorts or bare their bellies in the middle of winter. As concerned as I am about the policing of girls’ sexuality through clothing, I also worry about the incessant drumbeat of self-objectification: the pressure on young women to reduce their worth to their bodies and to see those bodies as a collection of parts that exist for others’ pleasure; to continuously monitor their appearance; to perform rather than to feel sensuality. I recall a conversation I had with Deborah Tolman, a professor at Hunter College and perhaps the foremost expert on teenage girls’ sexual desire. In her work, she said, girls had begun responding “to questions about how their bodies feel—questions about sexuality or arousal—by describing how they think they look. I have to remind them that looking good is not a feeling.”

“I'm going to say this one time and one time only, so you had better listen up. The world is going to hell in a hand basket. We got Jacque running off into ponds like a crazy woman; Fane thinking he's Aqua Man, diving in after her and getting his ass captured by the wicked witch; we have freak lightening shows; thunder that shakes the ground; and wind strong enough to knock you over. And you know what's really scary? It's going to get worse before it gets better. The fan is broken from all the shit that has hit it. Yes, I have a potty mouth. I get to have one when the world as we know it is crumbling around us.”

“I'm going to take a shower, too." She dashed into the bathroom, where his sandalwood scent still lingered. She took off her clothes and stepped into the steamy shower, the very place where Enrique had been naked just a few minutes prior. As she rubbed the vanilla-fragranced bath gel all over her body, she studied her curves. She had always believed that her body was built for hard work, though her parents believed its purpose was to someday have kids. But another thought passed through her head. It was also built for pleasure. Despite what she had been taught by the Church, she truly believed that making herself and her partner feel good wasn't a sin. She rubbed her nipples, and they hardened. The thought of Enrique kissing or even sucking on them sent heat between her legs. What would that feel like? Would she grip his hair, twist it between her fingers as he brought her to the brink of pleasure? Would his hardness throb against her stomach? Her hand dropped between her thighs, in between her warm folds. She imagined his tongue licking her.”

“I’m going to teach you a complete skill set to heal ghosts, replace psychic coercion with self-authority, do aura makeovers to upgrade your social image, and more. The entire set of techniques is called Spiritual Cleansing and Protection. Let’s move forward together, one easy skill at a time.”

“I’m going to tear this sweet little cunt apart. I’m going to use it over and over again for my own needs,” he growls. “But I’m also going to make it feel good. Make it come on my tongue and my cock. Make it feel so good that you’ll never spend another day without begging for it. It’s what I’ve been dreaming of ever since I saw your picture in your book. My beautiful lass, put on this world just for me.”

“I'm going to tell you something important. Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. The truth is, there aren't any grown-ups. Not one, in the whole wide world." ... I wonderes if that was true: if they were all really children wrapped in adult bodies, like children's books hidden in the middle of dull, long adult books, the kind with no pictures or conversations.”

“I'm going to tell you something important. Grown-ups don't look like grown-ups on the inside either. Outside, they're big and thoughtless and they always know what they're doing. Inside, they look just like they always have. Like they did when they were your age. The truth is, there aren't any grown-ups. Not one, in the whole wide world.' ... We sat there, side by side, on the old wooden bench, not saying anything. I thought about adults. I wondered if that was true: if they were all really children wrapped in adult bodies, like children books hidden in the middle of dull, long books. The kind with no pictures or conversations.”

“I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive." You are only alive now because you said 'to the pain.' I want that phrase explained." My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—" And then my right eye, and then my ears, and shall we get on with it?" the Prince said. Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!" The sword crashed to the floor.”

“I'm going to wake Peeta," I say. "No, wait," says Finnick. "Let's do it together. Put our faces right in front of his." Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches frim his nose, and give him a shake. "Peeta. Peeta, wake up," I say in a soft, singsong voice. His eyelids flutter open and then he jumps like we've stabbed him. "Aa!" Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again.”

“I'm gonna be really real with you. People are a fucking mess. We love to complicate simple shit, and simplify complicated shit. Sometimes, we get so caught up in trying to follow the rules that we forget to question whether or not the rules make sense. What works for Miles and Shante won't necessarily work for you, just like what works for Mom and Dad doesn't work for me. Remember what I said about being honest.”