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I Quotes

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All I Quotes

“In English-speaking countries, the connection between heresy and homosexuality is expressed through the use of a single word to denote both concepts: buggery. ... Webster's Unabridged Dictionary (Third Edition) defines "buggery" as "heresy, sodomy.”

“In enlightenment, the seer and the seen disappear. Or, more accurately, are seen through as illusions. In reality, they were never there, apart from being concept and misunderstanding.”

“In entrepreneurial finance, the asymmetry between what needs to be backed and what actually gets financed—often driven by purely speculative expectations—is truly remarkable. Case in point: CB Insights has been doing an admirable job publishing its "mortality reports," analyzing why some of the most promising and heavily vetted startups fail. And for years, the number one reason for failure among VC-backed startups has remained the same: There was no market need.”

“In Ephesians 5, Paul shows us that even on earth Jesus did not use his power to oppress us but sacrificed everything to bring us into union with him. And this takes us beyond the philosophical to the personal and the practical. If God had the gospel of Jesus's salvation in mind when he established marriage, then marriage only 'works' to the degree that approximates the pattern of God's self-giving love in Christ.”

“In episode 45 of Shokugeki No Soma, the food clubs are under fire. They must throw out their innovations and practices in order to adhere to the new director's food manual. Everyone must only make a certain type of dish and made in a specific way. Students disassociating from this manual will be expelled. Innovation was frowned upon while classism had taken its hold. In order to save his dorm, protagonist Soma Yukihira challenged Chef Eizan "The Alchemist" seat number seven in the Council of Ten to a food war. With a board of judges willing to forgo tasting a dish because it uses ingredients not considered "top quality" or doesn't put the quality of an ingredient above its preparation, it goes completely against Soma Yukihira's style. Soma utilizes every day's cheap delights and elevating it into deliciousness. Chef Eizan presented Khao Man Gai, taking careful attention to not alter the chicken's natural flavors too much. One bite and every tongue squealed with bliss. Eizan presented a formidable classic that didn't stray too far from the books. Season of the Underdog Soma Yukihira was the underdog. The judges were prepared to discard his dish and name Soma defeated without taking a bite. Soma prepared a chicken wing gyoza with a rich ankake sauce. He removed the bones of the chicken and stuffed the cavity with ground pork, shiitake mushrooms, scallions and cabbage, then prepared a bone broth and used it to make the ankake sauce. From the jump, I was like oh shit, that's fire. Captivated by the scent, a judge took a bite. He was taken aback by the flavor! The delight. Soma Yukihira won the food war and saved his dorm.”

“In episodic television you'll have a good guy who's on every week and that's his show! He's the regular on it, and you're not going to be "gooder" than he is; I mean, he's the guy who's got to solve your problem! So if you're playing a good guy, you have to have a problem, and he's going to solve it for you. And the only really strong dramatic part is the heavy, because the meaner and crueler and rottener you are, the better the good guy looks when he whips ya' at the end because he always is gonna whip ya! So, the best dramatic guest shot is the heavy.”

“In esoteric traditions, such conceptual schemes are considered a function of conditioning, not an inherent part of what is. Nonduality abides no contrast or comparison, no distinction between this and that, and no sequence of before and after. Beneath the surface play of phenomena, there is a formless, undifferentiated realm invisible to the naked eye; devoid of all parts, there remains only the unceasing flow and energy of life. Any concept of the Divine, therefore, is misleading, as it stands in the way of the deepest insights into the nature of reality. "God" is a concept, and, as such, is considered a misguided attempt to capture the infinite in the finite--to limit that which is limitless. As Mariana Caplan points out, "it is our imagination of God that fails," not God who fails us. St. Augustine voiced the same insight sixteen hundred years ago when he said God was not what we imagine or think we understand.”

“In essence, a blitz play in football is a microcosm of corporate governance principles. It showcases the importance of coordination in mind body and spirit, clear roles, strategic planning, risk management, and performance evaluation – all critical elements in ensuring a company's success and sustainability.”

“In essence, everything and everyone is made up of the same universal energy: you, me, the chair I’m sitting on, the trees and birds I can see outside my window, the guy from Amazon that just dropped off a package at my door and the package he delivered. Everything is connected, everything is part of this universal life force, everything is made up of the same stuff.”

“In essence, joy is the quiet confidence that everything will work out right. The best part of being filled with joy is that it's contagious. Your joy overflows. You can't keep it to yourself. It spills over to touch other lives in such a marvelous way. People around you want to be in your company. You lift their spirits!”

“In essence, love makes no sense, In fact, there is more nonsense than sense in love. Great philosophers - Socrates, Plato and Aristotle alike, could only ponder on this delicate and mystifying subject, and that was way before I graced this planet with my own messed up resonance of amour. Perhaps, in an effort to make sense out of nonsense, the meaning of love was lost in translation over time, or by the mere fact that, to this day there has ben no valid interpretation.”

“In essence, love raises the feeling of one being for another to such a pitch that the threatened loss of the beloved or the loss of his love is felt no less keenly than the threat of death. Hence love is based on a desire to live in anguish in the presence of an object of such high worth that the heart cannot bear to contemplate losing it. The fever of the senses is not a desire to die. Nor is love the desire to lose but the desire to live in fear of possible loss, with the beloved holding the lover on the very threshold of a swoon. At that price alone can we feel the violence of rapture before the beloved.”

“In essence the entire generation at the end of the nineteenth century bears in its soul that same reaction against the suffocatingly dead positivism which lay on hearts like a stone. It is quite possible that they will perish, that they will not succeed in accomplishing anything. But others will come and will carry on, all the same, their work, because this work is vital... Symbols must naturally and effortlessly emerge out of the depth of reality. But if the author unnaturally invents them in order to express some idea or other, they will be transformed into dead allegories which arouse nothing other than repulsion like all that is dead. ("On The Reasons For The Decline And On The New Tendencies In Contemporary Literature")”