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I Quotes

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All I Quotes

“In the theater, you're so much more in charge as an actor. For better or for worse, you know what the audience is seeing. But you can be acting your socks off on film, and then you see the movie, and the camera is on the other actor, or they've cut out the lines you thought were significant, or they've adjusted the plot. So much of it is out of your control.”

“In the theory of psycho-analysis we have no hesitation in assuming that the course taken by mental events is automatically regulated by the pleasure principle. We believe, that is to say, that the course of those events is invariably set in motion by an unpleasurable tension, and that it takes a direction such that its final outcome coincides with a lowering of that tension that is, with an avoidance of unpleasure or a production of pleasure.”

“In the thicket of dark hair on his chest, her fingers entwine with Fiona’s, and a softly exhaled sigh of contentment escapes her blonde-haired lover’s lips. The symmetry of them at each side of him is imperfect, but then this is true in much of nature. Not everything is as true as a butterflies wing. She pushes her nose into his hair and basks in his scent. Nature, symmetrical or otherwise, also abhors a vacuum. It is Fiona who breaks the silence, perhaps unsurprisingly. ‘I’ve been thinking about your book.’ She murmurs, her fingers forming triangle shapes with Jutta’s beneath the cover, breaking and reforming them again in unseen silence. A game without a word between them, a twinned tickle above John’s steady heart.”

“In the things that really matter--our covenants, the commandments, and following the prophet--we need to be completely united. In the non-essentials, we have our agency to handle things as we see fit. But, in all things, regardless of whether we make the same choices or not, we are to treat each other with dignity and respect, both of which are evidences of charity in our hearts and lives.”

“In the third stage of gambling, the illness escalates and exerts an even stronger pull on the gambler. Family relationships deteriorate, friends are gone, emotions are strained, and finances are ruined. Life becomes meaningless and the players proceed down the pathway to the complete destruction of one another.”

“In the thirties a whole school of criticism bogged down intellectually in those agitprop, social-realistic days. A play had to be progressive. A number of plays by playwrights who were thought very highly of then - they were very bad playwrights - were highly praised because their themes were intellectually and politically proper. This intellectual morass is very dangerous, it seems to me. A form of censorship.”

“In the thirty days since Grant had first fired upon Lee in the Wilderness, his Army of the Potomac had lost 50,000 men. That same army had lost only twice that—100,000—in all the previous three years of war. A good many of his finest and bravest had fallen; far many more—another 100,000 alone in just that year—had refused to reenlist. Lincoln, stunned, soon pronounced that the “heavens are hung in black.” Across the North, Grants critics only raised their voices further and included the first lady: “Grant is a butcher and not fit to be at the head of an army,” Mary Lincoln protested. “He loses two men to the enemy’s one. He has no management, no regard for life.” Added one Union man, “We were all quick to criticize McClellan’s … fear of the Army of Northern Virginia,” but “anyone that has seen that army fight and march would, were he wise, proceed … with caution and wariness knowing full well that defeat by such an enemy might mean destruction.” Said another critic, “It is foolish and wanton slaughter.”

“In the thirty years sine Yanik had tied an apron around her belly and shown Nina how to separate eggs, she had explored countless recipes, decoded the subtleties of Persian food, its ancient alchemy of sweet and sour, hot and cold, its deference to plants and herbs, soliciting Naneh Goli's palate to measure and fine-tune. What triumph to turn out a pot of rice with a golden potato tadig- that magical crust beneath the steamed rice.”

“In the thousands of stories I've collected over the years there are people who just want to know that their story matters, that their story isn't beyond hope. And people, no matter how broken a story I might read, I have always found at least a glimpse of God's hand still at work in each and every story. I have been powerfully reminded that God is in the junkyard business. He willingly walks into the messiest parts of our lives, gets his hands dirty, and begins building something beautiful out of that very thing which the world might overlook as worthless.”

“In the Timaeus dialogues, these being a record of discussions between the Greek Statesman Solon and an Egyptian priest, Plato reports the following: 'You Greeks are all children... you have no belief rooted in the old tradition and no knowledge hoary with age. And the reason is this. There have been and will be many different calamities to destroy mankind, the greatest of them by fire and water, and lesser one by countless other means... You remember only one deluge, though there have been many.”

“In the time before Gnan (time before 1958 when Dada Bhagwan got manifested) there was obstinacy within me. ‘I’ discovered that obstinacy does not let the light of Gnan (Eternal Knowledge) to come through. Then I saw all that obstinacy, and it was destroyed. Thereafter the Gnan (Eternal Knowledge) manifested. One has to observe one’s own self that where lies the obstinacies. The Self is an observatory itself.”