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M Quotes

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All M Quotes

“Maybe a slow dance wouldn’t heart? So, I walked over and asked him to dance. It was nice, he wasn’t creepy at all, and it was kind of sweet. He’s leaning against the wall and I am pressed upon him and out of nowhere I just kiss him like I never kissed another. Where half dancing and I am half grinding against him, he’s so in love with me I can just tell and make out. I never- ever thought that would happen. Ray is off with his little slut for the night anyways. It’s time for me to have some fun too. Two can play the cheating game! Isn’t spitefulness fun! Jenny cries when she sees us and stumbles off when she is on Kenneth’s lap. Jenny never cries! What is up with that? But, is she crying over me being with Marcel or him? They walk up after slow dances are over, Jenny and Ken throwing an arm around each of us like it’s been years since we were together, and we all are old buddies. She snatches the vodka from me and takes a sip while her arm is still wrapped around my shoulders, Jenny’s face is so close to mine, I can feel her eyelashes brush against my cheek. I forgot- I was still holding it when I had my arms wrapped around Marcel's neck. I guess I was lost in the moment. ‘Where did you go tonight Kar?’ She yells. Her voice is raspy but loud, even over the music and the wide-ranging sounds of everybody talking and laughing like idiots. ‘I was looking everywhere for you.’ ‘I was sitting here all night,’ I said, ‘total bull-crap,’ Ken, and Jenny says, ‘we saw you coming out of his room. All sneaking out of his room like you just had sex. And you obtusely changed, what did he do jizz all over your dress?’ ‘Nothing happened- I was just looking around.’ Ken- ‘Yeah we got it, you were looking up and kneeling on the ground, in his room. Am I right? And then you end up naked together in his bed slapping hips?”

“Maybe, according to my insula, this is the way things are these days in America: that for some of us, the world stopped making sense. Anything can happen. Here can be there, then can be now, up can be down, truth can be lies. Everything's slip-sliding around and there's nothing to hold on to. The whole thing has come apart at the seams.”

“Maybe, all alone, your story is on the small side. Most stories, taken by themselves, can feel that way. Like how an island that stands alone in a huge sea can look small. But if you stop looking at that one island and instead see how it's part of a whole archipelago, how the Pacific is filled with islands, then you might start to notice how big your story actually is. How much space and time and how many connections it covers.”

“Maybe all wondrous books appear in our lives the way Milo’s tollbooth appears, an inexplicable gift, cast up by some curious chance that comes to feel, after we have finished and fallen in love with the book, like the workings of a secret purpose. Of all the enchantments of beloved books the most mysterious-the most phantasmal-is the way they always seem to come our way precisely when we need them.”

“Maybe an artist's position in society is different today because it's more individualistic. You're not a direct servant anymore to the patron-you're an indirect servant, or a servant with a choice, or maybe you could not even serve. It's the way you make something. You draw it, you carve it out. Later you build it up from a flat surface. There is no other way to do a sculpture - you either add or you subtract. If you don't enjoy making work, then it's bad... artwork is brutal for so many people... I like the idea of an artist as sombody who works.”

“Maybe at the core of me, I'm a survivor, but I don't do it on purpose. Sometimes, in acting of course with your performance, some of your own personal character seeps through. My performance goal has always been to perform for the audience. People pay their hard earned money, and so I always desire to give all of myself in every single scene.”

“Maybe at the end of our lives we get a Ferris-Wheel vantage of the whole tapestry, the quilt laid flat, answering for its complexity. At the beginning we’re handed frayed and stained flowery bed sheets, a scrap of polka-dots, a snatch of strawberry print. Tattered as they are, there’s some sustaining sweetness in there. The oldest pioneer quilts conceal bits of paper batting between their threadbare layers: postcards, recipes, clipped snippets of newspaper poetry. Every spare material had a part to play, fragments of experience and feeling arranged in a repeating pattern, little sewn sound bytes spinning ordered fractals.”