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M Quotes

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All M Quotes

“My approach is not a scientific approach. For that, we have greater minds than mine. My approach is: I am in the possession of a text, it has survived so many centuries, and it is my task, my pleasure, to try to decipher it and find all the things that have been said about these few words by generations and generations of commentators. That is what I'm doing. I don't innovate anything. I'm just repeating.”

“My approach is that we are not searching for experiences here. We are trying to know the one who experiences all experiences. Our search is for the witness. Who is this observer? Who is this consciousness? Sometimes it feels sad, sometimes it feels happy; sometimes it is so high, flying in the sky, and sometimes so down. Who is this watcher of all these games? - high and low, happy, unhappy, in heaven and hell. Who is this watcher? To know this watcher is to know God. And you are already it - just a little awakening is needed... no search but only awakening.”

“My approach to 'Star Trek' was, 'I know science fiction, and I know screen writing.' That was very arrogant of me, but you really need to be a little bit arrogant to think that what you have to say is good enough to justify the expense of hundreds of thousands - now millions of dollars - to make an episode of the TV show.”

“My approach to music is very deep. I do not compromise with anybody or anything else in the world. I do not care. I want to really go beyond this materialistic world...not for the sake of enjoyment, entertainment, no. A musician must lift up the souls of the listeners, and take them towards Space.”

“My approach to photograph is kept simple, almost routine. All work, good and bad, is documented. I use standard film, a standard lens and no filters. Each work grows, strays, decays-integral parts of a cycle which the photograph shows at its height, marking the moment when the work is most alive. There is an intensity about a work at its peak that I hope is expresses in the image. Process and decay are implicit.”

“My approach to the game has been the same at all the places I've been. Vanilla. The sure way. That means, first of all, to win physically. If you got eleven on a field, and they beat the other eleven physically, they'll win. They will start forcing mistakes. They'll win in the fourth quarter.”

“My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.”

“My ardent desire is, and my aim has been, to comply strictly with all our engagements, foreign and domestic, but to keep the United States free from political connections with every other country; to see that they may be independent of all and under the influence of none.”

“My area of research is something that in all fairness has no practical usability whatsoever and the thing is I'm often asked to apologize for that. It is interesting to me that people ask 'what's the point of doing that if it's not useful?' But they never ask that, or do they very rarely ask that about art or literature or music. Those things are not gonna produce a better toaster.”

“My argument against God was that the universe seemed so cruel and unjust. But how had I got this idea of just and unjust? A man does not call a line crooked unless he has some idea of a straight line. What was I comparing this universe with when I called it unjust?”

“My argument for that is: Why not create urban farms that are like parks, on public land? There actually is a park that I see as a model: Dover Street Park in Oakland. They took this park that has swings and playground-type things and turned it into a farm. There's not chickens, just annual vegetables interspersed with fruit trees. And it's super cool because you see people playing with their kids and then they go pick raspberries and some greens for dinner.”

“My argument has always been that nature has a master plan pushing every species toward procreation and that it is our right and even obligation as rational human beings to defy nature's fascism. Nature herself is a mass murderer, making casual, cruel experiments and condemning 10,000 to die so that one more fit will live and thrive.”

“My argument has long been that the Edfu Building Texts reflect real events surrounding a real cataclysm that unfolded between 12,800 and 11,600 years ago, a period known to paleoclimatologists as the Younger Dryas and that the Texts call the 'Early Primeval Age.' I have proposed that the seeds of what was eventually to become dynastic Egypt were planted in the Nile Valley in that remote epoch more than 12,000 years ago by the survivors of a lost civilization and that it was at this time that structures such as the Great Sphinx and its associated megalithic temples and the subterrranean chamber beneath the Great Pyramid were created. I have further proposed that something resembling a religious cult or monastery, recruiting new initiates down the generations, deploying the memes of geometry and astronomy, disseminating an 'as-above-so-below' system of thought, and teaching that eternal annihilation awaited those who did not serve and honor the system, would have been the most likely vehicle to carry the ideas of the original founders across the millennia until they could be brought to full flower in the Pyramid Age.”