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“Such moments passed and the wasting fires of lust sprang up again. The verses passed from his lips and the inarticulate cries and the unspoken brutal words rushed forth from his brain to force a passage. His blood was in revolt. He wandered up and down the dark slimy streets peering into the gloom of lanes and doorways, listening eagerly for any sound. He moaned to himself like some baffled prowling beast. He wanted to sin with another of his kind, to force another being to sin with him and to exult with her in sin. He felt some dark presence moving irresistibly upon him from the darkness, a presence subtle and murmurous as a flood filling him wholly with itself. Its murmur besieged his ears like the murmur of some multitude in sleep; its subtle streams penetrated his being. His hands clenched convulsively and his teeth set together as he suffered the agony of its penetration. He stretched out his arms in the street to hold fast the frail swooning form that eluded him and incited him: and the cry that he had strangled for so long in his throat issued from his lips. It broke from him like a wail of despair from a hell of sufferers and died in a wail of furious entreaty, a cry for an iniquitous abandonment, a cry which was but the echo of an obscene scrawl which he had read on the oozing wall of a urinal.”

“Such movies are always a danger...falling in love is something most adults have actually experienced...The theme is universal and encourages...unhealthy comparisons...why can't our lives be like that? It's a box left unopened, and its avoidance explains the continued popularity of vampire epics and martial-arts extravaganzas.”

“Such, nearly, was the state of the French theatre before the appearance of Voltaire. His knowledge of the Greeks was very limited, although he now and then spoke of them with enthusiasm, in order, on other occasions, to rank them below the more modern masters of his own nation, including himself still, he always felt himself bound to preach up the grand severity and simplicity of the Greeks as essential to Tragedy. He censured the deviations of his predecessors therefrom as mistakes, and insisted on purifying and at the same time enlarging the stage, as, in his opinion, from the constraint of court manners, it had been almost straitened to the dimensions of an antechamber. He at first spoke of Shakspeare's bursts of genius, and borrowed many things from this poet, at that time altogether unknown to his countrymen; he insisted, too, on greater depth in the delineation of passion—on a stronger theatrical effect; he called for a scene more majestically ornamented; and, lastly, he frequently endeavoured to give to his pieces a political or philosophical interest altogether foreign to poetry. His labours hare unquestionably been of utility to the French stage, although in language and versification (which in the classification of dramatic excellences ought only to hold a secondary place, though in France they alone almost decide the fate of a piece), he is, by most critics, considered inferior to his predecessors, or at least to Racine. It is now the fashion to attack this idol of a bygone generation on every point, and with the most unrelenting and partial hostility. His innovations on the stage are therefore cried down as so many literary heresies, even by watchmen of the critical Zion, who seem to think that the age of Louis XIV. has left nothing for all succeeding time, to the end of the world, but a passive admiration of its perfections, without a presumptuous thought of making improvements of its own. For authority is avowed with so little disguise as the first principle of the French critics, that this expression of literary heresy is quite current with them.”

“Such nice people, the Hillingdons, though she's not really very easy to know, is she? I mean, she's always very pleasant and all that, but one never seems to get to know her better.' Miss Marple agreed thoughtfully. 'One never knows what she is thinking.' 'Perhaps that is just as well.' 'I beg your pardon?' 'Oh nothing really, only that I've always had the feeling that perhaps her thoughts might be rather disconcerting.”

“Such nonsense!" declared Dr Greysteel. "Whoever heard of cats doing anything useful!" "Except for staring at one in a supercilious manner," said Strange. "That has a sort of moral usefulness, I suppose, in making one feel uncomfortable and encouraging sober reflection upon one's imperfections.”

“Such ordeals always strike one with their strangeness, their digression from the normal flow of events, and often provoke a universal protest: "Why me?" Be sure that this is not a question but an outcry. The person who screams it has been instilled with an astonishing suspicion that he, in fact, has been the perfect subject for a very specific "weird," a tailor-made fate, and that a prior engagement, in all its weirdness, was fulfilled at the appointed time and place.”

“Such people, while useful, even agreeable, to others, are, if truth be told, frequently unhappy–lonely in fact. Yes, they seek out others, and it may even seem to them that in a certain country or city they have managed to find true kinship and fellowship, having come to know and learn about a people; but they wake up one day and suddenly feel that nothing actually binds them to these people, that they can leave here at once. They realize that another country, some other people, have now beguiled them, and that yesterday’s most riveting event now pales and loses all meaning and significance. For all intents and purposes, they do not grow attached to anything, do not put down deep roots. Their empathy is sincere, but superficial. If asked which of the countries they have visited they like best, they are embarrassed–they do not know how to answer. Which one? In a certain sense–all of them. There is something compelling about each. To which country would they like to return once more? Again, embarrassment–they had never asked themselves such a question. The one certainty is that they would like to be back on the road, going somewhere. To be on their way again–that is the dream.”

“Such platitudes as "If you believe it, it will happen," "If you give 100%, you get 100%," "Good things happen to good people" people utter when we don't know what else to say. There's comfort in platitudes, and every so often they're accurate, but mainly they're hollow words. It's a sign of how little we're able to directly address the world around us. The language of the times reveals our avoidance.”

“Such pretensions to nicety in experiments of this nature, are truly laughable! They will be telling us some day of the WEIGHT of the MOON, even to drams, scruples and grains-nay, to the very fraction of a grain!-I wish there were infallible experiments to ascertain the quantum of brains each man possesses, and every man's integrity and candour:-This is a desideratum in science which is most of all wanted.”

“Such proposals may seem impractical and even incredible. But what is truly impractical and incredible is that America, with its enormous wealth, has allowed Watts to become what it is and that a commission empowered to study this explosive situation should come up with answers that boil down to voluntary actions by business and labor, new public relations campaigns for municipal agencies, and information-gathering for housing, fair employment, and welfare departments. The Watts manifesto is a response to realities that the McCone Report is barely beginning to grasp. Like the liberal consensus which it embodies and reflects, the commission's imagination and political intelligence appear paralyzed by the hard facts of Negro deprivation it has unearthed, and it lacks the political will to demand that the vast resources of contemporary America be used to build a genuinely great society that will finally put an end to these deprivations. And what is most impractical and incredible of all is that we may very well continue to teach impoverished, segregated, and ignored Negroes that the only way they can get the ear of America is to rise up in violence.”

“Such public shaming is rampant and sometimes appropriate, but unfortunately, in recent years, shaming has morphed into coordinated reputation murders, and anyone who is slightly insensitive or not PC enough can be led to a public character lynching without due process.”

“Such reciprocity is the very structure of perception. We experience the sensuous world only by rendering ourselves vulnerable to that world. Sensory perception is this ongoing interweavement: the terrain enters into us only to the extent that we allow ourselves to be taken up within that terrain.”

“Such regulations may, no doubt, be considered as in some respect a violation of natural liberty. But those exertions of the natural liberty of a few individuals, which might endanger the security of the whole society, are, and ought to be, restrained by the laws of all governments; of the most free, as well as or the most despotical. The obligation of building party walls, in order to prevent the communication of fire, is a violation of natural liberty, exactly of the same kind with the regulations of the banking trade which are here proposed.”

“Such rich features of Calvin's ecclesiology highlight how his work of reform was in large respect a reform of ecclesiastical culture. One can only imagine how differently the citizen of Geneva must have experienced the church before and after its reformation. Under Calvin's vision, as implemented in Geneva, Christianity now entailed a very different kind of worship, a very different place of word and sacraments, a very different idea of ecclesiastical discipline, and a very different conception of ecclesiastical government. This was a reformed Christianity, and a reformed Christianity meant a reformed church.”

“Such Roots as are soft, your best way is to dry in the Sun, or else hang them up in the Chimney corner upon a string; as for such as are hard you may dry them any where.”