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T Quotes

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All T Quotes

“The Florida side of my family is huge. People married young. Were Fruitful. Multiplied. As a kid a family fish fry might see 50 gather in someone's First District yard. A great-uncle frying mullet. Adults in the shade as kids played. Games of tag with complex rules. Jumping Live Oak roots. Flinging Chinaberries. You'd limp to the shade bruised and breathless. Hear a story about a cousin caught stealing hogs. Quickly get sent away – "Go play! This is Grown People Business!" We'd head back out. Climb trees. Make palm frond swords. Years passed. I grew up and found that most of those relatives were gone. I had missed the Grown People Business.”

“The flouting of the greybeard is also a revolutionary sign. The absence of the men of experience from among revolutionary officials leads to many false moves that wiser heads would have avoided; but youth will have its fling, and in all ages and in all civilizations there is always a permanent undercurrent of revolution on the part of the young men who know everything, against the older men who are considered out-of-date and incapable of understanding their brilliant schemes of reform.”

“The flow of action continually produces consequences which are unintended by actors, and these unintended consequences also may form unacknowledged conditions of actions in a feedback fashion. Human history is created by intentional activities but is not an intended project; it persistently eludes efforts to bring it under conscious direction.”

“The flow of energy moves from the unseen - the non-physical - to the seen, to that which appears; from the realm of that which is not yet manifest to the realm of appearance; from what the American Indian call the 'Nagual' to the 'Tonal', to the everyday world of 'ordinary' existence.”

“The flow of people in a setting, their changing relationships to each other and their environment, and their constantly changing expressions and movements - all combine to create dynamic situations that provide the photographer with limitless choices of when to push the button. By choosing a precise intersection between subject and time, he may transform the ordinary into the extraordinary and the real into the surreal.”

“The flow. Yeah. Knowing you could step on the court and make it happen. You practiced, sure. But then, when you walked out there, you could just go. You could flow, that was it: you created and you didn't totally know how. You just knew you could, so you did. It wasn't thinking and it wasn't imitating somebody else's moves, though you always looked carefully when you watched good players play. But when you played... it was something you couldn't explain. Neal used to know. It didn't come from thinking about it.”

“The flower, as he saw it, ruled over evil; it absorbed in itself all innocently shed blood (that is why it is so red) all tears and all the gall of humanity. It was an awful and mysterious being, the antitheses of God, an Ahriman presenting a most unassuming and innocent appearance. It was necessary to break it off and kill it. But this was not all; it was also necessary not to permit it at its death to discharge its evil upon the world.”

“The flower inside the fruit that is both its parent and its child. Decadent as ancestors. The portal and that which passes. Nuclear devices activated, and the machine keeps pushing time through the cogs, like paste into strings into paste again, and only the machine keeps using time to make time to make time. And when the machine stops, time was an illusion that we created free will.”