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T Quotes

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All T Quotes

“That’s when I realized it. I liked this girl. A lot. I liked her super-moist double chocolate chip cupcakes. I liked how kind and patient she was with the guests, the way her forehead crinkled when she was thinking about a problem. I liked her low, soft voice and that long ribbon of platinum-blond hair. I liked the way she looked at the world, as if it were an okay place, where good things were actually possible.”

“That’s when I realized that I really loved you.” She sat down on the floor with me. She spoke quiet. “Charlie, don’t you get it? I can’t feel that. It’s sweet and everything, but it’s like you’re not even there sometimes. It’s great that you can listen and be a shoulder to someone, but what about when someone doesn’t need a shoulder. What if they need the arms or something like that? You can’t just sit there and put everybody’s lives ahead of yours and think that counts as love. You just can’t. You have to do things.”

“That’s when my search for happiness began, during stage-four cancer. I spent all my time looking for light in the darkness, hunting for a silver lining. I captured painful moments, trying to discover anything good going on. Where was the grace in dying? I wanted some sort of proof that peace lives in pain. I think I was looking for God. Sometimes I found him. Now it’s become an obsession. I look for God all the time, in every dark and dingy corner of my world, in every sad moment of my life. When I find him or her I take a pic and write a poem.”

“That's when she noticed that Serena, Jimena, and Vanessa each wore matching silver charms. Corrine caught what she was staring at. "They never take them off," she whispered. "Not in P.E., not for dances. Never. They had another friend, Catty, who wore the same amulet, but she's gone now. Someday when we're alone, I'll tell you what happened to her." Tianna looked at the face of the moon etched in the metal on the charms. Sparkling in the morning light, the charms didn't seem silver but more like a strange stone that reflected a rainbow of colors.”

“That's when she saw his gaze drift downward, alighting on the heart-shaped pendant clasped around her neck. "You're wearing it," he said, his words carrying a wondering tone. Reaching up, she fingered the amethysts, then smoothed her thumb over the flat piece of porcelain in the center with its tiny painted garden. "Yes. Because I realize now that it was given in love." "It was, even if I was too blind to know it at the time. Something else for which I must beg your forgiveness." "It's yours." She laid her palm on his chest near his heart. "Did you really carry the pendant around with you when we were apart?" "Constantly. It made me feel closer to you. Strange, I suppose, considering you wore it for such a brief time." "Not so strange," she reassured. "I kept a handkerchief of yours, though I never planned to tell you that." Leaning near, he pressed his lips to hers. "Besotted. The pair of us." "Definitely.”

“That's when she saw the black ink strokes, underlining four words of the poem: Door. Veil. Thee. Me. And in a flash, the code to the sultan's combination lockbox flew into her mind. D V J S. Door. Veil. Jasmine. Sultan... or sultana. Even though the meaning was still opaque, even though she still hadn't the slightest clue which door or veil her father was trying to draw her toward, something lifted in her chest as she looked at the words. Hope. He was still talking to her, communicating with her, even from another plane. "As above, so below," she whispered.”

“That’s where thinking started, where thinking stopped, where all her prayers so long ago had dried up. She no longer prayed, nor even dreamed of changing her father. Her dreams now played variations on the theme of escape. And they were nothing more than that —just dreams, just play. She’d been alone at the end of her dreams so many times before and never had God helped her escape her father, because God couldn’t, because she would never escape her need to love him.”

“That's where you're wrong, Princess.' His eyes glowed a fiery amber as he glared down at me. 'You don't have options when it comes to your own well-being and your own foolish stubbornness.' 'Excuse me?' 'I won't let you weaken or starve yourself because you're mad. And i do get it. I get why you're upset. Whey you want to fight me on everything, every step of the way.' He took that step toward me, and my spine locked up as I refused to back away. His eyes burned brighter. 'I want you to, Princess. I enjoy it.' 'You're twisted. 'Never said I wasn't,' he retorted. 'So, fight me. Argue with me. See if you can actually injure me next time. I dare you.' My eyes widened as I lowered my arms. 'You're... there's something wrong with you.' 'That may be true, but what is also true, is the fact that I will not let you put yourself in unnecessary danger.' 'Maybe you've forgotten, but I can handle myself.' 'I haven't forgotten. I won't ever prevent you from lifting a sword to protect your life or those you care about,' he said. 'But I won't let you shove that sword through your own heart to prove a point.”

“That's who is now, he reminds himself, someone who makes decisions, who doesn't let life just act upon him. Wasn't that the big lesson of transition, of detransition? That you'll never know all the angles, that delay is just form of hiding from reality. That you just figure what you what you want and do it? And maybe, if you don't know what you want, you just do something anyway, and everything will change, and then maybe that will reveal what you really want. So do something.”

“That's who is waiting for me: an invisible man defined by a dotted line: the shape of an absence in your place at the table, sitting across from me, eating toast and eggs as usual or walking ahead up the drive, a rustling of the fallen leaves, a slight thickening of the air. It's you in the future, we both know that. You'll be here but not here, a muscle memory, like hanging a hat on a hook that's not there any longer.”

“That’s why all of those records from high school sound so good. It’s. It that the songs were better- it’s that we were listening to them with our friends, drunk for the first time on liqueurs, touching sweaty palms, staring for hours at a poster on the wall, not grossed out by carpet or dirt or crumpled, oily bedsheets. These songs and albums were the best ones because of how huge adolescence felt then, and how nostalgia recasts it now. Nostalgia is so certain: the sense of familiarity it instills makes us feel like we know ourselves, like we’ve lived. To get a sense that we have already journeyed through something- survived it, experienced it- is often so much easier and less messy than the task of currently living though something. Though hard to grasp, nostalgia is elating to bask in- temporarily restoring color to the past. It creates a sense memory that momentarily simulates context. Nostalgia is recall without the criticism of the present day, all the good parts, memory without the pain. Finally, nostalgia asks so little of us, just to be noticed and revisited; it doesn’t require the difficult task of negotiation, the heartache and uncertainty that the present does.”

“That’s why everyone hates each other nowadays,’ he reckoned. ‘Because they are overloaded with non-friends friends. Ever heard about Dunbar’s number?’ And then he had told her about a man called Roger Dunbar at Oxford University, who had discovered that human beings were wired to know only a hundred and fifty people, as that was the average size of hunter-gatherer communities.”

“That's why I don't like making fun of people for admitting they don't know something or never learned how to do something. Because if you do that, all it does is teach them not to tell you when they're learning something...and you miss out on the fun.”

“That's why I had a reduction when I was twenty-one," which is when his expression morphed into one of horror. You'd have thought I told him I made an amazing stew from tiny babies and puppy tongues. "Why on earth would you do that? That's like God giving you a beautiful gift and you kicking him in the nuts." I laughed. "God? I thought you were agnostic, Professor." "I am. But if I could motorboat perfect tits like yours I might be able to find Jesus." I felt my blush warm my cheeks. "Because Jesus totally lives in my cleavage?" "Not anymore he doesn't. Your boobs are now too small for him to be comfortable in there." He shook his head, and I couldn't stop laughing. "So selfish, Ziggs,”