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T Quotes

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All T Quotes

“The thoughts that linger are the “If only” questions, like Who could I have become if I had finally done the things I always wanted to do? The gift of deciding to face your mortality without turning away or flinching is the gift of recognizing that because you WILL die, you must live NOW. Whether you flounder or flourish is always in your hands. You are the single biggest influence in your life. Your journey begins with the choice to get up, step out, and live. Fully.”

“The Thousand and One Nights" draws on a sea of pre-existing legends, from lands stretching from Egypt to China. But the name “Shahrazad” is Persian, and as folklorist Maria Tatar explains, the material she conveys “made its way from Persian to Arabic manuscripts in the second half of the eighth century CE.” Reportedly, Shahrazad has a library of a thousand books, knows all their stories, and weaves them together like a classic bard. The tyrant who reportedly commands her love while threatening her life is a typical ancient warlord, who assumes that mercy is weakness. In countering his murderous egotism, she wields the power of myth and the beauty of empathy. Azar Nafisi explains it as a kind art therapy: “the heroine … must rely on ‘woman’s guile’ to survive a madman’s clutches. She turns his nights with her into an unfolding drama, spinning a spell of fantasy that finally restores his sanity.” In her survey of female heroes throughout history, "The Heroine with 1,001 Faces" (2021), Maria Tatar describes this sort of spell-casting as a chief characteristic of women’s art: “it gradually dawned on me that the heroines [of most folk stories] were habitually bent on social missions, trying to rescue, restore, or fix things, with words as their only weapons,” Maybe that is the ultimate function of all these legendary Persian “romances,” and the main goal of women’s popular folklore through the centuries.”

“THE thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that gave utterance to a threat. At length I would be avenged; this was a point definitely, settled --but the very definitiveness with which it was resolved precluded the idea of risk. I must not only punish but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.”

“The thread has snapped. No sound even to mark the breaking let alone the fall. That long anticipated disintegration, when the darkest angel of all, the horror beyond all horrors, sits at last upon my chest, permanently enfolding me in its great covering wings, black as ink, veined in Bees' purple. A creature without a voice. A voice without a name. As immortal as my life. Come here at long last to summon the wind.”

“The threat is there. It's very real and it's continuing. And what the Obama people are doing, in effect, is saying, well, we don't need those tough policies that we had. That says either they didn't work, which we know is not the case - they did work, they kept us safe for seven years - or that now somehow the threat's gone away. There's no longer a threat out there, we don't have to be as tough and aggressive as the Bush administration was.”

“The threat of a government shutdown has caused the Republicans and Donald Trump, as of now, to delay the funding for the wall until the fiscal year 2017-18 budget year, which will happen in September. This has the potential of bothering some Trump supporters. This is not nearly enough callers to make any kind of scientific statement, but every caller we took on said - delaying the wall is not what I want. The more you delay it, the greater the chance it isn't gonna happen.”