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T Quotes

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All T Quotes

“The audience was composed of the lower stratum of white working people: hard-faced, lantern-jawed, dull-eyed adult children, seeking like all humanity for something permanent in the eternal flux of life. The young girls in their cheap finery with circus makeup on their faces; the young men, aged before their time by child labor and a violent environment; the middle-aged folk with their shiny, shabby garb and beaten countenances; all ready and eager to be organized for any purpose except improvement of their intellects and standard of living.”

“The audience was transported, not only by the work but also by the fine dynamics of the choir, which were something unusual in those days. Not less powerful was the religious impression made by Bach’s music. “The crowded hall looked like a church,” writes Fanny Mendelssohn. “Every one was filled with the most solemn devotion; one heard only an occasional involuntary ejaculation that sprang from deep emotion.”

“The audience's imagination will do a better, more personalized version of the horror than you can actually paint. So that just, you know, with something like "The Blair Witch Project," which is, you know, whatever, it's 89 minutes of people running through the woods and one minute of, you know, a guy standing in a corner.”

“The audience. They see the name Mel Brooks, they want something really funny. They don't want to be moved; they don't want to be taught any lessons. [...] I get more letters for Twelve Chairs and Life Stinks than I get from any other movies, because people actually agree with the philosophy, or were moved, or they love the movie.”

“The Auditor-General has been complaining year in and year out that the municipalities have not paid auditing fees. It is not because they are reluctant but they don't have the money to pay the Auditor. So, you can't say that you are throwing money at somebody who doesn't have money. Lots of the things that the municipalities can't do are because resources are not there.”

“The aura given out by a person or object is as much a part of them as their flesh. The effect that they make in space is as bound up with them as might be their colour or smell ... Therefore the painter must be as concerned with the air surrounding his subject as with the subject itself. It is through observation and perception of atmosphere that he can register the feeling that he wishes his painting to give out.”

“The aura of the theocratic death penalty for adultery still clings to America, even outside New England, and multiple divorce, which looks to the European like serial polygamy, is the moral solution to the problem of the itch.”