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T Quotes

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All T Quotes

“The Bird of Paradise, it seemed, had beckoned us on and led us in, to stand here in this place high in the land of volcanoes. It was here in Bali, after returning from the Toraja Star Children, that I first recognized what they meant by us all being born half of heaven and half of earth. And after the mounted warsports of Sumba it was in Balinese ritual that I saw with new eyes the battle for balance between light and darkness. And after Borneo, returning to the sacred Banyan tree and its simian custodians, I had felt that all great trees, what’s left of them, do indeed link heaven and earth in a single forest of life.”

“The bird with the thorn in its breast, it follows an immutable law; it is driven by it knows not what to impale itself, and die singing. At the very instant the thorn enters there is no awareness in it of the dying to come; it simply sings and sings until there is not the life left to utter another note. But we, when we put the thorns in our breasts, we know. We understand. And still we do it. Still we do it.”

“The birds are literal representations of the witnesses of those ordinary and big moments, but they are also metaphors for time itself, for the passing of time. It occurred to me, many years after I had been here, thinking about this idea, that every moment we have with one another is really our only moment, and because of that our every moment could potentially be a goodbye, so we have to notice and notice and notice.”

“The birds had multiplied. She'd installed rows upon rows of floating melamine shelves above shoulder height to accommodate the expression of her once humble collection. Though she'd had bird figurines all over the apartment, the bulk of her prized collection was confined to her bedroom because it had given her joy to wake up to them every morning. Before I'd left, I had a tradition of gifting her with bird figurines. It began with a storm petrel, a Wakamba carving of ebony wood from Kenya I had picked up at the museum gift shop from a sixth-grade school field trip. She'd adored the unexpected birthday present, and I had hunted for them since. Clusters of ceramic birds were perched on every shelf. Her obsession had brought her happiness, so I'd fed it. The tiki bird from French Polynesia nested beside a delft bluebird from the Netherlands. One of my favorites was a glass rainbow macaw from an Argentinian artist that mimicked the vibrant barrios of Buenos Aires. Since the sixth grade, I'd given her one every year until I'd left: eight birds in total. As I lifted each member of her extensive bird collection, I imagined Ma-ma was with me, telling a story about each one. There were no signs of dust anywhere; cleanliness had been her religion. I counted eighty-eight birds in total. Ma-ma had been busy collecting while I was gone. I couldn't deny that every time I saw a beautiful feathered creature in figurine form, I thought of my mother. If only I'd sent her one, even a single bird, from my travels, it could have been the precursor to establishing communication once more. Ma-ma had spoken to her birds often, especially when she cleaned them every Saturday morning. I had imagined she was some fairy-tale princess in the Black Forest holding court over an avian kingdom. I was tempted to speak to them now, but I didn't want to be the one to convey the loss of their queen. Suddenly, however, Ma-ma's collection stirred. It began as a single chirp, a mournful cry swelling into a chorus. The figurines burst into song, tiny beaks opening, chests puffed, to release a somber tribute to their departed beloved. The tune was unfamiliar, yet its melancholy was palpable, rising, surging until the final trill when every bird bowed their heads toward the empty bed, frozen as if they hadn't sung seconds before. I thanked them for the happiness they'd bestowed on Ma-ma.”

“The birds laugh loud and long together When Fashion's followers speed away At the first cool breath of autumn weather. Why, this is the time, cry the birds, to stay! When the deep calm sea and the deep sky over Both look their passion through sun-kissed space, As a blue-eyed maid and her blue-eyed lover Might each gaze into the other's face.”

“The birds of the air die to sustain thee; the beasts of the field die to nourish thee; the fishes of the sea die to feed thee. Our stomachs are their common sepulchre. Good God! with how many deaths are our poor lives patched up! how full of death is the life of momentary man!”

“The birds sang, the proles sang. the Party did not sing. All round the world, in London and New York, in Africa and Brazil, and in the mysterious, forbidden lands beyond the frontiers, in the streets of Paris and Berlin, in the villages of the endless Russian plain, in the bazaars of China and Japan — everywhere stood the same solid unconquerable figure, made monstrous by work and childbearing, toiling from birth to death and still singing.”

“The birds that came to it through the air At broken windows flew out and in, Their murmur more like the sigh we sigh From too much dwelling on what has been. Yet for them the lilac renewed its leaf, And the aged elm, though touched with fire; And the dry pump fung up an awkward arm; And the fence post carried a strand of wire. For them there was really nothing sad. But though they rejoiced in the nest they kept, One had to be versed in country things Not to believe the phoebes wept.”

“The birds were starting to leave for Scandinavia and Siberia. Long V shapes trailed across the sky and, at night, flocks of bar-tailed godwits wheeled above the beach. The e icy wind, straight off the Arctic tundra, had abated slightly, and the days were growing longer. One night there was a storm, and in the morning the beach was littered with debris: eel grass torn from the beds around Holy Island, bladderwrack encrusted with barnacles, scraps of fishing net and opaque plastic bottles. The blaze roared, orange and amber and red; sparks danced in the darkening sky. In the distance, the sea pounded on the shore and the wind wheeled about her; a curlew keened, calling like a lost child.”

“The birds?’ ‘Yes. Brent geese from Svalbard and bar-tailed godwits from the Arctic tundra. Thousands of them, loads of different species. They’ve flown from Scandinavia to spend the winter here. At night, I can hear them honking. Pink-footed geese from Iceland, barnacle geese from Norway. When I lie in bed at night, I imagine I can hear the beat of their wings. Yesterday I walked along the beach. It was clear, for once, and the sun was starting to set. I saw a murmuration of plovers. Hundreds of them, making these strange, unearthly shapes across the sky; the light caught their wings, and the whole flock shone like gold. Every day I think about filling my pockets with stones and walking into the sea. I will aim for Iceland. I will never stop. But then I see a flock of golden plovers wheeling in the sunlight and, for a few brief moments, I forget who I am and why I’m here and what I’ve lost.”

“The birds, the poets of the animal creation - what though they never get beyond the lyrical! - awoke to utter their own joy, and awake like joy in others of God's children.”