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Y Quotes

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All Y Quotes

“You will see the constitution of the United States almost destroyed. It will hang like a thread.... A terrible revolution will take place in the land of America.... [T]he land will be left without a Supreme Government,... [Mormonism] will have gathered strength, sending out Elders to gather the honest in heart... to stand by the Constitution of the United States.... In these days... God will set up a Kingdom, never to be thrown down.... [T]he whole of America will be made the Zion of God.”

“You will see the mercy of God toward His creatures, how He has provided that which is required, in proper proportions, and treated all individual beings of the same species with perfect equality. ...for it is an act of great and perfect goodness that He gave us existence; and the creation of the controlling faculty in animals is a proof of His mercy towards them, as has been shown by us.”

“You will stay and help defend our cave against all comers, protect those weaker than yourself and honor our code. Always use the sword to stand for good and right, never do a thing you would be ashamed of, and never let your heart rule your mind ... And never let another creature take this sword from you, not as long as you live. When the time comes, pass it on to another, maybe your own son. You will know instinctively if he is a warrior. If not, hide the sword where only a true warrior who is brave of heart would dare to go and find it. Swear this to me, Martin.”

“You will stay up all night reading this brilliant and devastating novel the way you might have with a new best friend in junior high-one whose revelations thrilled and terrified you, and whose raw, hard-earned wisdom remade the way you saw the world. It evokes the genius of Angela Pneumans canonical progenitors: Flannery O'Connor, Katherine Anne Porter, Walker Percy. Lay It on My Heart is a gorgeous, riveting, and unforgettable book.”

“You will struggle. You will fall down. You will be hated. You will face many defeats. You will be mocked. You will be alone. The world will not give you recognition. The world will not give you, your due. Against all odds, if you still persist and create your art, it will be a victory! It will be your victory. Finally, you would win.”

“You will tell me that there always exists a chasm between the world depicted in novels and films and the world that people actually live in. It is the chasm between the world mediated by art and the world unmediated by art, formless and drab. You are absolutely right. The gap that my mother felt was not necessarily any deeper than the gap felt by a European girl who loved books and films. Yet there is one critical difference. For in my mother's case, the chasm between the world of art and real life also symbolized something more: the asymmetrical relationship I mentioned earlier—the asymmetrical relationship between those who live only in a universal temporality and those who live in both a universal and a particular one. To make this discussion a little more concrete, let me introduce a character named Francoise. Francoise is a young Parisienne living before World War II. Like my mother, she loves reading books and watching films. Also like my mother, she lives in a small apartment with her mother, who is old, shabby looking, and illiterate. One day Francoise, full of artistic aspirations, writes an autobiographical novel. It is the tale of her life torn between the world of art and the world of reality. (Not an original tale, I must say.) The novel is well received in France. Several hundred Japanese living in Japan read this novel in French, and one of them decides to translate it into Japanese. My mother reads the novel. She identifies with the heroine and says to herself, "This girl is just like me!" Moved, my mother, also full of artistic aspirations, writes her own autobiography. That novel is well received in Japan but is not translated into French—or any other European language, for that matter. The number of Europeans who read Japanese is just too small. Therefore, only Japanese readers can share the plight of my mother's life. For other readers in the world, it's as if her novel never existed. It's as if she herself never existed. Even if my mother had written her novel first, Francoise would never have read it and been moved by it.”