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“You know, with the film industry crews, there's an odd mix between a very technical and a very artistic approach to the work, and sometimes as a woman you have to be a little bit careful about how things come out because people don't really want to listen if it's in a certain emotional tone or too strong.”

“You know, without my telling you, how sometimes a word or name eludes you, and you seek it through running ghosts of shadow -- leaping at it, lying in wait for it to spring upon it, spreading faint snares for it of sense or sound: until, of a sudden, as if in a phantom forest, you hear it, see it flash among the branches, and scarcely knowing how, suddenly have it.”

“You know, women are acting the way they want to act now. Years ago they would hide it in the way they dressed, the way they speak, even the way they act in bed. Today, they're doing the same thing, but they're dressing the way they want to be treated and, when you're with them, acting the way they want to act. And you know, honesty is the best policy. I love that.”

“You know, women in Hollywood, we don't get action franchises and superheroes. The rom-coms that made Julia Roberts, Sandra Bullock, and Reese Witherspoon stars are out of favor right now- nobody is making them. In this business, if you are an ambitious person, you don't wait for people to hand you opportunities. You have to make a way for yourself.”

“You know, yes, you can always argue that a backdoor can be built that's more secure, you know, and more difficult to get to and only law enforcement's going to get there. But nobody in the field of security believes that's ultimately going to provide this same protection that a tight end-to-end solution has without a backdoor.”

“You know, you grow up with the image of John Travolta being super cool - 'Saturday Night Fever,' Brian De Palma, handsome young god... he, in reality, is a very silly man. And I mean that in a good way. He'll walk around the set talking in little weird voices, making people laugh.”

“You know, you have to do homework. You listen to who they are, what they do. I also compare it to designing clothes for people. If somebody brings in Tilda Swinton, you're not going to give her the same dress you'd give Gabourey Sidibe. Everybody looks different in a different line, a different color. The same thing with the way people speak.”