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Air Quotes

“I had to learn that slower is faster. If you practice every day with patience and correctness, you will get there. It's like preparing for a jump. You can't rush. You must summon the appropriate energy with split-second timing and have an understanding of purpose to get up in the air. It requires training, confidence and mental effort. You can't have a vocabulary without the alphabet. Balanchine used to say, "Do you want to be a poet of gesture or do you want to be a physical entity?"”

“Some corporations don't want free markets, and they don't want democracy. They want profits. And they use our campaign finance system to loot our commons, to steal from our treasury, and the other shared resources of our community - the air, the water, the public lands, the wildlife, the things that belong to all of us that are held in trust for future generations. Corporations cannot act philanthropically in America.”

“I had no idea what effect something blockbustering would have. To me, it was just a job that I was trying to do the best I could. We had shot the first five shows before it went on the air. Then, it was this firecracker hit, and people were recognizing me, so it was just nuts. It was overwhelming, insane, wonderful and scary all at the same time. It's really peculiar that people see you on television and then think they have a personal relationship with you. So, they want to touch you, and grab you, and sit down and have lunch with you. It's strange, and you never get used to that.”

“Anybody who wants to go into any business, I always say that you have to make a commitment to yourself to make it a part of your nature like the air you breathe. I don't mean that lightly. It's hard. You have to do the work, and a lot of it is going to be during your own personal downtime. And you have to be interested in it. You can never study enough, and you can never learn enough.”

“Men use up their lives in heart-breaking political struggles, or get themselves killed in civil wars, or tortured in the secret prisons of the Gestapo, not in order to establish some central-heated, air-conditioned, strip-lighted Paradise, but because they want a world in which human beings love one another instead of swindling and murdering one another.”

“My struggles have been around protecting our air quality, protecting people from mercury in fish. I was very involved in the effort to get the FDA to recognize that mercury in fish is a real health issue and the FDA, you know, needed to be on that. But they were very tight with the fishing industry and did not want the public to be aware in the same way that they later didn't want the public to be aware of the problems with Vioxx, and they sat on the studies for many years and allowed 140,000 people to develop heart disease.”

“I did the Daily Show, and then I did Air America Radio, and I realized that I was lucky enough to have a job where I could get information to people. But those spaces weren't appropriate to then tell people what to do - they were corporate enterprises. My main job was to be funny, so I was trying to figure out, how can I combine all the things I love - comedy, feminism, calling out bullshit - into a creative space that other creative people would want to join in and help out?”

“People think it’s hard to travel to the airports. 9/11 has made our travel difficult, with the security laws and that. As far as comparing what we do to driving 3,000 miles a week, making fifty bucks a night, sometimes one hundred bucks a night, it’s a lot different. Guaranteed contracts, first class air fare, Hilton hotels in London, Champaign. Waddaya want? What more could you ask for!”

“My mother and I definitely got to a point where we had to have a real conversation and talk woman to woman, or daughter to mother, friend to friend - just off the record, clear the air and communicate. I didn't want to drive my mama crazy, but at the same time, I had to do, I had to learn, I had to grow and she understood that. She knows me better than anyone else on the planet so I tried to think about that.”

“The script is a starting point, not a fixed highway. I must look through the camera to see if what I've written on the page is right or not. In the script, you describe imagined scenes, but it's all suspended in mid-air. Often, an actor viewed against a wall or a landscape, or seen through a window, is much more eloquent than the lines you've given him. So then you take out the lines. This happens often to me and I end up saying what I want with a movement or a gesture.”

“We have long had emigration in Ireland. But the nature of emigration has changed. With ferries to Britain and the continent, as well as air travel, emigration isn't the cut­off it used to be. In addition, some of our young people are being educated to levels beyond our present capacity to provide the jobs they are qualified to do. So they go abroad. Many want to come back, especially when they have children they would want to be raised in the Irish society and in the Irish educational system.”

“Today, we're struggling a lot, both men and women, with finding out what we're supposed to be. Like when you go on a first date, I always find it incredibly difficult to figure out whether I should reach for the check or not. I don't want to presume anything, but I don't want to be a ball-buster. A lot of rules are thrown up into the air and I think that maybe more than anything, we're confused.”