Quotessence
Home / Topics / Anti Hero Quotes

Anti Hero Quotes

Browse 39 quotes about Anti Hero.

Related topics

Anti Hero Quotes

“[Patricia Highsmith] had experienced at first hand many of Ripley's characteristics - splintered identity, insecurity, inferiority, obsession with an object of adoration, and the violence that springs from repression. Like her young anti-hero, she knew that in order to survive, it was necessary to prop oneself up with a psychological fantasy of one's own making. 'Happiness, for me, is a matter of imagination,' she wrote in her notebook while writing The Talented Mr. Ripley. 'Existence is a matter of unconscious elimination of negative and pessimistic thinking. I mean, to survive at all. And this applies to everyone. We are all suicides under the skin, and under the surface of our lives.”

“⭐⭐⭐⭐⭐ A fire that burns from within "Sometimes the chains that hold you are inside your own mind. Sometimes freedom means choosing when to burn." This book hit different. Roar'Z isn't your typical fantasy hero. He's a gladiator with literal fire in his blood, but the real story is about the prison he's built in his own head. The external chains? Those are almost secondary. What got me was how the book handles power and control. Roar'Z spends most of his time suppressing what makes him dangerous, hiding what makes him different. And you watch him struggle with when to let that fire out and when to keep it locked down tight. The worldbuilding is solid. Orcs, dragons, druids who can't decide if they should actually help anyone. The action scenes are brutal and well-written. But it's the character work that kept me reading. If you like your fantasy dark, your protagonists complicated, and your themes about breaking free from what holds you back (even when that thing is yourself), pick this up. Worth the read.”

“Why didn't you come to me last night?” she whispered. The question took him by surprise and he wasn't prepared to provide her with an answer while he was caught by the sapphire of her eyes. She lifted a finger to his face, and every muscle in him relaxed as she traced it over his cheek. It was as though his body was reminded of when she had healed him—that perfect moment when her eyes came back to him and after he had shared the memory of his weakest moment. “It's not enough,” she mumbled. “The time that you spend with me isn't enough, Malloron. I feel…” Her palm pressed against his cheek and Malloron didn't need to wait for her to continue, he could feel it in the bond. He simply drew her into his arms. The moment their bodies touched, the bond trembled inside his chest, stirring deep within him, a strange hope blooming. He pulled her against him and began to purr for her, his deep satisfaction of touching and holding her saturating every single vibration that rocked through his chest.”

“To spare Cloyce's victims further indignities to their memory, I must be a scourge. To prevent others from perhaps being infected by Cloyce's depravity by watching him at work, I must be a scourge. To prevent time management technology from falling into the hands of authorities who, if not already corrupt, would be corrupted by it, I must be a scourge. Scourges aren't heroes. I had never imagined myself to be a hero, but never had I imagined I would be this. Scourges transgress against social and sacred order. A scourge went into darker territory than that. A scourge was not compelled to kill by mental imbalance or emotional confusion or selfish desire. A scourge made a carefully reasoned decision to kill in numbers that exceeded what was absolutely necessary to ensure self-preservation and the defense of the innocent. Even if he killed for the right reason, he was in rebellion against social order and commanding authority. Who scourges will be scourged. In fulfilling this dark role in Roseland, I would bring about my own death. Yet I knew I would not retreat from my decision.”

“Outcasts, callused from being in exile for too long, learn to thrive on being the hated; the attention and infamy of our actions fuel us to become antiheroes. Too often do we forget: we risk self-destruction if we fail to follow what we know is right; our talents too often become misplaced, misdirected, misguided from what could have been something wonderful.”

“The anti-hero or hero usually has a journey or quest so they are interesting as you find out what's going to happen, what they are looking for. What are they trying to do? Sometimes what they do is heroic or comes with a price or sacrifice or maybe the way they do things isn't so great and that's when they become anti-heroes. But the journey of an anti-hero combined with a good story done well is always worthwhile.”

“We've had 20 years of mass murders throughout which I have repeatedly told CNN and our other media, if you don't want to propagate more mass murders, don't start the story with sirens blaring. Don't have photographs of the killer. Don't make this 24/7 coverage. Do everything you can not to make the body count the lead story, not to make the killer some kind of anti-hero. Do localize the story to the affected community and make it as boring as possible in every other market. Because every time we have intense saturation coverage of a mass murder, we expect to see one or two more within a week.”

“It's fair to say that, by 'X-Men 3,' Wolverine had gone a little soft, and I agree with them there. What fans love about Wolverine is his more uncompromising approach to life. He is who he is. He's not always a nice guy. He has got edge. He's an anti-hero. And, there's also a vulnerability in there. There is conflict and battles going on in there.”

“The rise of the anti-hero can be traced to a litany of social reasons. Post World War I, for instance, saw the blooming of some pretty dark stuff - I'm thinking of Dashiell Hammett's Red Harvest, for instance, when "The Continental Op" shows up in Poisonville to clean up the town...and proceeds to kill something like thirty people.”