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Beautiful Quotes

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Beautiful Quotes

“Oh, I don't object, of course, to cutting wood from necessity, but why destroy the forests? The woods of Russia are trembling under the blows of the axe. Millions of trees have perished. The homes of the wild animals and birds have been desolated; the rivers are shrinking, and many beautiful landscapes are gone forever. And why? Because men are too lazy and stupid to stoop down and pick up their fuel from the ground.”

“The epithet beautiful is used by surgeons to describe operations which their patients describe as ghastly, by physicists to describe methods of measurement which leave sentimentalists cold, by lawyers to describe cases which ruin all the parties to them, and by lovers to describe the objects of their infatuation, however unattractive they may appear to the unaffected spectators.”

“What I have always found most beautiful in the theatre, in my childhood, and still today, is lustre--a beautiful object, luminous, crystalline, complex, circular, symmetrical. However, I do not absolutely deny the value of dramatic literature. Only, I should like the actors to be mounted on high pattens, to wear masks more expressive than the human face, and to speak through megaphones.”

“Colour, as the strange and magnificent expression of the inscrutable spectrum of Eternity, is beautiful and important to me as a painter; I use it to enrich the canvas and to probe more deeply into the object. Colour also decided, to a certain extent, my spiritual outlook, but it is subordinated to life, and above all, to the treatment of form. Too much emphasis on colour at the expense of form and space would make a double manifestation of itself on the canvas, and this would verge on craft work.”

“The beautiful is and remains beautiful though it arouse no emotion whatever, and though there be no one to look at it. In other words, although the beautiful exists for the gratification of an observer, it is independent of him. In this sense music, too, has no aim (object), and the mere fact that this particular art is so closely bound up with our feelings by no means justifies the assumption that its aesthetic principles depend on this union.”

“The cause of all the blunders committed by man arises from this excessive self-love. For the lover is blinded by the object loved; so that he passes a wrong judgment on what is just, good and beautiful, thinking that he ought always to honor what belongs to himself in preference to truth. For he who intends to be a great man ought to love neither himself nor his own things, but only what is just, whether it happens to be done by himself, or by another.”

“For it is only framed in space that beauty blooms. Only in space are events and objects and people unique and significant-and therefore beautiful. A tree has significance if one sees it against the empty face of sky. A note in music gains significance from the silences on either side. A candle flowers in the space of night. Even small and casual things take on significance if they are washed in space, like a few autumn grasses in one corner of an Oriental painting, the rest of the page bare.”

“Any base heart can devise means of vileness, and affix the ugly shapings of its own fancy to the actions of those around him; but it requires loftiness of mind, and the heaven-born spirit of virtue, to imagine greatness where it is not, and to deck the sordid objects of nature in the beautiful robes of loveliness and light.”

“Beauty is, in some way, boring. Even if its concept changes through the ages... a beautiful object must always follow certain rules. A beautiful nose shouldn't be longer than that or shorter than that, on the contrary, an ugly nose can be as long as the one of Pinocchio, or as big as the trunk of an elephant, or like the beak of an eagle, and so ugliness is unpredictable, and offers an infinite range of possibility. Beauty is finite, ugliness is infinite like God.”

“There are many things worth telling that are not quite narrative. And eternity itself possesses no beginning, middle or end. Fossils, arrowheads, castle ruins, empty crosses: from the Parthenon to the Bo Tree to a grown man's or woman's old stuffed bear, what moves us about many objects is not what remains but what has vanished. There comes a time, thanks to rivers, when a few beautiful old teeth are all that remain of the two-hundred-foot spires of life we call trees. There comes a river, whose current is time, that does a similar sculpting in the mind.”

“Where is truth, forsooth, and who knoweth it? Is Beauty beautiful, or is it only our eyes that make it so? Does Venus squint? Has she got a splay-foot, red hair, and a crooked back? Anoint my eyes, good Fairy Puck, so that I may ever consider the Beloved Object a paragon! Above all, keep on anointing my mistress's dainty peepers with the very strongest ointment, so that my noddle may ever appear lovely to her, and that she may continue to crown my honest ears with fresh roses!”

“In spite of the fact that religion looks backward to revealed truth while science looks forward to new vistas and discoveries, both activities produce a sense of awe and a curious mixture of humility and arrogance in their practitioners. All great scientists are inspired by the subtlety and beauty of the natural world that they are seeking to understand. Each new subatomic particle, every unexpected object, produces delight and wonderment. In constructing their theories, physicists are frequently guided by arcane concepts of elegance in the belief that the universe is intrinsically beautiful.”

“Men look on knowledge which they learn--or might learn--from others as they do on the most beautiful structures which are not their own: in outward objects, they would rather behold their own hogsty than their neighbor's palace; and in mental ones, would prefer one grain of knowledge gained by their own observation to all the wisdom of a thousand Solomons.”