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Bigger Quotes

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Bigger Quotes

“One of the differences between now and then is that the idea of body image is a much bigger issue now. Back then, just being kind of heavy and barrel-chested passed for heroic. Now, you wouldn't dare to play a hero without a lot of dieting and various specialised abdomen machines. But that was one of the things which was interesting about it and I did want to portray because there's good and bad.”

“Women became almost our bigger audience. Teenage girls went crazy for my movie. I saw it. I went to theatres all over and there were gangs of girls going and screaming. There were kids that were 10 or 11 years old when September 11 happened. They've been told for years they're going to get killed, they're going to get blown up. Every time you go on an airplane, X-ray your shoes because you're going to get blown up. Terror alert orange, don't travel. So, people have a reaction and they want to scream. Horror movies have become the new date movie.”

“Am I doing the movie because I'm really excited about it and want to do it, or am I doing it because it seems like it's a big budget or something like that? It would still have to be the right thing, because my lifestyle's really cheap and I'm able to exist doing smaller movies, so if I'm able to do that, I'm happy to do that. But if something bigger came along that seems really cool, then that would be great.”

“When you travel you realize how small you are. You need to be humble. You can't be a big, brash American. You think you have problems. You leave the States and you see people have bigger problems than you, much worse problems than you. They have nothing to eat, they have no water, they have no shelter, they have a terrible government. So you realize we complain about the government, we complain about food, whatever it is, and go somewhere else and you think, "Now I realize," you say, "Why people want to come to America."”

“By just passing through things, I continue to slightly limit myself. I want the jobs that don't say that much. I'm often the stepping stone or the conduit from one thing to another. I love the idea of existing in a film and growing and having bigger arcs, and being in scenes where you're just being, as opposed to talking. That' one of my ambitions, lying ahead.”

“There was a point in my teenage years, when we were starting to play bigger shows and females were running after tour buses and all that, and my mom - and I remember this like it was yesterday - said: 'Look, I want you to know that I couldn't be prouder of you. You are extraordinary. You move people. But it doesn't make you better than them. You still put your pants on the same way as them, one leg at a time every morning.' I thought about learning to jump right into them, just to mess with her. But what she said stuck with me, and I think it's true.”

“I believe nothing happens by accident. My fame has happened for a reason. My fans are my kindred spirits in revolution. If anyone chooses to ignore the message or the messenger, they do so at their own risk. Believe it or not, there are many more people out there that understand what I am trying to do than society wants to admit. The way I live my life represents a much bigger part of America than anyone would care to imagine”

“You want to find the right balance, but you have to have the Minions because people responded so much to them. We wanted to find a story that would make the Minions more a part of the story than they were in the first movie. In this one, as you know, they're disappearing. What's happening to the Minions? We made them a much bigger part of the movie in those terms.”

“I think most comedians go through that (period), where you have to change or evolve. You don't want to just keep doing variations on the same themes. And, besides, it would look kinda creepy for a guy my age to be doing stuff that, like, a 20-year-old would do. 'Yeah, this is bullshit!' It's, like, 'Really? You don't have bigger concerns at this point in your life?'”

“It's gone, boxing's gone. What is there in boxing? Who is there to talk about, who is there that people go, "Yeah I want to fight him?", and fans go "I wanna see that fight"? There's Floyd Mayweather, and he is 38, 39, he's maybe got one fight left. What else is there? He'll have a last fight or two and a couple of guys will get a few million dollars, but way less than I'm gonna be getting in future. This sport is getting bigger all the time, and I am making it bigger.”

“Yeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.”

“I think ultimately what you really want is a few people within any label that are into the band enough to really work on it every day for a long time and to actually try a little bit. But obviously, the major labels have more money to spend, so if they feel like spending it, they have bigger resources there when you need them. It doesn't always necessarily translate into them doing a better job for a band, but I think especially if you're playing the game of commercial radio and making videos and stuff like that, that's sort of an expensive proposition.”

“There is a cultural norm on the left of being afraid to declare victory, which is related to the binary of reform/revolution. Whereas reformists are winning small gains, revolutionaries don't want people to be satisfied with those small victories because they worry this will lead to acceptance of the bigger picture of capitalism domination, and so they find a way to turn every victory into a defeat. In the book, I call for a culture of declaring victory wherever we can.”

“I had a lot of ups and downs. I always said that if I were in a position to give back, I would and I have. As my name became bigger, I started giving. You want to make that connection with people who are less fortunate. It keeps you in touch with reality. When you become a successful individual, and have a thousand tasks going on, you forget that there are people in need. It keeps me grounded.”

“I didn't set out like, "I'm gonna do this album, and I really want a #1 album." So it wasn't even on my mind like a goal to accomplish... but as soon as it sunk it that it was an accomplishment, I realized I gotta start acknowledging milestones [I've] accomplished because sometimes you get so caught up in the bigger picture that you gotta stop and notice the steps you take to get to the bigger picture.”

“There are so many messages and lessons that I have been taught that I would want to share with people. Perhaps one that is very present in my mind now is the concept that we are all living on this one tiny planet that we call Earth. It is very small and is not getting any bigger, but the amount of people living on this planet continues to grow at a rapid rate.”

“I think with the '70s style, you can do a bigger curling iron, so you get those long swirls. If you want it natural-natural, you can also just brush your hair out and tease that. So, it varies on what kind of thing you want to do, but it's nice to have a couple more hands in there to help me or else it takes really long.”

“The incident itself happened in London, but because we were all based at the time in Los Angeles we moved it there. Certain details are almost exactly like the true experience, but we decided to make the film more of a thriller, in the hope that it would reach a bigger audience. That's why it's called "Selling Isobel" and not "Selling Frida." We didn't want to make a dark, depressing "movie-of-the-week."”