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Breaths Quotes

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Breaths Quotes

“But now I know that there is no killing A thing like Love, for it laughs at Death. There is no hushing, there is no stilling That which is part of your life and breath. You may bury it deep, and leave behind you The land, the people that knew your slain; It will push the sods from its grave, and find you On wastes of water or desert plain.”

“Whatever way you put it, I am here only because my world is here. When I took my first breath, my world was born with me. When I die, my world dies with me. In other words, I wasn't born into a world that was already here before me, nor do I live simply as one individual among millions of other individuals, nor do I leave everything behind to live on after me. People live thinking of themselves as members of a group or society. However, this isn't really true. Actually, I bring my own world into existence, live it out, and take it with me when I die.”

“Huge knots of sea-weed hung upon the jagged and pointed stones, trembling in every breath of wind; and the green ivy clung mournfully round the dark and ruined battlements. Behind it rose the ancient castle, its towers roofless, and its massive walls crumbling away, but telling us proudly of its own might and strength, as when, seven hundred years ago, it rang with the clash of arms, or resounded with the noise of feasting and revelry.”

“Life is truly a ride. We're all strapped in and no one can stop it. When the doctor slaps your behind, he's ripping your ticket and away you go. As you make each passage from youth to adulthood to maturity, sometimes you put your arms up and scream, sometimes you just hang on to that bar in front of you. But the ride is the thing. I think the most you can hope for at the end of life is that your hair's messed, you're out of breath, and you didn't throw up.”

“An Irish Airman foresees his Death I Know that I shall meet my fate Somewhere among the clouds above; Those that I fight I do not hate Those that I guard I do not love, My country is Kiltartan Cross, My countrymen Kiltartan’s poor, No likely end could bring them loss Or leave them happier than before. Nor law, nor duty bade me fight, Nor public man, nor cheering crowds, A lonely impulse of delight Drove to this tumult in the clouds; I balanced all, brought all to mind, The years to come seemed waste of breath, A waste of breath the years behind In balance with this life, this death.”

“Rohan's fingertips drifted with stunning delicacy over her throat, behind her ear, pushing into the satiny warmth of her hair. "You are an interesting woman Amelia." Gooseflesh rose wherever his breath touched. "I can't f-fathom why you would think so." His playful mouth traced the wing of her brow. "I find you thoroughly, deeply interesting. I want to open you like a book and read every page." A smile curved the corners of his lips as he added huskily, "Footnotes included.”

“...What is more like love than the ocean? You can play in it, drown in it...it can be clear and bright enough to hurt your eyes, or covered in fog, hidden behind a curve of roads and then suddenly there in full glory. It's waves come like breaths, in and out, body stretched to forever in it's possibilities, and yet it's heart lies deep, not fully knowable, inconceivably majestic.”

“That can happen when people die, the argument with them drops away and people so flawed while they were drawing breath that at times they were all but unbearable now assert themselves in the most appealing way, and what was least to your liking the day before yesterday becomes in the limousine behind the hearse a cause not only for sympathetic amusement but for admiration”

“Its Vermeer" Kat turned to the boy who lingered in the doorway. "It's stolen" "What can I say?" Hale eased behind her and studied the painting over her shoulder. "I met a very nice man who bet me he had the best security system in Istanbul." His breath was warm on the back of her neck. "He was mistaken.”

“What you just had is nothing compared to what I want to do to you. I want my head between your legs so I can lick you until you scream my name. Then I want to mount you like an animal and look into your eyes as I come inside you. And after that? I want to take you every way there is. I want to do you from behind. I want to screw you standing up, against the wall. I want you to sit on my hips and ride me until I can't breath. - Rhage to Mary”

“We're only passers-by, and all you can do is love what you have in your life. A person has to fight the meanness that sometimes comes with you when you're born, sometimes grows if you aren't in lucky surroundings. It's our challenge to fend it off, leave it behind us choking and gasping for breath in the mud. It's our task to seek out something with truth for us, no matter if there is a hundred-mile obstacle course in the way, or a ramshackle old farmhouse that binds and binds.”

“We stand there, quiet. My questions all seem wrong: How did you get so old? Was it all at once, in a day, or did you peter out bit by bit? When did you stop having parties? Did everyone else get old too, or was it just you? Are other people still here, hiding in the palm trees or holding their breath underwater? When did you last swim your laps? Do your bones hurt? Did you know this was coming and hide that you knew, or did it ambush you from behind?”

“I'll walk you back,"he said with such apparently boundless amiability that Diana wanted to deck him. "That isn't necessary," she began as her hand was clasped by his. "I suppose I could walk ten paces behind or ten paces in front." As she let out a frustrated breath, Caine grinned down at her. "You're not angry because we exchanged a friendly kiss? After all, we're family." "There was nothing friendly or familial about it," Diana muttered. "No," he lifted her hand to his lips, then lightly nipped at her knuckle. "Maybe we should try again.”

“First,” he said, coming behind me and placing his hands on the counter, just outside of mine, “choose your tomato.” He dipped his head so his mouth was at my ear. His breath was warm, tickling my skin. “Good. Now pick up the knife.” “Does the chef always stand this close?” I asked, not sure if I liked or feared the flutter his closeness caused inside me. “When he’s revealing culinary secrets, yes.”

“Hazel had read enough books to know that a line like this one is the line down which your life breaks in two. And you have to think very carefully about whether you want to cross it, because once you do it’s very hard to get back to the world you left behind. And sometimes you break a barrier that no one knew existed, and then everything you knew before crossing the line is gone. But sometimes you have a friend to rescue. And so you take a deep breath and then step over the line and into the darkness ahead.”

“I don’t need anything else. I get out of bed every morning and face the world because you’re in it.” He turned the corner and pulled up in front of the Crossfire behind the Bentley. He killed the engine, released his seat belt, and took a deep breath. “Because of you, the world makes sense to me in a way it didn’t before. I have a place now, with you.”

“You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. ... You put a piece of paper in the typewriter, or you turn on your computer and bring up the right file. ... You begin rocking, just a little at first, and then like a huge autistic child. ... Then your mental illnesses arrive at the desk like your sickest, most secretive relatives. And they pull up chairs in a semicircle around the computer, and they try to be quiet but you know they are there with their weird coppery breath, leering at you behind your back.”