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“I'm just more attracted to actors. I like their choice to be artists - that's ballsy. And a guy who has such access to his emotional life is sexy. Or maybe because lots of the actors I know are so broken. I don't think I'm compatible with anybody I've dated. Maybe I'm so attracted to actors because I'm not ready for the 'settled down' thing yet.”

“For example, when I was writing Leviathan, which was written both in New York and in Vermont - I think there were two summers in Vermont, in that house I wrote about in Winter Journal, that broken-down house... I was working in an out-building, a kind of shack, a tumble-down, broken-down mess of a place, and I had a green table. I just thought, "Well, is there a way to bring my life into the fiction I'm writing, will it make a difference?" And the fact is, it doesn't make any difference. It was a kind of experiment which couldn't fail.”

“A lot of people who want to see the short story have a renaissance of readership - they tend to think of short stories, and sometimes poems too, as being well-suited to the way we now live, with all of these broken-up bits of time. I hope they're right, but my sense is that our fiction reading has become, if anything, more cherished as a kind of escape from fragmentation.”

“The Big Bang has gone away, but as far as Super String, that is suspicious for me. It all starts out with the notion of Big Bang, which if it were true, starts out with incredibly high temperatures. So they think [we] need to get these high temperatures for this broken symmetry; all this broken symmetry reunited, and we do not have enough energy in the whole galaxy to get to those temperatures, to prove their point. To me, that is the single flaw in Super String theory.”

“Just recently, the administration of Barack Obama, which has broken all sorts of records in regards to deportation, picked up a Guatemalan man living here [in U.S]. I think he had been living here for twenty-five years, had a family, a business, and so on. He had fled from the Mayan region and they picked him up and deported him. To me, that's really sick.”

“I think the one advantage to a failed - recovering, but a pretty broken - economy, and a lot of broken promises, is that we've pulled the veils from our eyes way earlier than most people do, and realize "Hey, you know what, maybe I should try do this thing that I really care about, and why not spend the time now during my best years to get into knitting, or coding, or swamp boat sailing." And there's this resource called the Internet that's going to provide you with a stage and a library for all of those things.”

“In our male-oriented God phase, it's always about conquering and control of life and death. This power leads to a kind of thinking that is no thinking; it is only sterile and what can overcome. To reach that depth in terms of female divinity is to accept nurture as godly. It's not just something that your mom does for you when something's broken and you need a bandage; it's about something deeper and it is in contradistinction from the endless displays of power.”

“[Dario Argento] speaks very broken English - he's Italian, so I'm going to do a very bad Italian impersonation - but he asked me my name, and I told him, and he goes, "Walk across the room." He looked at me, and he said, "Do you want to be in my movie [Two Evil Eyes]?" I was, like, "Yeah! Yeah, I do!"He goes, "Okay! You play Betty!" And I was, like, "Oh, I'm playing an extra named Betty! Great!" So we walked out, thinking that I was playing an extra named Betty, no lines, just background.”

“When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.”

“I do believe that our ability to jam the Trump brand is somewhat limited. I think we can chip away at it, but ultimately the way to undermine the Trump brand is a better product in the political marketplace, if you'll forgive the capitalist metaphor. I do think that the negative messaging on Trump is severely limited because he is tapping into a very deep, and in many a rightful, desire for deep change, and a feeling that the whole system is so broken and so corrupt that you might as well raise a middle finger as some kind of act of agency.”

“I'm not so interested in this series of ruptures, where minimalism took over pop art, and then neo-expressionism was a triumph over that. I'm not interested in rupture - I'm interested in healing, bringing things together, building bridges. Not dismissing what has come before as a kind of modernist precedent, where one thing has to be broken in order to achieve something else. I don't believe in that kind of attitude. I think we're beyond that at this stage.”

“All the interesting films are now being made by their subsidiaries for very low budgets. But the studios are not making money. They're making these big, very expensive pictures that take a lot of money but don't really pay for their costs. So they're having a very difficult time. I can see the system breaking down. I think the American studios are a reflection or a metaphor for American industry altogether, which is failing in the world. Its economic domination is being broken down and I think the same thing is happening to the studios.”

“If you let interest rates be freed, be set by the free market, they would rise dramatically. There would be a lot of broken furniture on Wall Street. It needs to be broken. The back of the speculative bubble would be broken and we could slowly heal the financial system. That's what I think we need to do but it's never going to happen because there's trillions of asset values dependent on the Fed continuing to suppress, repress interest rates and shovel $85 billion a month of liquidity into the market.”

“The 80s and 90s were the beginning of the hollowing out of the American little democracy. It started with Reagan and went to Bill NAFTA Clinton! Hey, but who's paying attention to history!? What's stunning is how many people think Trump is the beginning of fascism. He's the result of many, many years of corporate plunder and spineless Democrats and greedy, racist Republicans. The concentration of wealth, the monopolized media, basically a march toward a fractured Republic. We are broken!”

“We have a broken system, and we need politicians who are going to fix it. We need someone who's going to govern on behalf of everyone in this country, including immigrants. The fact of the matter is, the candidates need the Latino vote to win. If we feel we're not being represented and if we feel like the candidate is insulting us, ignoring us, and is not leading with fairness and empathy, I think that's going to be reflected in turnout.”

“Definitions get you into that time trap, and I'm very much more process-focused. Take Lucy, for example. Lucy is famous largely because she has almost a total skeleton. The more sophisticated we get with instruments, the more we can find out. Through CT scans of her skeleton, they now think she died falling out of a tree because of the way her bones are broken. If nineteenth and twentieth century technologies can retroactively transform our bodiment, what then do the technologies we now use do?”

“Years later, you can hear a song, and it brings you back right to that moment, what was happening at that time, whether it was a relationship or a difficult time, or maybe a great time in your life, and you had that album you were listening to. Twenty years later, you can put on that song you fell in love to or your heart was broken to, and you hear that song and it brings you right back there. I think music is the most powerful tool we have.”

“Early on in my life, I had a broken soul. I was abused by my father, abandoned by my mother and ended up in a destructive first marriage. By the time I was 23, I was broken in my soul. I didn't know how to think right. I felt wrong about everything. But God stepped into my life, and I came out on the other side and didn't even smell like smoke.”

“When I use the word 'healing', by that I mean that every disease has a physical element that we're very good at handling, but there's always a sense of the violation. 'Why me?' 'Why is my leg broken on the ski trip and not anyone else's?' And I think that medicine has done a terrible job of addressing that spiritual violation.”