“The quilt format is highly appropriate for repetition and serialization. Formal issues of balance and color, space and light in landscape are endlessly engaging. I try to use the medium to its maximum, pushing well beyond tradition.” TryingWellsUseLightSpaceIssuesColorBalanceTraditionMediumsLandscapeAppropriatePushingFormalRepetitionEngagingMaximumFormatQuilts Author:Elizabeth Barton
“For me, painting is that magical material, that beautiful stuff that was invented, the ground-up pigments in oil which makes it very malleable. It can be manipulated and changed, darkened, lightened, given different hues and colors, so that by manipulating this material somehow I can find that figure I'm looking for, that figure that represents all the issues I'm bringing up and addressing.” I CanDifferentBeautifulGivenStuffIssuesFiguresChangedColorPaintingMaterialsOilMediumsHuePigment Author:Nathan Oliveira
“So really what I am trying to do is create and understand form. But then too, color enters into it because a lot of things are color changes without a value change, which wouldn't show up if you were just using a non-color medium.” IfsTryingShowsFormValuesColorMediums Author:Nelson Shanks
“I almost never do drawings, because I have found over the years that doing something in one medium and translating into another doesn't work. I like to conceive a painting in real scale and in color.” YearsRealFoundColorPaintingDrawingScalesMediumsTranslate Author:Nelson Shanks
“Watercolor is an alchemical medium - colors mixing with water, joining with it, being extended by it - creating new life where none had been before.” WaterColorCreatingMediumsNew LifeJoiningMixingWatercolors Author:Joseph Raffael
“I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.” KindShowsBitsResponsibilityStyleTelevisionColorDirectorsComplicatedMediumsProducersVisualsTelevision ShowsPalettePredetermined Author:Jason Bateman
“The existence of a medium, after all, is its absolute justification, if as so many seem to think, it needs one and all comparison of potentialities is useless and irrelevant. Whether a water-color is inferior to an oil, or whether a drawing, an etching, or a photograph is not as important as either, is inconsequent. To have to despise something in order to respect something else is a sign of impotence. [emphasis added] Let us rather accept joyously and with gratitude everything through which the spirit of man seeks to an ever fuller and more intense self-realization.” IfsThinkingMenNeedsImportantSelfSeemsSpiritOrderWaterExistenceAcceptingColorGratitudeAbsolutesPhotographOilDrawingIntenseSelf RealizationMediumsRealizationUselessComparisonDespiseJustificationInferiorsIrrelevantEmphasisImpotenceEtching Author:Paul Strand
“I think we're entering a new period of filmmaking that's analogous to switching from black-and-white to color, or from silent to sound. The medium is completely flexible, and it's not bound by anything. If you imagine something, you can do it.” IfsThinkingSoundBlackCan DoWhiteImagineColorPeriodsSilentBoundsMediumsFilmmakingBlack And WhiteEnteringYou Can Do ItFlexibleSwitching Author:Jean-Pierre Jeunet
“My uncle, who's an art teacher, took me under his wing and gave me a really strong foundation in art. I spent summers with him, and he taught me how to draw, how to see, how to mix colors, how to use different mediums and perspective, and so forth.” ArtDifferentUseStrongTeacherTaughtColorPerspectiveSummerDrawsFoundationWingsMediumsUnclesArt TeacherStrong Foundation Author:Kadir Nelson
“I do very, very, very simple, skimpy doodles, nothing too committed. Because people tend to fall in love if they like it - if you color it in and they like it, then they want exactly those colors, even if they were just indications. You really have to do it as simple as possible so they can concentrate on the idea and composition. And then all of the energy goes into making the final piece. And the final piece can be anything - it can be a drawing, a painting, a collage - and usually, it's obvious what that should be. Usually, the idea dictates what medium you use.” PeopleIfsWantShouldIdeasUseFallEnergySimplePiecesColorPaintingFalling In LoveFinalsCommittedObviousDrawingMediumsCompositionIndicationCollages Author:Dave McKean
“Everybody's going to do the 3D slightly differently the same way that people are going to deal with color differently. Some movies downplay the color, some color is very vibrant. Color design is very different. We've got to think of 3D like color or like sound, as just part of the creative palette that we paint with and not some whole new thing that completely redefines the medium.” PeopleThinkingWayDifferentWholeSoundDealsCreativeDesignColorPaintMediumsNew ThingsPaletteVibrant Colors Author:James Cameron
“With all of my films that are on DVD and Blu-ray, I have spent weeks with them in a color timing room. Just changing or enhancing them. I have been desaturating the color. Sometimes I will make a scene bluer or redder. I do use the new medium. I believe in it.” BelieveHas BeensSometimesUseFilmI BelieveRoomsWeekColorSceneI Believe InMediumsRaysTimingDvds Author:William Friedkin
“My favorite part about costume designing is the artistry of the job. You meet with a director and a visionary to discuss ideas. You research the characters and figure out the components of their look through your own vision. You create a color palette for a film, television or stage medium and discuss it with the director of photography who then lights your colored subjects.” LooksIdeasCharacterLightJobsFilmVisionSubjectsStageFiguresDesignTelevisionColorDirectorsPhotographyResearchMy FavoriteMediumsCostumesComponentsVisionariesArtistryPalette Author:Ruth E. Carter
“Omelets are about technique. Now, different people make it different ways, but, if you're a chef in Europe, an omelet has to be cooked on the outside, with just a simmer of color, and the inside has to be soft. It should be cooked like a steak - medium rare.” PeopleIfsWayShouldDifferentColorEuropeTechniqueMediumsDifferent WaysChefDifferent PeoplesSteakOmelets Author:Wolfgang Puck