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Crime Fiction Quotes

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Crime Fiction Quotes

“Emilia typed in her password and checked her inbox. A review by the Secretariat de Gobernación of drug cartel activities across Mexico. A report of a robbery in Acapulco’s poorest barrio neighborhood that would probably never be investigated. Notice of a reward for a child kidnapped in Ixtapa who was almost certainly dead by now. Her phone rang. It was the desk sergeant saying that a Señor Rooker wished to see her. Emilia avoided Rico’s eye as she said, yes, the sergeant could let el señor pass into the detectives’ area. A minute later Rucker was standing by her desk, sweat beaded on his forehead. The starched collar of his shirt was damp. “There’s a head,” he said breathlessly. “Someone’s head in a bucket on the hood of my car.”

“Believe me when I say this Sherri, he saved your life. Stay clean in honor of his life. I’m going to give you my business card, it has my number and Jordon’s number. You can call us if you think of anything that could help us, also, even if all you need is to talk yourself out of doing drugs. We will be there to listen. Thanks for all your help, you have been a big help. We catch this guy, and your boyfriend will be smiling from heaven. Thank you, Sherri.”

“Surprised huh, thought you had me back in prison didn’t you? To answer your question what keeps me alive is my drive, my drive to kill you! I have nothing, but hate for you and your family. It will be my pleasure taking you out. I don’t care about power, plutonium or even being rich. None of that matters to me. I only care about taking you out. Even if I die I want to be the one who is called the killer of Angel Medina! There’s no where for you to go. Now we will truly see who is better! Come on put up you hands and prepare for your final battle of your life! - Orlando from Framed: The Second Book of the Thousand Years War”

“I respond very well to rules. If there are certain parameters it's much easier to do something really good. Especially when readers know what those are. They know what to expect and then you have to wrong-foot them. That is the trick of crime fiction. And readers come to crime and graphic novels wanting to be entertained, or disgusted.”

“Reading Tomato Red-the first Daniel Woodrell novel I came upon-was a transformative experience. It expanded my sense of the possibilities not only of crime fiction, but of fiction itself-of language, of storytelling. Time and again, his work just dazzles and humbles me. God bless Busted Flush for these glorious reissues. It's a service to readers everywhere, and a great gift.”

“The competition for the future of crime fiction is fierce, as it should be, but don't take your eyes off Craig McDonald. He's wily, talented and-rarest of the rare-a true original. He writes melancholy poetry that actually has melancholy poets wandering around, but don't turn your backs on them, either. I am always eager to see what he's going to do next.”

“I was reading Raymond Chandler very much with the feminist eye. In six of his seven novels, it's the woman who presents herself in a sexual way, who is the main bad person. And then you start reading more fiction, whether crime fiction or straight fiction, it's just bad girls trying to make good boys do bad things, going all the way back to Adam and Eve. The woman that thou gavest me made me do it, Adam says to God.”

“I grew up reading crime fiction mysteries, true crime - a lot of true crime - and it is traditionally a male dominated field from the outside, but from the inside what we know, those of us who read it, is that women buy the most crime fiction, they are by far the biggest readers of true crime, and there's a voracious appetite among women for these stories, and I know I feel it - since I was quite small I wanted to go to those dark places.”

“Henri-Georges Clouzot's cool, clammy, twisty 1955 thriller Diabolique is an almost perfect movie about a very nearly perfect murder, a film in which the artist's methods and the killers' are ideally matched, equal in cunning and in ruthlessness. The screenplay, adapted by Clouzot and three other writers from a novel by the crack French crime-fiction team of Pierre Boileau and Thomas Narcejac, is a fantastically elaborate piece of contrivance, but the scrupulous realism of the direction makes the unnatural tale somehow feel entirely likely.”

“Captain Crawford didn't like the idea of any kind of murder, but he went at it patiently and honestly and with none of the stupidity and bombast and rubber-hose techniques that Los Angeles crime fiction writers had led me to expect. I'd gotten the impression that unless a gifted amateur in love with the lady got himself almost beaten to a pulp and practically inside the lethal gas chamber before he unmasked the venal and brutalized constabulary, any innocent bystander they could get their hands on was a gone duck.”

“You're about to meet a new great dame of crime fiction in Death Was the Other Woman. Linda L. Richards does a stunning job in creating a character with a voice and eye right out of a 1930s L.A. hard-boiled classic: guns and gams, booze and bodies, peepers and perps. Move over, Sam Spade: Kitty Pangborn is on the case.”