“The history of the genocide perpetrated during the Second World War does not belong to the past only. It is a ‘living history’ that concerns us all, regardless of our background, culture, or religion. Other genocides have occurred after the Holocaust, on several continents. How can we draw better lessons from the past?” WorldDoeWarPastCultureLessonsDrawsConcernBackgroundsWar Of The WorldsGenocideHolocaustContinentsSecond World War Author:Irina Bokova
“The culture industry perpetually cheats its consumers of what it perpetually promises. The promissory note which, with its plots and staging, it draws on pleasure is endlessly prolonged; the promise, which is actually all the spectacle consists of, is illusory: all it actually confirms is that the real point will never be reached, that the diner must be satisfied with the menu.” RealCulturePleasureIndustryPromiseDrawsNotesSatisfiedConsumersPlotCheatIllusoryMenusDinersStaging Book:Dialectic of Enlightenment Source: Dialectic of Enlightenment
“For better or worse, we are the Court of Appeals for the Hollywood Circuit. Millions of people toil in the shadow of the law we make, and much of their livelihood is made possible by the existence of intellectual property rights. But much of their livelihood - and much of the vibrancy of our culture - also depends on the existence of other intangible rights: The right to draw ideas from a rich and varied public domain, and the right to mock, for profit as well as fun, the cultural icons of our time.” PeopleWellsMadeIdeasLawCultureFunExistenceMillionsRichRightsDependsIntellectualDrawsShadowHollywoodCourtPropertyProfitAppealsOur TimeToilDomainIconsMockProperty RightsCircuitsLivelihoodIntangibleIntellectual PropertyVibrancyPublic Domain Author:Alex Kozinski
“Then there was the whole concept of coal mining, which is a culture unto itself, the most dangerous occupation in the world, and which draws and develops a certain kind of man.” MenWorldKindWholeCertainCultureDangerousDrawsConceptsOccupationCoalMiningCoal Mining Author:Martin Cruz Smith
“There is nothing “still” in the remarkably visceral poems of Alexander Long's third collection, Still Life, and nothing is at rest in these restless and edgy poems. Conversational and kinetic, these poems chart the traces left by the shifting overlays of the templates of literature, rock-and-roll, and contemporary culture. As each poem in Still Life attempts to fix a focus upon a scene or subject, the protean natures under view draw the poet into the eddies and complexities of reflection. This is a powerful and moving collection of poems.” LongStillsMovingCultureLiteratureLeftViewsPowerfulFocusSubjectsRocksPoetSceneDrawsReflectionThirdsContemporaryComplexityCollectionsRock And RollRestlessShiftingEdgyVisceralStill Life Author:David St. John