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“The Psalms offer us a way of joining in a chorus of praise and prayer that has been going on for millennia and across all cultures. Not to try to inhabit them, while continuing to invent non-psalmic 'worship' based on our own feelings of the moment, risks being like a spoiled child who, taken to the summit of Table Mountain with the city and the ocean spread out before him, refuses to gaze at the view because he is playing with his Game Boy”

“I think I've always been extremely conscious of the kind of empowerment that comes from realizing that you're in a position to express yourself. And the fact is that - and this is the thing about punk rock - that everyone is in a position to create culture, and that point has never been lost on me. To me, that's an important political aspect of doing this, and trying to live in a way that's about dialogue as opposed to like... spectacle.”

“Most artists, or at least most of the ones I know, deny having a philosophical outlook that they try to translate into their works. Some had thought of the work of Cezanne and others as being a 'painted epistemology.' But Cezanne himself denied this and Daniel-Henri Kahnwiler, the art critic and art dealer, insisted that none of the many painters he had known had a philosophical culture.”

“How shall we ever make the world intelligent of our movement? I do not think that the answer lies in trying to render feminism easy, popular, and instantly gratifying. To conjure with the passive culture and adapt to its rules is to degrade and deny the fullness of our meaning and intention.”

“Look, we live in a celebrity culture and sometimes you get caught in the wave and the buzz and a lot of it's flattering but, you know, one of the things that I try to remind people of is, is that I was in politics as a state senator operating in obscurity for many years. Before that I was a community organizer working in low income communities in Chicago and nobody knew my name then. And so, having involved myself in public service for a pretty long time without getting too much attention, hopefully I can keep some of the attention that I'm getting now in perspective.”

“The success [of the X-Men], I think, is for two reasons. The first is that, creatively, the book was close to perfect ... but the other reason is that it was a book about being different in a culture where, for the first time in the West, being different wasn't just accepted, but was also fashionable. I don't think it's a coincidence that gay rights, black rights, the empowerment of women and political correctness all happened over those twenty years and a book about outsiders trying to be accepted was almost the poster-boy for this era in American culture.”

“Pragmatism , in trying to turn experimental physics into a prototype of all science and to model all spheres of intellectual life after the techniques of the laboratory, is the counterpart of modern industrialism, for which the factory is the prototype of human existence, and which models all branches of culture after production on the conveyor belt.”

“I don't think I have rebelled against Latina culture. I have rebelled against those who try to make me warm tortillas for my brothers when they can warm them for themselves, I have rebelled against a patriarchal religion. I rebel against small mindedness in all ways and in every situation but those things are not an intrinsic part of Latina culture and I will fight tooth and nail against anyone who tries to make me feel like I'm less Xicana for not embracing the small-mindedness.”

“The challenges that I face today are the same challenges we all face. Trying to balance your life between work, family, loved ones, your husband, your wife - boyfriend or girlfriend. If you have kids - balancing that, balancing your work with the time you spend with your kids. The idea of wanting to be a good parent and then the motivation to be a great parent. Whether you're black, white, any color. Rich, poor, regardless of religion, cousins of culture, we go through those. We have the same challenges.”

“I'm only trying to present as honest a portrayal of the grimness of human ambition as I can. I'd hope it's rather uplifting, actually, since I find the sort of blind optimism and empty laughter of a great deal of "contemporary culture" to be more depressing than something that admits to a potential for disappointment and a gnawing sense of existential mockery.”

“I think it's very disheartening and undermining to focus on nostalgia or youthful sentimentality as the lens through which you view art and culture, because then you feel like everything good already happened. I really just try to be in the present with music and just find the things that are invigorating and make me feel happy to be alive right now.”

“It does not try to reach down to the level of inferior classes; it does not try to win them for this or that sect of its own, with ready-made judgments and watchwords of its own. It seeks to away with classes, to make the best that has been taught and known in the world current everywhere, to make all men live in an atmosphere of sweetness and light, where they may use ideas, as it uses them itself, freely--nourished, and not bound by them.”

“I had no plan for that year but it wound up being one of the most important years of my football coaching career. It hit me along the way that I needed to really get at the heart of what's really true to myself. And then I was able to mold it and shape it in the years at SC to become the approach and the concept and the culture that we try to create here at Seattle.”

“I think we really need a movement to drive how popular culture understands the issues that feminists care about. When I think about the LGBT movement for example, they have had a really intentional strategy to try to change images and representation of LGBT people in the media and the culture. It really moved the dial politically. That's what is needed in the women's movement - a strategy that can drive awareness and culture change.”

“I'm not trying to explain other cultures, or to give a fair and balanced account of a country, or the top ten things you need to know. I'm not trying to spread world peace and understanding. I'm not an advocate or an activist or an educator or a journalist. I'm out there trying to tell stories the best I can.”

“Our culture has a tendency to pigeonhole people and to try to tear down anybody who's breaking out of our comfort zone. That's why we get into these cultural ruts that end up being destructive prejudices. But breaking out of that comfort zone is the most rewarding thing you can do, in your life. I do my best to push myself, when I can.”

“I find it interesting to see people - mostly people who are younger than I am - going to considerable trouble to try to reproduce things from an era that was far more physical, from a less virtual day. That fascinates me, because it seems to be symbolic of something going on in the culture itself, and I also have a sort of innate admiration for the stubbornness it requires to actually make those things physically. It's become incredibly difficult. In North America, we've largely forgotten how to do it.”

“There is a cultural taste which tries very hard to get rid of the lice in a fur coat. There is another which tolerates the lice and thinks the coat can be worn with them in it. And finally there is a taste which regards the lice as the most important thing about the coat and consequently places the coat at the lice's disposal.”

“...There are issues worth advancing in images worth admiring; and the truth is never "plain," nor appearances ever "sincere." To try to make them so is to neutralize the primary, gorgeous eccentricity of imagery in Western culture since the Reformation: the fact that it cannot be trusted, that imagery is always presumed to be proposing something contestable and controversial. This is the sheer, ebullient, slithering, dangerous fun of it. No image is presumed inviolable in our dance hall of visual politics, and all images are potentially powerful.”

“The museum is full of interesting things. All kinds of paintings are there. And then paintings too thick to put in a frame, that they call sculpture. And then there are spectators. with their scorecards, rooting for culture. And spectators of the spectators, looking for love's introduction. And art students taking notes. And old women trying to remember the past. And old men with too much to forget. And tourists, thinking that a museum represents a city. And loafers so poor, they study their soberness here.”