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“When I arrived in America, I experienced serious culture shock. For someone with a religious upbringing, the 1960s were an extremely difficult time. Even though religion was a big part of the civil rights and peace movements, in my college religion was treated as irrelevant, hopelessly stodgy, and behind the times.”

“Sports biography at its best. Rich in period detail, anecdote, and fresh perspective, Strong Boy paints both the good and the bad sides of success, as America's growing celebrity culture turned a simple Irish American gladiator into a national, in fact international hero. A very human story with profound parallels for our sports-obsessed culture today!”

“Together, these advocates create a pro-Israeli case so compelling that the idea and reality of Israel has worked itself deep into American culture, politics and foreign policy. Many American Jews refuse to accept it, but the real debate between Israel’s supporters and detractors in America is all but over.”

“America is not the crude stereotype of a self-interested empire. The United States has been one of the greatest sources of progress that the world has ever known. We were born out of revolution against an empire. We were founded upon the ideal that all are created equal. And we have shed blood and struggled for centuries to give meaning to those words, within our borders and around the world. We are shaped by every culture. Drawn from every end of the Earth, and dedicated to a simple concept, E pluribus unum: Out of many, one.”

“The truth is, everything we know about America, everything Americans come to know about being American, isn't from the news. I live there. We don't go home at the end of the day and think, "Well, I really know who I am now because the Wall Street Journal says that the Stock Exchange closed at this many points." What we know about how to be who we are comes from stories. It comes from the novels, the movies, the fashion magazines. It comes from popular culture.”

“Much of the image of the amazingness of America comes from the movies into other cultures. And it's much the same thing when you reverse it. Much of Africa is presented through poverty, through drought and war. [But] you're not presenting people, you're not presenting countries, you're not presenting complexity, and so people can't care about an amorphous mass called Africa.”

“Christianity in our country is a lot like what the Ducksters profess. No longer doctrinaire or demanding, the mishmash of pop-religion practiced in churches across America is an extension of the therapeutic culture: festooned with feelings, mostly misdirected. Untempered by intelligent interpretation of scripture... American pop-theology: light on doctrine, heavy on hellfire and damnation.”

“The reinvention of American culture as purely the self catapulted Las Vegas to prominence. The city took sin and made it choice -- a sometimes ambiguous choice, but choice nonetheless. Combined with a visionary approach to experience that melded Hollywood and Americans' taste for comfort and self-deception, Las Vegas grew into the last American frontier city, as foreign at times as Prague but as quintessential as Peoria. In Las Vegas, you can choose your fantasy; in the rest of America, you don't always get to pick.”

“Superheroes are also about immigrants. Superman, the prototype of all superheroes, is a prototypical immigrant. His homeland was in crisis, so his parents sent him to America in search of a better life. He has two names, one American, Clark Kent, and the other foreign, Kal-El. He wears two sets of clothes and lives in between two cultures. He loves his new country, but a part of him still longs for his old one.”

“A civilization is only a way of life. A culture is the way of making that way of life beautiful. So culture is your office here in America, and as no stream can rise higher than its source, so you can give no more or better to architecture than you are. So why not go to work on yourselves, to make yourselves, in quality, what you would have your buildings be?”

“My mom is American, so I was raised in her household in my formative years. But as I got older, my pops tried to keep me involved with the culture by telling me the stories of the conflict between Ethiopia and Eritrea, how he came to America, and about our family back home, because all that side of my family, my aunties, grandparents, is in Africa.”

“the pyramids were built for pharaohs on the happy theory that they could take their stuff with them. Versailles was built for kings on the theory that they should live surrounded by the finest stuff. The Mall of America is built on the premise that we should all be able to afford this stuff. It may be a shallow culture, but it's by-God democratic. Sneer if you dare; this is something new in world history.”

“Coming back to America was, for me, much more of a culture shock than going to India. The people in the Indian countryside don't use their intellect like we do, they use their intuition instead, and their intuition is far more developed than in the rest of the world. Intuition is a very powerful thing, more powerful than intellect in my opinion. That's had a big impact on my work.”

“Unless legal and illegal immigration is halted and reversed, European First World nations across all of Europe from Spain to Russia, North America, Australia and New Zealand - will be destroyed and have their very culture and civilisation changed to that of the Third World. Immigration is now the single most important issue facing all First World nations, and will determine whether Western Civilisation continues to exist or not.”

“In spite of conflicting signals - and in spite of a popular culture that sometimes puts down their innocence - most of our kids are good kids. Large numbers do volunteer work. Nearly all believe in God, and most practice their faith. Teen pregnancy and violence are actually going down. Across America, under a program called True Love Waits, nearly a million teens have pledged themselves to abstain from sex until marriage.”

“I find it interesting to see people - mostly people who are younger than I am - going to considerable trouble to try to reproduce things from an era that was far more physical, from a less virtual day. That fascinates me, because it seems to be symbolic of something going on in the culture itself, and I also have a sort of innate admiration for the stubbornness it requires to actually make those things physically. It's become incredibly difficult. In North America, we've largely forgotten how to do it.”