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“Sports biography at its best. Rich in period detail, anecdote, and fresh perspective, Strong Boy paints both the good and the bad sides of success, as America's growing celebrity culture turned a simple Irish American gladiator into a national, in fact international hero. A very human story with profound parallels for our sports-obsessed culture today!”

“The Islamic conquest of India is probably the bloodiest story in history. It is a discouraging tale, for its evident moral is that civilization is a precious good, whose delicate complex of order and freedom, culture and peace, can at any moment be overthrown by barbarians invading from without or multiplying within.”

“Storytelling is how we survive, when there's no feed, the story feeds something, it feeds the spirit, the imagination. I can't imagine life without stories, stories from my parents, my culture. Stories from other people's parents, their culture. That's how we learn from each other, it's the best way. That's why literature is so important, it connects us heart to heart.”

“That's why we sail. So our children can grow up and be proud of whom they are. We are healing our souls by reconnecting to our ancestors. As we voyage we are creating new stories within the tradition of the old stories, we are literally creating a new culture out of the old.”

“It has been said, "History is written by the victors." I take this to mean we can make ourselves victorious by writing, and then rewriting our own stories. In a country and culture so dominated by media, by the manipulation of words and stories, telling the tales of people whose stories historically have not been told is a radical act and I believe an act that can change the world and help rewrite history.”

“The truth is, everything we know about America, everything Americans come to know about being American, isn't from the news. I live there. We don't go home at the end of the day and think, "Well, I really know who I am now because the Wall Street Journal says that the Stock Exchange closed at this many points." What we know about how to be who we are comes from stories. It comes from the novels, the movies, the fashion magazines. It comes from popular culture.”

“It's a great historical joke that when the Spanish met the Aztecs, it was a blind date made in serve-you-right heaven. At the time, they were the two most unpleasant cultures in the entire world, and richly deserved each other. Still, the story of how stout Cortes blustered, bullied and bludgeoned his way to collapsing an entire empire with a handful of contagious hoodlums is astonishing.”

“Centuries from now our great-great-great-grandchildren will look back at us with amazement at how we could allow such a precious achievement of human culture as the telling of a story to be shattered into smithereens by commercials, the same amazement we feel today when we look at our ancestors for whom slavery, capital punishment, burning of witches, and the inquisition were acceptable everyday events.”

“My mom is American, so I was raised in her household in my formative years. But as I got older, my pops tried to keep me involved with the culture by telling me the stories of the conflict between Ethiopia and Eritrea, how he came to America, and about our family back home, because all that side of my family, my aunties, grandparents, is in Africa.”

“For girls and women, storytelling has a double and triple importance. Because the stories of our lives have been marginalized and ignored by history, and often dismissed and treated as 'gossip' within our own cultures and families, female human beings are more likely to be discouraged from telling our stories and from listening to each other with seriousness.”

“Nostalgia is also a trait of the organizations that I call lodges - everything from corporate cultures to religious sects. Their bonding power often exceeds loyalty to family or country because they create intimacy through shared ideals and beliefs, ceremonies, stories, and legends, and depend on it for their survival. The message is clear: Don't question what we're doing. Just appreciate how long we've been doing it.”

“if I love something I do it, and if I don't, I don't. I think that this is the most important choice that any of us can make in life, in art, in history: to do the thing you love. If you love it, it is important. If you love it then while you are doing it, you are a true expression of yourself and your time and your story. You are authentic. If you don't love it you betray not only yourself but also your history, your culture, your position in your society.”

“When I first encountered the poems of Jon Woodward, I was stunned into the state that is my life's joy-I was in the presence of the inimitable. Uncanny Valley extends that experience-almost into another dimension. These apocalyptic, pixilated poems forge a mythology of our ravaged culture, one that might have been written in the future. If you want poetry to give you a persimmon on a plate, look elsewhere; if you want to know what happens when seven trees fall on the highway and the story is told by a stutterer, this is the book, and it could only have been written by Woodward.”

“I'm not trying to explain other cultures, or to give a fair and balanced account of a country, or the top ten things you need to know. I'm not trying to spread world peace and understanding. I'm not an advocate or an activist or an educator or a journalist. I'm out there trying to tell stories the best I can.”

“John Lilly suggests whales are a culture maintained by oral traditions. Stories. The experience of an individual whale is valuable to the survival of its community. I think of my family stories-Mother's in particular-how much I need them now, how much I will need them later. It has been said when an individual dies, whole worlds die with them. The same could be said of each passing whale.”

“I started with the book Boardwalk Empire and then immersed myself in the history of Atlantic City, World War I, the temperance movement, Prohibition, pop culture. I even read the news and magazines of the period just to soak in it. That was before I even started thinking of the story.”

“Uncontainable is a love story. Kip and Sharon's love for each other, their precious family, their business journey of joy and, most of all, their pure and uncontainable love for their employees and their families is clear and happy proof that the future of business is building love cultures. Oh, and when you have love on the inside customers shower uncontainable love back at ya from the outside. Love on brother!”

“For me, to take a movie and travel the world and go and work with these cultures and an international cast and have this spy thriller that's not just about character but also action and suspense, they're very challenging films as a producer to make, creating stories, creating set pieces that serve this character [Ethan Hunt].”

“The Peloponnesian War turns out to be no dry chronicle of abstract cause and effect. No, it is above all an intense, riveting, and timeless story of strong and weak men, of heroes and scoundrels and innocents too, all caught in the fateful circumstances of rebellion, plague, and war that always strip away the veneer of culture and show us for what we really are.”