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“The word of God is definitely above culture, in terms of what or who should have authority in our lives. However, we must remember that we are within culture, and our calling in Christ is to play our part in the redemption and transformation of individuals and cultures. I believe the recent history of the religious subculture teaches all too clearly that unless we are moving forward in seeking the genuine transformation of culture, then we are standing still and it is transforming us.”

“We [Christians] have the dilemma of using a symbol system that was not made for our worldview, to give our worldview... I think the thing we're waiting for is a genius to come forth who can either make a new symbol system which is still modern, or more properly, as symbol systems don't come overnight, a group of people to modify the symbol systems of our day, so that we can use them for our Christian message without a disadvantage.”

“Woman, then, stands in patriarchal culture as a signifier for the male other, bound by a symbolic order in which man can live out his fantasies and obsessions through linguistic command by imposing them on the silent image of a woman still tied to her place as the bearer of meaning, not maker of meaning.”

“Let us be clear: censorship is cowardice. ... It masks corruption. It is a school of torture: it teaches, and accustoms one to the use of force against an idea, to submit thought to an alien "other." But worst still, censorship destroys criticism, which is the essential ingredient of culture.”

“We're going to be surprised when we discover that things in Heaven are normal and natural, much like this life. Of course, it will be better, much more beautiful and supernatural, without all the troubles, trials, tribulations, suffering, tears and pain we have here. However, it will still be enough like this life that we will survive the change and not suffer some sort of traumatic culture shock. It'll be life very much like we're living now, only without the bad and evil.”

“There are two ways. One is to be a puppet, follow the culture, and do whatever they want. That was mentally disturbing to me, and still is. And the other way is to go out. I knew there would be problems from my family, and also from my environment. But I thought that physical pain would be better than the mental pain. And I started working as an artist.”

“No great, inspiring culture of the future can be built upon the moral principle of relativism. For at its bottom such a culture holds that nothing is better than anything else, and that all things are in themselves equally meaningless. Except for the fragments of faith (in progress, in compassion, in conscience, in hope) to which it still clings, illegitimately, such a culture teaches every one of its children that life is a tale told by an idiot, signifying nothing.”

“For the first time since I began acting, I feel that I've found my place in the world, that there's something out of my own culture which i can express and perhaps help others preserve..i have found out now that the African natives had a definite culture a long way beyond the culture of the Stone age...an integrated thing, which is still unspoiled by western influences...I think the Americans will be amazed to find how many of the modern dance steps are relics of African heritage.”

“You asked if I thought my fiction had changed anything in the culture and the answer is no. Sure, there's been some scandal, but people are scandalized all the time; it's a way of life for them. It doesn't mean a thing. If you ask if I want my fiction to change anything in the culture, the answer is still no. What I want is to possess my readers while they are reading my book — if I can, to possess them in ways that other writers don't. Then let them return, just as they were, to a world where everybody else is working to change, persuade, tempt, and control them.”

“In the days before machinery men and women who wanted to amuse themselves were compelled, in their humble way, to be artists. Now they sit still and permit professionals to entertain them by the aid of machinery. It is difficult to believe that general artistic culture can flourish in this atmosphere of passivity.”

“Today we hear a great deal about Organizational Men, Mass Culture, Conformity, the Lonely Crowd, the Power Elite and its Conspiracy of Mediocrity. We forget that the very volume of this criticism is an indication that our society is still radically pluralistic. Not only are there plenty of exceptionalists who take exception to the stereotyping of the mass culture but that very string of epithets comes from a series of books that have been recent best-sellers, symptoms of a popular, living tradition of dissent from things as they are.”

“Women's scars and rituals involved beauty (piercing ears and noses, binding feet, and wearing corsets); men's involved protecting women. In cultures in which physical strength is still the best way to protect women, as among the Dodos in Uganda, each time a man kills a man, he is awarded a ritual scar; the more scars, the more he is considered eligible.”

“The Muslim world, with its history and cultures, and indeed its different interpretations of Islam, is still little known in the West. The two worlds, Muslim and non-Muslim, Eastern and Western, must, as a matter of urgency, make a real effort to get to know one another, for I fear that what we have is not a clash of civilisations, but a clash of ignorance on both sides.”

“In ancient times there was no public education, except that of the forum, the theater, and the street, and the general degree of illiteracy was very high. The early men of science were left very much to themselves and such a phrase as "the scientific culture of Alexandria in the third century B.C." does not cover any reality. In a sense, this is still true today; the real pioneers are so far ahead of the crowd (even a very literate crowd) that they remain almost alone.”

“The broader unquestioned premises upon which my own culture founded its view of the human condition, such as the one that Unhappiness is as legitimate a part of experience as happiness and necessary in order to render happiness appreciable, or that it is more advantageous to be young than to be old: those still took me a long time to pry loose for reexamination.”

“Superheroes are also about immigrants. Superman, the prototype of all superheroes, is a prototypical immigrant. His homeland was in crisis, so his parents sent him to America in search of a better life. He has two names, one American, Clark Kent, and the other foreign, Kal-El. He wears two sets of clothes and lives in between two cultures. He loves his new country, but a part of him still longs for his old one.”

“It's a great historical joke that when the Spanish met the Aztecs, it was a blind date made in serve-you-right heaven. At the time, they were the two most unpleasant cultures in the entire world, and richly deserved each other. Still, the story of how stout Cortes blustered, bullied and bludgeoned his way to collapsing an entire empire with a handful of contagious hoodlums is astonishing.”

“It's an honor for me to close out Mysteryland. In American music history this is hallowed ground. I think electronic music has a lot in common with the spirit of rock and roll and what Woodstock had going on at the time. We are kind of the new kids on the block and this music isn't accepted by everyone so we are still kind of getting into pop culture and I think its appropriate that this festival is here and kicking down the door.”

“Ultimately, of course, there is no excuse for being fat in this culture. It's the one last prejudice we allow ourselves, the final frontier of acceptable segregation. Our political correctness is positively Californian when it comes to race, creed, origin, and orientation. But we still condemn ourselves and others for this last intolerable offense in an annoyingly tolerant society.”

“Feminism is a choice, and if a woman does not want to be a feminist, that is her right, but it is still my responsibility to fight for her rights. I believe feminism is grounded in supporting the choices of women even if we wouldn't make certain choices for ourselves. I believe women not just in the United States but throughout the world deserve equality and freedom but know I am in no position to tell women of other cultures what that equality and freedom should look like.”

“Something I always wanted to do, to capture that later half of the '70s. It's like the early half of the '70s is still the '60s, in that there's still kind of a playfulness and inventiveness in terms of design and the things that were going on in the culture. The second half, it got much more commodified. It's possibly the ugliest era of architecture and clothes and design in the entire 20th century, from 1975 to '81 or '82.”

“Chauvet Cave is rather like the awakening of the modern human soul or I would say the awakening of modern human culture. Because Neanderthal men who still rode the landscape parallel to the people who did these paintings didn't have culture. There's no evidence of culture, no symbolic depiction, no evidence of music, no evidence of sculptures, no evidence of religious beliefs.”

“Fathers are still considered the most important "doers" in our culture, and in most families they are that. Girls see them as thefamily authorities on careers, and so fathers' encouragement and counsel is important to them. When fathers don't take their daughters' achievements and plans seriously, girls sometimes have trouble taking themselves seriously.”

“There is nothing “still” in the remarkably visceral poems of Alexander Long's third collection, Still Life, and nothing is at rest in these restless and edgy poems. Conversational and kinetic, these poems chart the traces left by the shifting overlays of the templates of literature, rock-and-roll, and contemporary culture. As each poem in Still Life attempts to fix a focus upon a scene or subject, the protean natures under view draw the poet into the eddies and complexities of reflection. This is a powerful and moving collection of poems.”

“Without a thorough and deeply rooted understanding of the biblical view of truth as revealed, objective, absolute, universal, eternally engaging, antithetical and exclusive, unified and systematic, and as an end in itself, the Christian response to postmodernism will be muted by the surrounding culture or will make illicit compromises with the truth-impoverished spirit of the age. The good news is that truth is still truth, that it provides a backbone for witness and ministry in postmodern times, and that God's truth will never fail.”