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Dance Quotes

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Dance Quotes

“Mannerism is not character, and affectation is the avowed enemy of grace. Every dancer ought to regard his laborious art as a link in the chain of beauty, as a useful ornament for the stage, and this, in turn, as an important element in the spiritual development of nations.”

“When you are dancing with your partner, for that two and a half minutes, you are in love with each other. You're corresponding with each other by the moves that you make. It's a love affair, between you and your partner and the music. You feel the music, you feel your partner, she feels you and she feels the music. So there the three of you are together. You've got a triangle, you know. Which one do you love best?”

“The dancer, or dancers, must transform the stage for the audience as well as for themselves into an autonomous, complete, virtual realm, and all motions into a play of visible forces in unbroken, virtual time...Both space and time, as perceptible factors, disappear almost entirely in the dance illusion.”

“It is difficult to see the great dance effects as they happen, to see them accurately, catch them fast in memory. It is even more difficult to verbalize them for critical discussion. The particular essence of a performance, its human sweep of articulate rhythm in space and in time has no specific terminology to describe it by.”

“Basic dance--and I should qualify the word basic--is primarily concerned with motion. So immediately you will say but the basketball player is concerned with motion. That is so--but he is not concerned with it primarily. His action is a means towards an end beyond motion. In basic dance the motion is its own end--that is, it is concerned with nothing beyond itself.”

“The dance, just as the performance of the actor, is kinesthetic art, art of the muscle sense. The awareness of tension and relaxation within his own body, the sense of balance that distinguishes the proud stability of the vertical from the risky adventures of thrusting and falling--these are the tools of the dancer.”

“If one had to define one essential gift with which a dancer needs to be endowed, there might be a rush of answers. A beautiful body, grace of line, graciousness of spirit, joy in the work, ability to please, unswerving integrity, relentless ambition towards some abstract perfection. Certainly all these factors determine a dancer's character, and every element exists in some combination within the performing artist's presence.”

“I will make an average man into an average dancer, provided he be passably well made. I will teach him how to move his arms and legs, to turn his head. I will give him steadiness, brilliancy and speed; but I cannot endow him with that fire and intelligence, those graces and that expression of feeling which is the soul of true pantomime.”