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Dancing Quotes

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Dancing Quotes

“Tell me . . . just one thing . . . about your time?' he managed to get out. 'Of course,' Etta said. 'Do you remember . . . that couple in London, in the station?' 'The ones who were dancing?' she asked. 'What about them?' 'Would we . . . be able to dance . . . that way?' he said, finding it harder to catch his breath. 'In your time?' Etta pressed her lips together, clearly fighting to offer him a smile. 'Yes.' 'Though so.”

“Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. Exploited, they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.”

“If you want your physical, mental, emotional and eventually spiritual circumstances to transform completely, perhaps even beyond your wildest dreams, be willing to step out of your comfort zone onto the dance floor of your own mindfully chosen life.”

“That's most interesting. But I was no more a mind-reader then than today. I was weeping for an altogether different reason. When I watched you dancing that day, I saw something else. I saw a new world coming rapidly. More scientific, efficient, yes. More cures for the old sicknesses. Very good. But a harsh, cruel world. And I saw a little girl, her eyes tightly closed, holding to her breast the old kind world, one that she knew in her heart could not remain, and she was holding it and pleading, never to let her go. That is what I saw. It wasn't really you, what you were doing, I know that. But I saw you and it broke my heart. And I've never forgotten.”

“What - what was I doing the whole time?" So much for Alis's warning. Lucien let out a sharp breath, running a hand through his red hair. "He had you dance for him for most of the night. And when you weren't dancing, you were sitting in his lap." "What kind of dancing?" I pushed. "Not the kind you were doing with Tamlin on Solstice," Lucien said, and my face heated. From the murkiness of my memories of last night, I recalled the closeness of a certain pair of violet eyes - eyes that sparkled with mischief as they beheld me. "In front of everyone?" "Yes," Lucien replied - more gently than I'd heard him speak to me before.”

“Over and over again we find the Church councils complaining that the peasants (and sometimes the priests too) were singing 'wicked songs with a chorus of dancing women,' or holding 'ballads and dancings and evil and wanton songs and such-like lures of the devil'; over and over again the bishops forbade these songs and dances; but in vain. In every country in Europe, right through the Middle Ages to the time of the Reformation, and after it, country folk continued to sing and dance in the churchyard. Two hundred years after Charlemagne's death there grew up the legend of the dancers of Kölbigk, who danced on Christmas Eve in the churchyard, in spite of the warning of the priest, and all got rooted to the spot for a year, till the Archbishop of Cologne released them. Some men say that they were not rooted standing to the spot, but that they had to go on dancing for the whole year; and that before they were released they had danced themselves waist-deep into the ground. People used to repeat the little Latin verse which they were singing: ... Through the leafy forest, Bovo went a-riding And his pretty Merswind trotted on beside him-- Why are we standing still? Why can't we go away?”

“It’s like I’m at a middle school dance. He slides his hands around my waist, and I loop my arms around his so-broad-they-should-be-illegal shoulders. Oh, tennis. Damn. He shifts, and we begin to sway side to side. There’s no music, but the natural world outside is like a magical, real-life orchestra. The rustling grass sounds like the soft keys of a piano; the faraway cars thrum like the beat of a drum.”

“It was exciting and slightly embarrassing to feel the floor with her naked toes as he swept her into one luxurious full turn after another. Of course, the sensation of dancing with bare feet wasn't entirely new: She'd waltzed alone in her bedroom more than once, imagining herself in the arms of some unknown suitor. But it felt very different when her partner was a flesh-and-blood man. She relaxed and abandoned herself, following his guidance without effort or thought. Although they'd started slowly, Mr. Severin had quickened their tempo to match the music. The waltz was flowing and swift, each turn making her skirts whirl in eddies of silk and glitter. It was like flying. Her stomach turned light, as if she were on a garden swing, soaring a little too high and coming down in a giddy arc. She hadn't felt so free since she'd been a young girl, running recklessly across the Hampshire Downs with her twin. The world was nothing but moonlight and music as the two of them swept through the empty conservatory with the ease of mist carried on a sea breeze.”

“Eris's amber eyes studied hers. 'Trust Rhysand to keep you hidden away.' Right. She was to flatter him, keep him on their side. 'I just saw you the other week.' Eris chuckled. 'And as riveting as it was to see you send Tamlin scrambling off with his tail between his legs, I didn't see this side of you. The time since the war has changed you.' She didn't smile, but she met his stare directly as she said, 'For the better, I hope.' 'Certainly for the more interesting. It seems you came to play the game tonight after all,' Eris spun her, and when she returned to him, he murmured in her ear, 'Don't believe the lies they tell you about me.' She pulled back just enough to meet his gaze, 'Oh?' Eris nodded to where Mor watched them from beside Feyre and Rhys, his face neutral and aloof. 'She knows the truth but has never revealed it.' 'Why?' 'Because she is afraid of it.' 'You don't win yourself any favours with your behaviour.' 'Don't I? Do I not ally myself with this court under constant threat of being discovered and killed by my father? Do I not offer aid whenever Rhysand wishes?' He spun her again. 'They believe a version of events that is easier to swallow. I always thought Rhysand wiser than that, but he tends to be blind where those he loves are concerned.' Nesta's mouth twitched to one side. 'And you? Who do you love?' His smile sharpened. 'Are you inquiring about my eligibility?' 'I'm merely saying it's hard to find a good dance partner these days.' Eris laughed, the sound like silk over her skin. She shivered. 'Indeed it is. Especially one who can both dance and tear the King of Hybern's head from his shoulders.' She let him see a bit of that person- see the savage rage and silver fire he'd witnessed before Tamlin. Then she blinked and it was gone. Eris's face tightened, and not from fear. He twirled her again, the waltz already coming to a close. He whispered in her ear, 'They say your sister Elain is the beauty, but you outshine her tonight.' His hand stroked down the bare skin of her back, and she arched slightly into his touch.”

“Inside, it’s a cauldron of energy with heads swinging in screw-faced joy to percussive Latin rhythms. The Panamanians are a good-looking, loose-hipped race, and they know it.”

“Moving my body ignites my bliss. I say yes to movement!”

“Wind either breaks a tree or teaches it to dance.”

“Hey, brah,” Quinn said. “What is going on, do you know?” Sam asked. “It’s a club.” Quinn grinned. “Man, you must be working too hard. Everyone knows about it.” Sam stared at him. “It’s a what?” “McClub, brah. All you need is some batteries or some toilet paper.” This announcement left Sam baffled. He considered asking Quinn for clarification, but then Albert appeared, formally dressed, like he thought it was graduation or something. He actually had on a dark sports coat and slacks in a lighter shade. His shirt was pale blue, collared, and ironed. Spotting Sam, he extended his hand. Sam ignored the hand. “Albert, what is going on here?” “Dancing, mostly,” Albert said. “Excuse me?” “Kids are dancing.” Quinn caught up then and stepped in front of Sam to shake Albert’s still-extended hand. “Hey, dude. I have batteries.” “Good to see you, Quinn. The price is four D cells, or eight double As, or ten triple As, or a dozen Cs. If you have a mix, I can work it out.” Quinn dug in his pocket and produced four triple A batteries and three D cells. He handed them to Albert, who agreed to the price and dropped the batteries into a plastic bag at his feet. “Okay, the rules are no food, no alcohol, no attitude, no fights, and when I call ‘time,’ there’s no arguing about it. Do you agree to these rules?” “Dude, if I had any food, would I be here? I’d be home eating it.” Quinn put his hand over his heart like he was pledging allegiance to the flag and said, “I do.” He jerked a thumb back at Sam. “Don’t bother with him: Sam doesn’t dance.” “Have a good time, Quinn.”

“My story was not a fairy tale of a cruel-hearted girl whose shoes danced her to death, or a kindhearted one who threw her red shoes into the river. This was not a story about a wicked queen made to wear iron heels, or a lovely, golden-haired girl in slippers of glass. This had been about a fever, a nightmare, a dance made into a curse. It was about women turning their own fears into their sharpest blades.”

“Could it really be the case that so many of our problems proliferate because this mesmerizing construct and its somnambulistic denizens have forgotten how to dance? how to sing? how to engage storytelling? how to enter into silence?”

“He started to dance. And all at once, because Cole was dancing, I was dancing. And this Cole was even more persuasive than the last one. This was everything about Cole's smile made into a real thing, a physical object made out of his hands looped around me, and his long body pushed up against mine. I loved to dance, but I'd always been aware that I was dancing, aware of what my body was doing. Now, with this music thumping and Cole dancing with me, everything became invisible but the music. I was invisible. My hips were the booming bass. My hands on Cole were the wails of the synthesizer. My body was nothing but the hard, pulsing beat of the track. My thoughts were flashes in between the downbeats. beat: my hand pressed on Cole's stomach beat: our hips crushed together beat: Cole's laugh beat: we were one person Even knowing that Cole was good at this because it was what he did didn't make it any less of an amazing thing. Plus, he wasn't trying to be amazing without me--every move of his body was to make us move together. There was no ego, just the music and our bodies. When the track ended, Cole stepped back, out of breath, half a smile on his face. I couldn't see how he could stop. I wanted to dance until I couldn't stand up. I wanted to crush our bodies against each other until there was no pulling them apart. "You're an addiction," I told him. "You should know.”