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Dancing Quotes

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Dancing Quotes

“You must learn to bend to open windows, my friend. That is why artists and dancers are closest to God. They clench their chests every day to salute the Creator, while opening up portals to the universe. The artist mediates and prays as he/she creates, knowing somewhere, deep down --- creativity is the highest transmission of love.”

“I think, therefore I am? No, I simply am. I am. I am. I am. I will still be if I didn't think. In fact, it is only then that I would step into a different dimension of consciousness. Yes, I will still be if I didn't think. I will still be if I stopped breathing. I will still be because you still are. My words are written and you are receiving them. We are dancing. We are making love. And when you stop reading them, they will still be because nothing ever truly ceases to exist. There is not a thing that is not. Every thought, energy, and vibration is recycled. I am and I will continue to be because I manifest as the universe, therefore I will continue to manifest as the universe.”

“Via Negativa Sometimes it's too hard with words or dark or silence. Tonight I want a prayer of high-rouged cheekbones and light: a litany of back-lit figures, lithe and slim, draped in fabrics soft and wrinkleless and pale as onion slivers. Figures that won't stumble or cough: sleek kid-gloved Astaires who'll lift ladies with glamorous sweeps in their hair— They'll bubble and glitter like champagne. They'll whisper and lean and waltz and wink effortlessly as figurines twirling in music boxes, as skaters in their dreams. And the prayer will not be crowded. You'll hear each click of staccato heel echo through the glassy ballrooms—too few shimmering skirts; the prayer will seem to ache for more. But the prayer will not ache. When we enter, its chandeliers and skies will blush with pleasure. Inside we will be weightless, and our goodness will not matter in a prayer so light, so empty it will float.”

“I'm not in search of sanctity, sacredness, purity; these things are found after this life, not in this life; but in this life I search to be completely human: to feel, to give, to take, to laugh, to get lost, to be found, to dance, to love and to lust, to be so human.”

“America, I think, is about poor people playing music and poor people sharing food and poor people dancing, even when everything else in their life is so desperate, and so dismal that it doesn't seem there should be any room for any music, any extra food, or any extra energy for dancing. And people can say that I'm wrong, that we're a puritanical people, an evangelical people, a selfish people, but I don't believe that. I don't want to believe that.”

“When the Root and Branch were young, when the Rose still grew unplucked upon the tree; when all our lands were new and green and we danced without care, then, we were immortal... We left those lands for the world where time dwells, dancing, that we might see the passage of the sun and the growing of the world. Here we may die, and where we can fall, and here King ___ has stopped his dancing.”

“When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.”

“Afterward she remembered the times when she had felt the happiest. The first time was when she and Dick danced together and she felt her beauty sparkling bright against his tall, strong form as they floated, hovering like people in an amusing dream—he turned her here and there with such a delicacy of suggestion that she was like a bright bouquet, a piece of precious cloth being displayed before fifty eyes.”

“This life is for loving, sharing, learning, smiling, caring, forgiving, laughing, hugging, helping, dancing, wondering, healing, and even more loving. I choose to live life this way. I want to live my life in such a way that when I get out of bed in the morning, the devil says, 'aw shit, he's up!”

“Now I don’t know how many people like to drive a Beetle at that kind of speed (on purpose) but I know I’d rather go down Brickmaker’s Kloof on a bicycle with no brakes! Driving any car at that speed in anything other than an expensive German luxury car on a long, straight autobahn is enough of a risk (let alone the risk of hitting anything) – but if you try that with a Beetle and add a light crosswind, factor in some rubber peeling off your tire, and you’ll more than likely find yourself dancing alone in a dark corner without any music.”

“The ubiquitous singing, chanting, and dancing of traditional societies laid the requisite groundwork from which civilization and modernity sprouted. Take that away and Homo Sapiens are thoroughly ordinary primates - upright chimpanzees, nothing more.”

“She went from one pair of arms to another, laughing and flirting. It was nothing short of grueling. She was aware of Tom's presence the entire time. And all the while, she was painfully aware that none of this was remotely comparable to that evening in the Clare winter garden, when Tom had waltzed her through shadows and moonlight as if on midnight wings. She'd never experienced that kind of ease, almost a rapture of movement, before or since. Her body still remembered the touch of his hands, so capable and gentle, guiding her without push or pull. So effortless.”

“Gauri laughed when he stumbled through the movements of the dance. “You are a discredit to your title, Vikram. Fox Prince, indeed,” she said. “I’ve never seen a clumsier fox.” “What I lack in skill, I make up for in enthusiasm.” “Do you even know how to dance?” “Not at all,” he said, spinning her in a circle. “I can tell. Were you lulled by the music?” “The company.” “Now you’re just trying to be sly and charming.” “I am a credit to my title, after all.”

“Madam,” he said. “May I have this dance?” Elizabeth Bennet would have said yes from sheer surprise. Fanny Price would have said no and hidden her face. But Charlotte did not consult either. Instead, she frowned at the pirate, called him a fiend, and let him dance her in long strides across the floor. His smile was a hook, holding her up out of fear. Her hips moved in a manner she had not known them capable of. The two lines of dancers moved apart, with hands connected and arms raised to make a steepled lane. Witch and pirate danced through like shadows in the lamplight, portending night, leaving everyone blinking and enchanted.”

“The incarnation took all that properly belongs to our humanity and delivered it back to us, redeemed. All of our inclinations and appetites and capacities and yearnings are purified and gathered up and glorified by Christ. He did not come to thin out human life; He came to set it free. All the dancing and feasting and processing and singing and building and sculpting and baking and merrymaking that belong to us, and that were stolen away into the service of false gods, are returned to us in the gospel.”

“In there, the music was slightly less deafening, so Cara didn’t have to yell when she said, “Holy crap, are you okay? I’m sorry. I didn’t mean to abandon you. I thought you were dancing alone and then I turned around and they had their dirty paws all over you and—” “Cara.” Meg grabbed her hands and gave them a squeeze. “Cara, I’m good. They asked to dance. I said yes. It’s good.” “They…” If anything, Cara’s eyes went wider. “Oh shit, I am the worst wingwoman in the history of wingwomen. You were getting busy, weren’t you? Look at you, you’re all flushed.” She laughed and leaned against the counter. “God, I thought you were freaked out and couldn’t escape and that’s why you looked like that. But it was lust.” She gave Meg a playful smack. “Get it, girl!”

“He is testing his body in the wind, feeling the weight and breadth of it. My heart is a new bird throwing itself against the space he is taking up. There are no long-legged white girls around us, no pale, over-cologned boys snicker-flirting with the bartender. Instead, all around us, there are brown and Black bodies marked with glow paint and tattoos. There are micro-minis and leather short-shorts and calf-length dresses in pleated faux silk atop unshaven legs. There are bodies with breasts, with thights, with scars, with canes; wearing high heels, wearing high tops; large bodies, small bodies, bodies that twirl and shake and fill the room. This is not dancing, but a becoming of winged creatures.”

“Witnessing the panoply of beauty in all of nature takes us out of our shell of self-absorption and makes us realize that we are merely bit players in the game of life. Witnessing the majesty of beauty confirms that the real show lies outside us to observe and appreciate and not inside us to transfix us. True beauty charms us into seeing the grandeur of goodness that surrounds us and by doing so, the pristine splendor of nature releases us from wallowing in the poverty of our self-idealization. The bewitching spell cast by the exquisiteness of nature levitates our souls and transforms our psyche. When we see, hear, taste, smell, or touch what is beautiful, we cannot suppress the urge to replicate its baffling texture by singing, dancing, painting, or writing. Opening our eye to the loveliness of a single flower is how we stay in touch with the glorious pageantry of living.”

“Now," he said, turning me to face him. "Let us dance, Elisabeth." The musicians struck up another song, one I didn't recognize. The tempo was slow and in a minor key, seductive and sinister. The Goblin King pulled me into his embrace. He pressed his hand to my lower back, pushing our hips close together. Our hands met palm to palm, fingers intertwined. He was not masked and neither was I. Our eyes met. Despite the closeness of our bodies, it was the touch of our eyes that made me blush. "Mein Herr," I demurred. "I don't think-" "You think too much, Elisabeth," he said. "Too much about propriety, too much about duty, too much about everything but music. For once, don't think." The Goblin King smiled. It was a wicked grin, one that made me feel unsafe and excited at the same time. "Don't think. Feel.”

“I can text in complete sentences. Oh, yeah, it’s a skill.” He smiled, proud of his accomplishments. “And, thanks to my mom being a competitive dancer as a teen, I know how to do the Lindy hop and the jitterbug.” I sat bolt upright, and Akinli rolled his eyes. “I swear, if you tell me you can jitterbug, I’m going to . . . I don’t even know. Set something on fire. No one can dance like that.” I pursed my lips and dusted off my shoulder, a thing I’d seen Elizabeth do when she was bragging. As if he was accepting a challenge, he shrugged off his backpack and stood, holding out a hand for me. I took it and positioned myself in front of him as he shook his head, grinning. “All right, we’ll take this slow. Five, six, seven, eight.” In unison, we rock stepped and triple stepped, falling into the rhythm in our head. After a minute, he got brave and swung me around, lining me up for those peppy kicks I loved so much. People walked by, pointing and laughing, but it was one of those moments when I knew we weren’t being mocked; we were being envied. We stepped on each other’s toes more than once, and after he accidentally knocked his head into my shoulder, he threw his hands up. “Unbelievable,” he said, almost as if he was complaining. “I can’t wait to tell my mom this. She’s gonna think I’m lying. All those years dancing in the kitchen thinking I was special, and then I run across a master.”

“Captain Dönitz concluded our dance in typical German fashion, by clicking his heels and kissing my hand. Later that evening Richard reluctantly apologized for his behavior. I could understand that he had been totally engrossed with his duties and decided to forgive the incident and move on. That evening quite a number of the cadets had also asked me for a dance. I felt flattered but decided that I would be loyal to Richard. Later in Germany, Richard loved to tell this story to friends and family or anyone else that would listen. However, it wasn’t until much later that I learned that I had danced with Captain Dönitz, who was later to become the bedecked Grand Admiral of the German Navy and then the successor to Adolf Hitler as the “Head of State.”

“On the great canvas of time We all create our own masterpiece. Choreographing our steps across minutes and hours Dancing over the days Painting pictures over months and Writing our stories on the years. Singing our songs that echo across eons. We are all a thread in the talent tapestry. A snapshot in the cosmic, collective collage.”

“Plato forbids children wine till eighteen years of age, and to get drunk till forty; but, after forty, gives them leave to please themselves, and to mix a little liberally in their feasts the influence of Dionysos, that good deity who restores to younger men their gaiety and to old men their youth...fit to inspire old men with mettle to divert themselves in dancing and music; things of great use, and that they dare not attempt when sober.”