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“Quite often, and in fact more often, I would say, I'm struggling all the way through to think, "What is it I like about this? What is the personality of this thing I'm hearing that I like so much?" And it's nearly always a sort of mixed emotion, which is why I like it. It's something that I have mixed feelings about in the sense that it's both, say, placid and dangerous, or bitter and sweet, or dark and bright.”

“The more closely the author thinks of why he wrote, the more he comes to regard his imagination as a kind of self-generating cement which glued his facts together, and his emotions as a kind of dark and obscure designer of those facts. Reluctantly, he comes to the conclusion that to account for his book is to account for his life.”

“There's something paralyzing about being a writer that you have to escape. I don't want to think of myself as a guy who's written a bunch of books. The 26 letters distance us from our own hesitations and they make us sound as if we know what we're doing. We know grammar, we know prose, but actually we're all just struggling in the dark, really.”

“So, most of it was done over the phone. But one of the first things I did as a director, because it's one of the first things you should do, even though most don't, is to ask good actors who they think is right for the part. They know better than anybody. But without missing a beat Maggie said Pauline Collins. I didn't know Pauline because I hadn't seen Shirley Valentine, but then I saw this thing that she did with Woody Allen [You Will Meet A Tall Dark Stranger], in which she was wonderful as a psychic, and I said to her on the phone: "The dialogue seemed improvised."”

“In this country, intellectual cowardice is the worst enemy a writer or journalist has to face ... Unpopular ideas can be silenced, and incovenient facts kept dark, without the need for any official ban ... At any given moment there is an orthodoxy, a body of iedas which it is assumed that all right-thinking people will accept without question.”

“Snowden has presented us with choices on how we want to move forward into the future. We're at a crossroads and we still don't quite know which path we're going to take. Without Snowden, just about everyone would still be in the dark about the amount of information the government is collecting. I think that Snowden has changed consciousness about the dangers of surveillance.”

“Part of what we're trying to do is lay out what really happened. For example, I've been trying to get across that the intelligence leadership did not just keep the country in the dark. They actively misled the country on key issues. When you have someone who heads the NSA saying we don't hold data at all on US citizens, that's one of the most misleading statements I believe that's ever been made about surveillance policy. And I think that now we're starting to get that message across.”

“I think we, especially in American culture, are so afraid to talk about death. And I'm not talking about literal death. I'm talking about shedding skin. I'm talking about rebirth, ultimately, and how we continue to change as human beings and continue to grow. There's that great Henry Miller quote, "All growth is a leap in the dark."”

“I think that the way that I write stories is by instinct. You have some basic ideas - a character, or an image, or a situation that sounds compelling - and then you just feel your way around until you find the edges of your story. It's like going into a dark room... you stumble around until you find the walls and then inch your way to the light switch.”

“Deep practice feels a bit like exploring a dark and unfamiliar room. You start slowly, you bump into furniture, stop, think, and start again. Slowly, and a little painfully, you explore the space over and over, attending to errors, extending your reach into the room a bit farther each time, building a mental map until you can move through it quickly and intuitively.”

“I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.”

“Everyone has talent. What is rare is the courage to follow that talent to the dark place where it leads. Erica Jong To Cowardly Lion:"As for you my fine friend, you are a victim of disorganized thinking. You are under the unfortunate delusion that simply because you run away from danger, you have no courage. You're confusing courage with wisdom.Frank Morgan as the Wizard of Oz "Courage faces fear and thereby masters it."Martin Luther King, Jr. "These days I'm feeling all right'cept I can't tell my courage from my desperation”

“I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful.”

“It is often said that in today's modern and postmodern world that the forces of darkness are upon us. But I think not; in the Dark and the Deep there are truths that can always heal. It is not the forces of darkness but of shallowness that everywhere threaten the true, and the good, and the beautiful, and that ironically announce themselves as deep and profound. It is an exuberant and fearess shallowness that everywhere is the modern danger, the modern threat, and that everywhere nonetheless calls to us as savior.”

“I don't see the point of doing an interview unless you're going to share the things you learn in life and the mistakes you make. So to admit that I'm extremely human and have done some dark things I don't think makes me unusual or unusually dark. I think it actually is the right thing to do, and I'd like to think it's the nice thing to do.”

“In my 20s, I was more cynical/despairing (even though I still wrote comically), but I often sent audiences home with rather dark last moments. After a while though, I don't want to send the audience home bummed out, or distressed ... I want to see what's hopeful. I'm not overly cheery all the time, and yet I'm not suicidal either. I do think people can make choices that make their lives happier.”

“I like the way that Dexter mixed humor, dark humor and tragedy, in a way I don't think that I've seen another show do. To handle those tonal shifts with so much confidence. Normally, you can mix humor and dark humor, you can mix dark humor and tragedy, but to mix all three... There are just moments with Robin and Reuben, the next door neighbors, that are just funny.”

“The day my father died seemed longer than my entire childhood. The day I felt my first success seemed fleeting, hour-long, not long enough perhaps. I wondered where it went. Even the cycle of time confounds me. I work till dark, until sunrise on most days and fall asleep as the world awakens to light. My friends call me an owl. I like to think of myself as Batman – the prince of darkness.”