“The arousing of prejudice, pity, anger, and similar emotions has nothing to do with the essential facts, but is merely a personal appeal to the man who is judging the case.” MenFactsEmotionCasesHe ManJudgingEssentialsPrejudiceAngerPityAppeals Book:Rhetoric Source: Rhetoric
“I cannot assume emotions I do not feel, and must describe Jerusalem as I found it. Since being here, I have read the accounts of several travellers, and in many cases the devotional rhapsodies - the ecstacies of awe and reverence - in which they indulge, strike me as forced and affected.” FeelsFoundEmotionCasesAccountsAssumingStrikesAweAffectedReverenceIndulgeTravellerJerusalemDevotional Book:Prose Writings of Bayard Taylor ... Source: Prose Writings of Bayard Taylor ...
“I think that the environmental movement is wisely moving away from a largely emotion-based argument for the spiritual or intrinsic value of Nature with a capital "N" and evolving toward a very hard-nosed case for the economic value of natural capital, ecosystem services, biodiversity, etc.” ThinkingHardSpiritualMovingValuesNaturalEmotionCasesEconomicMovementArgumentEnvironmentalEvolveEtcEcosystemsBiodiversityMoving AwayIntrinsic ValueEconomic Value Author:Edward Norton
“In truth, “Extremely Loud & Incredibly Close” isn't about Sept. 11. It's about the impulse to drain that day of its specificity and turn it into yet another wellspring of generic emotions: sadness, loneliness, happiness. This is how kitsch works. It exploits familiar images, be they puppies or babies - or, as in the case of this movie, the twin towers - and tries to make us feel good, even virtuous, simply about feeling. And, yes, you may cry, but when tears are milked as they are here, the truer response should be rage.” FeelsShouldTryingMayFeelingsTurnsEmotionCasesSadnessLonelinessCryTearsBabyResponseRageFamiliarFeel GoodImpulseLoudWorking ItVirtuousTwinsTowersExploitsPuppyDrainsKitschGenericSpecificityWellspringSept 11Twin Towers Author:Manohla Dargis
“Chloe Honum's brilliant first book The Tulip-Flame traces an identity forming within radically divergent but interlocking systems: a family traumatized by the mother's suicide, a failed relationship, the practice of ballet, a garden-each strict, exacting. And with 'a crow's sky-knowing mind,' Honum in every case transfigures emotion by way of elegant language and formal restraint. Chloe Honum is 'one astounding flame' of a poet, and I predict a long-lasting one.” WayMindFirstsLongBookMotherLanguageEmotionPracticeCasesKnowingSkyIdentityPoetGardenSuicideBrilliantFlamesLastingBalletFormalStrictRestraintElegantCrowDivergentChloeLong LastingFailed Relationship Author:Claudia Emerson
“The years of imprisonment hardened me ... Perhaps if you have been given a moment to hold back and wait for the next blow, your emotions wouldn't be blunted as they have been in my case. When it happens every day of your life, when that pain becomes a way of life ... there is no longer anything I can fear. There is nothing the government has not done to me. There isn't any pain I haven't known.” IfsWayYearsHas BeensI CanDoneMomentsGovernmentHappensPainNextGivenFearWaitingEmotionKnownCasesHavensPrisonBlowImprisonmentHardened Author:Winnie Madikizela-Mandela
“It can sometimes make people fold into themselves and kind of run away, but I think in this case these characters are being forced to face issues and emotions, feelings, that they have. So it kind of forces them to face it head on, which I think is a really interesting dynamic. And I think it should be interesting and probably a good thing for the relationship.” PeopleThinkingShouldKindSometimesCharacterFeelingsRunningFacesForceInterestingEmotionCasesIssuesGood ThingsRunning AwayFoldsReally InterestingEmotions Feelings Author:Emily Deschanel
“As an actor, you have many tools - your body, your voice, your emotions, mentally. In film, you have your eyes because they communicate your thought process. In fact, generally in film, what you don't say is more important than what you say. That's not so much the case for stage.” ImportantFactsBodyEyeFilmActorsProcessVoiceEmotionCasesStageToolsCommunicateYour BodyThought Process Author:Hugh Jackman
“In the case of two actors connecting with each other and trusting each other, our bodies have memories without us having to consciously think about it, so rather than think, "Oh, I must think about my daughter dying," you just let that go and trust that you have all the emotions you need in there, and by losing yourself in the scene, that stuff kicks in without having to spend the day thinking about horrific things happening to your own child.” ThinkingNeedsChildrenTwoBodyActorsStuffMemoriesEmotionCasesDyingSceneLosingHappeningsDaughterThings HappenKicksMy DaughterConnectingLosing YourselfHorrificTrusting Each Other Author:Michael Sheen
“Global warming alarmists invariably try to make their case by resorting to rhetoric, dogma, opinion, and emotion. The closest thing to scientific data in their articles is the occasional chart claiming a poorly understood correlation between atmospheric CO2 and the Earth's temperature.” TryingEarthEmotionOpinionCasesUnderstoodDataGlobal WarmingArticlesDogmaClosestRhetoricTemperatureOccasionalCorrelationCo2Alarmists Author:Walter Cunningham
“Poetry, for example, goes so deeply into the space between corporeal affect and deep emotion (even primal in some cases) that, as Emily Dickinson said, it can blow the top of your head off. Poetic language is sometimes misunderstood as "abstract" when in reality, it's precise - precisely the language of emotions and the body.” SaidSometimesBodyRealityLanguageSpaceEmotionCasesExampleBlowAbstractPoeticPreciseMisunderstoodPrimalEmilySpace BetweenDeep Emotions Author:Lidia Yuknavitch