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Figures Quotes

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Figures Quotes

“Gym class was, of course, where the strongest, best-looking kids were made captains and chose us spazzes last. More important, it was where the figures of supposed authority allowed them to do so. Forget the work our parents did molding our minds and values. Everything fell apart as soon as we put on those maroon polyester gym suits.”

“...There are also those who inadvertently grant power to another man's words by continuously trying to spite him. If a man gets to the point where he can simply say, 'The sky is blue,' and people indignantly rush up trying to refute him saying, 'No, the sky is light blue,' then, whether they realize it or not, he has become an authority figure even to such adversaries.”

“I figure there are enough self-opinionated assholes trying to get their ugly little faces in front of you as it is. You ask a lot of kids today what they want to be when they grow up, and they say, 'I want to be famous.' You ask them, 'For what reason?' and they don't know or care. I think Andy Warhol got it wrong - in the future, so many people are going to become famous that one day everybody will end up being anonymous for 15 minutes.”

“I always had an existential crisis, trying to figure out ‘what does it all mean?’ I came to the conclusion that if we can advance the knowledge of the world, if we can expand the scope and scale of consciousness, then, we’re better able to ask the right questions and become more enlightened. That’s the only way to move forward.”

“In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.”

“The best introduction by far to representation of the human figure in art. The Nude is a beautifully written work of sophisticated connoisseurship that analyzes art in its own terms rather than imposing strident, politicized categories on it. It outlines the major body types, male and female, in Western art and, via a wealth of illustrations, trains the reader's eye to detect and evaluate proportion. This book reveres art”