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“In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.”

“Heroic figures are now obsolete,So Demigod and Devil find retreatIn minds of children - as rare beasts and men,Elsewhere extinct, persist in hill or fenFrom man protected - where each form assumesGigantic stature and intention, loomsFrom wind-moved, twilight-woven histories:For them each flower teems with mysteries.”

“Marvin Gaye said there's a song inside of me and I can't get it out. And I know it's in there, and I can feel that it's in there, and I can't get it out. There's so much that I want to say, and I haven't been able to figure out how to say it in my art. I can only say it in ham-fisted, clumsy, nonpoetic ways, and I'm trying to figure out how to talk about life and talk about love and talk about pain and trials and tribulation in an artistic form.”

“This absence of similarity among military questions naturally brings out the inability of memory to solve them; also the sterility of invariable forms, such as figures, geometrical drawings ( épures ), plans ( schémas ), etc. One only right solution imposes itself:;: namely, the application, varying according to circumstances, of fixed principles.”

“I have gained very great inspiration from the Cornish land- and seascape, the horizontal line of the sea and the quality of light and colour which reminds me of the Mediterranean light and colour which so excites one's sense of form; and first and last there is the human figure which in the country becomes a free and moving part of a greater whole. This relationship between figure and landscape is vitally important to me. I cannot feel it in a city.”

“Souls never die, but always on quitting one abode pass to another. All things change, nothing perishes. The soul passes hither and thither, occupying now this body, now that... As a wax is stamped with certain figures, then melted, then stamped anew with others, yet it is always the same wax. So, the Soul being always the same, yet wears at different times different forms.”

“Surely there had been no figure leaning on the back of his chair; no face looking over it. It is certain that no gliding footstep touched the floor, as he lifted up his head, with a start, and spoke. And yet there was no mirror in the room on whose surface his own form could have cast its shadow for a moment; and, Something had passed darkly and gone!”

“I don't remember forms or faces now, but I know the girl was beautiful. I know she was; for in the bright moonlight nights, when I start from my sleep, and all is quiet about me, I see, standing still and motionless in one corner of this cell, a slight and wasted figure with long black hair, which streaming down her back, stirs with no earthly wind, and eyes that fix their gaze on me, and never wink or close.”

“I believe that our society's "mistake-phobia" is crippling, a problem that begins in most elementary schools, where we learn to learn what we are taught rather than to form our own goals and to figure out how to achieve them. We are fed with facts and tested and those who make the fewest mistakes are considered to be the smart ones, so we learn that it is embarrassing to not know and to make mistakes. Our education system spends virtually no time on how to learn from mistakes, yet this is critical to real learning.”

“Among archetypal images, the Sacred Tree is one of the most widely know symbols on Earth. There are few cultures in which the Sacred Tree does not figure: as an image of the cosmos, as a dwelling place of gods or spirits, as a medium of prophecy and knowledge, and as an agent of metamorphoses when the tree is transformed into human or divine form or when it bears a divine or human image as its fruit or flowers.”

“If you hunger for certain types of clothes, for which you have little use, put yourself on a diet. Just as you resist too much whipped cream and French pastry to keep your figure in shape, you can say no to those yearned-for but unneeded purchases that lead to a wardrobe that is shapeless and without form.”

“The artist must imitate that which is within the thing, that which is active through form and figure, and discourses to us by symbols.”

“The idea that a relatively fixed group of privileged people might shape the economy and government for their own benefit goes against the American grain. Nevertheless, the owners and top-level managers in large income-producing properties are far and away the dominant power figures in the United States. Their corporations, banks, and agribusinesses come together as a corporate community that dominates the federal government in Washington. Their real estate, construction, and land development companies form growth coalitions that dominate most local governments.”

“My father would say, 'Play a scale,' and I'd play one and he'd say, 'What about the rest? There must be one above,' so we'd figure them out. I'd start the scale on the root of the chord and I'd go as far as my hand would reach without going out of position, say, five frets, and then I'd go all the way back. So when ! practised I'd start right away on scales. As well as the usual ones, I'd play whole tone scales, diminished, dominant sevenths, and chromatic scales. Every chord form, all the way up, and this took an hour.”

“There is something very consistent about governance in the Arab world. Among the Arab countries today in which there is a modicum of internal stability, each is controlled by an Arafat-type figure - an anti-democratic strongman who is able to crush all challenges to his authority. Likewise, among those Arab countries that aren't ruled by a despot, the political dynamic is also consistent: In Lebanon, Iraq, and now Gaza, sectarian violence is the dominant form of political expression.”

“When I was writing the memoir, every page was a battle with myself because I knew I had to tell the truth. That's what the memoir form demands. I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism.”

“There's so many things happening with computers and what-not, where we may be able to live until 150 and even longer, but if the planet's not here for us to live on it, if we burn ourselves out from global warming and everything else, if we don't figure that out, if we don't figure out an alternative form of energy, I think we're in big, fat trouble.”