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“What I found interesting about Slava Fetisov was that he went through three different generations of Soviet hockey. In the late 70's, he experienced the Miracle on Ice, and then in the 80's became with his teammates the Russian Five, the most dominant team in the history of hockey, and then helped bring down the hockey system when the Soviet Union collapsed and became one of the first players to play in the NHL, and then ultimately came back to Russia.”

“People say that you want to be varied in your career, and I've done so many things and am very appreciative. But, the one thing I've never done and wanted to do was to be a regular on a TV show, where you get 22 weeks of the year to develop and play a character. I've done arcs of five or eight episodes on shows, but I'd like to have a character that's rich enough and deep enough to want to explore and live with for a few years. Playing the same character, but doing different scenes seems very exciting to me.”

“The great thing about having a serialized drama (like 'Sons of Anarchy') is that I'm allowed to bring up events and circumstances that have happened in the past in other episodes to show that this kind of violence doesn't happen in a vacuum. It has ramifications. It has repercussions. Whether it's a week from now or five years from now, you know it will play out. Nothing is ever tied up into a perfect knot.”

“My father would say, 'Play a scale,' and I'd play one and he'd say, 'What about the rest? There must be one above,' so we'd figure them out. I'd start the scale on the root of the chord and I'd go as far as my hand would reach without going out of position, say, five frets, and then I'd go all the way back. So when ! practised I'd start right away on scales. As well as the usual ones, I'd play whole tone scales, diminished, dominant sevenths, and chromatic scales. Every chord form, all the way up, and this took an hour.”

“My dad plays the fiddle. He stopped playing for years. He was playing when I was a baby, and then he stopped for about five years, or ten years, he says. Then all of a sudden he started playing again, and we all got interested. We started having people like Ciarán Tourish coming up to the house, and Dinny McLaughlin, who taught Ciarán, and who taught myself as well. And it just grew from that”